A writer suffering a block decides to watch a young woman as a role model for his novel, but finds more than he bargained for.A writer suffering a block decides to watch a young woman as a role model for his novel, but finds more than he bargained for.A writer suffering a block decides to watch a young woman as a role model for his novel, but finds more than he bargained for.
- Awards
- 2 wins & 2 nominations total
Julie Alannagh-Brighten
- Marianne from Nightmare
- (as Julie-Alanah Brighten)
- …
Sebastian Thompson
- Gloria's Boyfriend
- (as Sebastian Thomson)
- …
Dixie George
- Gloria as a child
- (as Dixie Crouch)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
7=G=
"Miss Monday" tells of a screenwriter (Hicks) wrestling with his script. Unable to get into the character of his female lead he researches her by stalking a randomly selected yuppie woman (Hart) and gets more than he bargained for. The film begins as a shoddy comedy/lite-drama with poor flow and too many nonsequiturs and then turns into a dark and disturbing drama leaving us to wonder if Lee is a genius or simply got lucky. Regardless, this little low budget British indie gets off to a slow start but pays off for those who hang in there. Kudos to Hart whose performance makes the film.
Finally, in a period of crisis for filmmaking, a director who knows how to handle his subject perfectly. My personal favourite for 1998 (so far).
What lies behind closed doors? Or what lurks in the deepest and darkest reaches of our souls? This is exactly what MISS MONDAY tries to explore; the guinea pig? A high flying' executive named Gloria, played by the very able Andrea Hart.
After the initial preliminaries, the movie finally kicks off, as a screenwriter (James Hicks) finds himself fumbling for words and inspiration to depict a leading character (Marianne) of his script. Hence, on the advice of his mentor, Hicks decides to actually observe' a real-life person resembling his script-character, whom he feels could inspire him into writing his Marianne' with much less difficulty.
So, the screenwriter decides to become a scientist and sneaks his way into Miss. Gloria's abode to study his subject and learn her ways and mannerisms. Until this point the script looks goofy and awkward. But then we get to see one of the finest acting performances by Andrea Hart, as she unfolds the middle-aged, single, ambitious executive Miss. Gloria's inner sanctum, which is otiose, dismal and sorry; much in contradiction to her alter persona that the outside world is conversant with.
Hart's brilliant acting performance comes in during the time when the movie is almost dialogue-less. The way she limns the disturbed and insecure side of an otherwise uncompromising and demanding woman, is scary, especially because it is so lifelike. Forget the direction, forget the script, forget the supporting cast; MISS MONDAY is all about Hart's memorable performance, cap-a-pie.
MISS MONDAY is truly indie. Though the story seems unrealistic, the direction and the performance are natural. There is nothing flashy about MISS MONDAY. With everything else restricted to the bare minimum, the movie is left in the hands of the performance of the cast, especially that of Andrea Hart. Andrea delivers, and delivers generously. Watch the movie and be shocked and spellbound, alike.
RATING: 8/10
After the initial preliminaries, the movie finally kicks off, as a screenwriter (James Hicks) finds himself fumbling for words and inspiration to depict a leading character (Marianne) of his script. Hence, on the advice of his mentor, Hicks decides to actually observe' a real-life person resembling his script-character, whom he feels could inspire him into writing his Marianne' with much less difficulty.
So, the screenwriter decides to become a scientist and sneaks his way into Miss. Gloria's abode to study his subject and learn her ways and mannerisms. Until this point the script looks goofy and awkward. But then we get to see one of the finest acting performances by Andrea Hart, as she unfolds the middle-aged, single, ambitious executive Miss. Gloria's inner sanctum, which is otiose, dismal and sorry; much in contradiction to her alter persona that the outside world is conversant with.
Hart's brilliant acting performance comes in during the time when the movie is almost dialogue-less. The way she limns the disturbed and insecure side of an otherwise uncompromising and demanding woman, is scary, especially because it is so lifelike. Forget the direction, forget the script, forget the supporting cast; MISS MONDAY is all about Hart's memorable performance, cap-a-pie.
MISS MONDAY is truly indie. Though the story seems unrealistic, the direction and the performance are natural. There is nothing flashy about MISS MONDAY. With everything else restricted to the bare minimum, the movie is left in the hands of the performance of the cast, especially that of Andrea Hart. Andrea delivers, and delivers generously. Watch the movie and be shocked and spellbound, alike.
RATING: 8/10
10Honey-da
A tasteful resurrection of a lost generation of Progressive Independent Filmmakers and Storyliners who realise the importance of fusion in all aspects of Film-making systems. Comedy clashes with Self-Inflicted Cruelty. A thinking flick designed to manufacture further meditation on the subject matter. Who are these guys and when do I get to see this Film again? (Only showing in Hawaii: Hawaii International Spring Film Festival) Aloha
This is a excellent example of so many excellent works of Independent Cinema. It has been nominated for and won several special festival awards yet It seems to have been ignored at all levels of the film "Critical" community, Thus dooming it to near oblivion.
The writing may have flaws and some of the acting goes over the top a few times. Please remember this is not a $120,000,000 Universal Studios Blockbuster. Even with it's minor flaws It is a very surprising movie.
The story begins in a simple comedic fashion giving the viewer a false sense of security as to the probable story line. But just when the viewer thinks they have it pegged the writer and actors reveal the real message through a series of carefully constructed and well performed revelations about both main characters.
To the viewer who is willing to allow themselves to be open both intellectually and emotionally, this film may cause them to question perceptions of those around us.
I felt that the film worked on a number of levels. While it won't sate everyone's tastes. Highly recommend it to those who enjoy a well written slice-of-life story.
The writing may have flaws and some of the acting goes over the top a few times. Please remember this is not a $120,000,000 Universal Studios Blockbuster. Even with it's minor flaws It is a very surprising movie.
The story begins in a simple comedic fashion giving the viewer a false sense of security as to the probable story line. But just when the viewer thinks they have it pegged the writer and actors reveal the real message through a series of carefully constructed and well performed revelations about both main characters.
To the viewer who is willing to allow themselves to be open both intellectually and emotionally, this film may cause them to question perceptions of those around us.
I felt that the film worked on a number of levels. While it won't sate everyone's tastes. Highly recommend it to those who enjoy a well written slice-of-life story.
Did you know
- ConnectionsReferences Midnight Cowboy (1969)
Details
Box office
- Gross worldwide
- $5,504
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
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