Alice in Acidland

The recent revival of Grindhouse-cinema (courtesy of Quentin Tarantino and Robert Rodriguez) thankfully brought some lost and presumed missing horror and exploitation gems of the late 60's and 70's back in to the spotlights, but inevitably it also helped bringing some awful and righteously forgotten stinkers to the surface. Some brand new DVD-label in my country – clearly inspired by the success and oddity value of Something Weird Video – even released this "Alice in Acidland" on disc and promoted it as a true highlight of the rancid exploitation era. Well, it isn't really. This is a terrible film, rapidly shot and edited together to further cash in on the huge success of other (and better) contemporary drug-movies like "The Trip" and "Head" and basically the LSD-version of the classic anti-propaganda joke "Reefer Madness". That particular 'documentary' – whether government funded or not – taught us that Marihuana is responsible for potentially intelligent teenagers to commit adultery, cause hit-and-run accidents, play with guns and even kill themselves. "Alice in Acidland" keeps it all a little sleazier and more easy-going, though. Apparently, all that LSD does is stimulating young and innocent girls to have random sex with strangers; whether guys that nickname themselves Animal or fellow naughty girls. As you can guess, "Alice in Acidland" is merely just an excuse to show a series of gratuitous soft-porn sequences and delirious color-effects. The set-up is similar to the one of "Reefer Madness", with a voice-over narration from a psychiatrist and the poor intoxicated Alice herself. That is kind of weird, since the end of the movie clearly states that the LSD messed up poor Alice beyond repair, so how would she be able to narrate her version? There's absolutely no dialog in the entire film, presumable to save the viewer some really terrible performances, but the ladies are quite luscious and keep the sex footage at least endurable. 55 minutes might seem incredibly short for a long feature film, but believe you me, in the case of "Alice in Acidland" is more than long enough and perhaps even a bit overlong.

At its root, the filmmaker's dilemma has two fangs.

One challenge is to take things that people know and bend and filter them in ways that can be seen as "natural" when it gets to the other side, past the set, the film, the beam, the retina, the neurons. In other words, most filmmakers struggle with us to show us what we know.

On the other hand, some filmmakers attempt to show us what we don't know, or think we know but have never seen. Possibly love falls in this category, but that's another story. The challenge of this game is developing a vocabulary to take us to the unfamiliar, using bits and pieces of a vocabulary from the familiar.

Its the first challenge that the theatrical types love: truth, passion and all that. But its the second that fascinates me, at least this week.

In this "other world" category are the standard parade of movies about mathematics, mysticism, afterdeath, art (sometimes), or mental deviance (when we get the first person view). Oddly, the same conventions are usually used for all of these, making many of these possibly the worst films in existence.

And then there are the hallucinogenic drug movies. These are fascinating. I might make a special study of these, starting before the period when some significant number of viewers actually could be counted on to be experienced in this regard.

If you were to start such a study, dear viewer, you need to start with "Easy Rider," "Head" and this, all made in the same year.

This one is in a different camp from the others because it chooses a sexual metaphor. The story is contrived to set us up by establishing a sexually driven trace, a call into the viewer's mind to memories that we all have about transit to another world while having sex.

I'm really impressed by the idea. We do end up with all the standard bumph of colored lights on bodies, not much different than say the psychedelic scenes in "Behind the Green Door," which used the same sex and psychedelic formula. Except by that time filmmakers were showing penetration.

"Green Door" takes a slightly different formula than here: the story is about a movie of a show. This Alice case is instead a different type of show: a documentary, a warning, along the lines of "Reefer Madness."

By the way, people laugh at "Reefer Madness," thinking it an inept, stodgy piece of misinformed propaganda. Look again folks and see that it is constructed according to a strictly psychedelic model, obviously by someone who knew. Its a "Saragossa Manuscript" in mufti.

Okay, back to this. There is no reason to watch it unless you are into these things, these cinematic challenges. But if you are interested in film, and other worlds, try this concoction of visual science fiction as charmed up by entranced lesbian sex.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

this movie is very accurate, as every girl i have met that smokes weed instantly becomes a bisexual nymphomaniac. scientific studies have actual proved this many times over. the accuracy is phenomenal (i.e. how the men have sex with their slacks on, which I do as well). the parties look like any other raging party in the 60's where people sit together in a well lit room smoking weed and immediate having sex with everyone as soon as they walk in. i also want to compliment the editor on his jump cuts to build up the tension, very french new wave. i enjoyed the cut about a minute into the film where it cuts from one scene to another in the middle of a sentence but i have to say my favorite cut is during one of the many drawn out sex scenes, it suddenly cuts to a girl lying on the floor with no top, while all the men in the room are ignoring her and the voices over says something like "...lost her virginity." i don't normally rate movies so high, but this movie deserves to be on the top 250!

The first part of this film is extraordinarily inept. It has a voice-over instead of dialogue, and tells the tale of a college girl who smokes marijuana and becomes a crazed lesbian. At the end of the film she drops acid and has a full-colour lesbian fantasy, that inevitably drives her insane. The wild lesbian fantasy is not too badly done, and requires extensive use of the pause button.

Another really great Something Weird Video. Made 1968, Alice in Acidland is part LSD scare film and part psychidelic trip film. It's actually really swell. The first half that shows `Alice' as a naïve girl, who gets invited to a pool party. While there she gets drunk for the first time and then has a bath with the female host of the party. After that first encounter Alice becomes apart of that hip group. She frequents these orgy parties and meets Animal. The orgy scenes and the nudity are really tasteful and very pin-up like. At one party a new girl who wants to be apart of the group takes acid and then is raped by Animal. Alice takes acid afterwards, even though she was totally aware of what happened to her friend. After reflecting on the disturbing event that her friend suffered she trips hard. Much like Wizard of OZ, Alice in Acidland turns from black and white to full psychidelic color. There are a lot of super-imposed images of her friend and a lot of Alice dancing nude with patters and colors projected on her. I found the whole movie to be interesting to watch. The black and white half was shot well for the time and actually looks better than some later films. The tripping scene was very much like an opening sequence for a James Bond movie. It was traditionally psychidelic, not really intense like Psyched by the 4-D Witch. In the end a lesson is supposed to be learned. But who knows, it looked sort of fun.