IMDb RATING
6.0/10
4.9K
YOUR RATING
Two guys kidnap the wife of a rich man and bury her in a box with 24 hours of oxygen. Tough NYPD Detective Maddy and others get the case. Will they get to her in time?Two guys kidnap the wife of a rich man and bury her in a box with 24 hours of oxygen. Tough NYPD Detective Maddy and others get the case. Will they get to her in time?Two guys kidnap the wife of a rich man and bury her in a box with 24 hours of oxygen. Tough NYPD Detective Maddy and others get the case. Will they get to her in time?
- Awards
- 1 nomination total
Christopher J. Quinn
- Chris the Cop
- (as Christopher James Quinn)
Edmund Genest
- Sarcastic Dentist
- (as Edmond Genest)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
... trite, hackneyed, and boring. Aside from excellent acting by Maura Tierney (wasted), and a very Anthony-Edwards-esque Terry Kinney, this movie is a waste of 90 minutes. From the dreadfully self-applauding monologues to the unbelievably wanna-be-Tarantino conversations, it's a non-stop tour of hackdom. Adrien Brody never convinces the viewer he's insane. The cops never sound like cops (check out the 2-3 minute monologue given by the "FBI guy" - Brody's wanna-be cool response of "nice monologue!" will have you rolling your eyes. This is dialogue verite?).
Much like Oprah fans, the plot holes are large and numerous. Tierney's character does nothing to try to hide her burn marks, but only the killer notices. Tierney's character does nothing to hide her alcoholism, but only her friend notices. Adrien Brody's character escapes in some seriously laughable situations (as a 25-year-old with braces, I can tell you the wire does not come out that easy - as an experienced magician, I can tell you that picking cuffs makes a lot of noise, and orthodontic wire is not strong enough for it). The final escape is the worst - how did Brody's character keep the gun on her while they both climbed through a small hole in the roof? How did he keep her quiet while he did all of this? How did the buried woman survive so long, and have the strength and presence of mind to attack him?
Possibly the worst thing about this movie is how clever the writer/director obviously thinks he is. Does he actually believe we care if the killer and the cop are "the same"? They're obviously not - and how many times can that line be recycled? Does he honestly believe he's drawing us in with the tepid, uninteresting cat-and-mouse dialogue? And what was up with the idiotic dirt-kicking scene? "You're finally free", croaks a dying Brody. Thankfully, by that point, so are we.
Dreadful, dreadful, dreadful. Skip it. 0/5 stars.
Much like Oprah fans, the plot holes are large and numerous. Tierney's character does nothing to try to hide her burn marks, but only the killer notices. Tierney's character does nothing to hide her alcoholism, but only her friend notices. Adrien Brody's character escapes in some seriously laughable situations (as a 25-year-old with braces, I can tell you the wire does not come out that easy - as an experienced magician, I can tell you that picking cuffs makes a lot of noise, and orthodontic wire is not strong enough for it). The final escape is the worst - how did Brody's character keep the gun on her while they both climbed through a small hole in the roof? How did he keep her quiet while he did all of this? How did the buried woman survive so long, and have the strength and presence of mind to attack him?
Possibly the worst thing about this movie is how clever the writer/director obviously thinks he is. Does he actually believe we care if the killer and the cop are "the same"? They're obviously not - and how many times can that line be recycled? Does he honestly believe he's drawing us in with the tepid, uninteresting cat-and-mouse dialogue? And what was up with the idiotic dirt-kicking scene? "You're finally free", croaks a dying Brody. Thankfully, by that point, so are we.
Dreadful, dreadful, dreadful. Skip it. 0/5 stars.
Good performances, especially from Adrien Brody as a psychotic sadistic killer with a Houdini obsession and Maura Tierney as a cop, make this film stand out. The story is good, but would have suffered in the hands of a less competent director and cast. This is a movie that depends a lot on performance to deliver, and it does. Some of the supporting cast could have been played by better actors, but they are serviceable and are mostly meant to occasionally prod the story along another notch. On the whole, the cast stays out of the way of Brody and Tierney, who are the whole show. It's definitely worth seeing, and another one of those films that seemingly came out of nowhere, as I never heard of it before. I like solid B movies, and this stands out as one of the best. Its obscurity helps to conceal its surprises, and it helps to be surprised with this movie. I gave it an 8 out of 10.
In OXYGEN, Richard Shepard has refined his approach to character-driven crime thrillers first seen in his previous, also excellent film, MERCY. Armed with experience and a bigger budget, Shepard has wrested outstanding performances from Maura Tierney and Adrien Brody, in their best work to date. Both characters are quite believable, and their defects are gently extracted and displayed by the subtle script. There are no stereotypes or one-dimensional characters in the whole film.
This is not to say that this is some esoteric, art-house movie, suitable only for clove-smoking turtleneck-wearers. The action scenes are well-executed and edited. Camera work is very nice; the long Steadicam shot in the train is especially memorable. Tension holds on throughout, and even the asides (such as an FBI agent's humorous soliloquy about the death penalty) integrate well and don't distract.
I sure would like to see what Richard Shepard could do if given some Really Big Bucks.
This is not to say that this is some esoteric, art-house movie, suitable only for clove-smoking turtleneck-wearers. The action scenes are well-executed and edited. Camera work is very nice; the long Steadicam shot in the train is especially memorable. Tension holds on throughout, and even the asides (such as an FBI agent's humorous soliloquy about the death penalty) integrate well and don't distract.
I sure would like to see what Richard Shepard could do if given some Really Big Bucks.
1st watched 3/31/2002 - 8 out of 10(Dir-Richard Shepard): Well-made thriller that is advertised by it's depiction of being buried alive and is actually much more than this. Tierney & Brody give wonderful performances in each of their roles and the direction is almost spotless. Very overlooked movie which deserves much more attention for how well it was done despite not working for a major movie company. I will be looking for more by Mr. Shepard whose direction really made this movie work as well as it did.
I think this is a pretty good movie. Basically, Maura Tierney plays a detective who has some very big personal problems to deal with and gets sucked into a kidnapping case only to become the last hope the victim has.
I especially like the way Maura is cast as the leading role. Refreshingly, she is a real woman with very real problems. Most people probably cannot relate with the specific issues she has to deal with, but the one thing I was left with when the movie was over was that she was 100% believable. She's not some kind of "super" human like every other star in a good-guy vs. bad-guy movie. She's just a smart detective who manages to stay alive.
I especially like the way Maura is cast as the leading role. Refreshingly, she is a real woman with very real problems. Most people probably cannot relate with the specific issues she has to deal with, but the one thing I was left with when the movie was over was that she was 100% believable. She's not some kind of "super" human like every other star in a good-guy vs. bad-guy movie. She's just a smart detective who manages to stay alive.
Did you know
- TriviaAdrien Brody really had braces put on his teeth for his role as Harry, rather than get fake ones put in every day. He realized this was a mistake when he realized that he couldn't get into a fight at a bar because his upper lip would be destroyed by the braces.
- GoofsDuring the first car chase immediately after the small red car pulls in front of Harry and Det. Foster the passenger-side door panel can be seen smashed in. This is before any contact between the two cars.
- Crazy creditsFilmed between torrential rainstorms on location in New York City
- SoundtracksBring Me the Gun
Written by Shaij Ticotin & Premonanda Ram Johannes
Performed by Cross of Snow
Details
Box office
- Gross US & Canada
- $3,088
- Gross worldwide
- $3,088
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