The Trench

Who would choose to make their debut a WWI character piece set within the confines of one trench? For his first directorial effort William Boyd has not tried to run before he can walk, and Paul Nicholls in his first released feature plays a role he clearly empathises with.

The relative inexperience of Boyd is evident in the modesty of the production - no expensive effects, no epic locations - but that actually works well in this study of young men trying to cope with the unthinkable horror that characterised the World War One battlefield.

Cooped up for days in dreadful conditions, the various characters - the naive (Nicholls), the intellectual (D'Arcy), the objectionable (Dyer), the loveable fattie (Strachan) - at turns argue with and provide support for each other, but at the end of the day have to face almost certain death on their own and in their own way.

This is not a great film, it doesn't quite provide a strong enough focus to help you empathise with the characters, for the most part it feels like a filmed play, but as a film it is able to provide moments of real visual power such as the final scenes as the boys finally leave the trenches to face the German guns.

For those last few minutes, the realisation of what they are about to do hits you hard, you can really sense the terror that they must have felt.

Despite it's "theatrical" feel at times, and the constraints of its setting, this is a fine and evocative film, with an excellent cast. Paul Nicholls, Danny Dyer and James D'Arcy are not alone in giving faultless performances, but the star of the film must be Daniel Craig, who is superb as Sgt Winter, a man who has survived the battlefield once, but knows his luck is about to run out.

"The trench" is a missed opportunity.Life in the trenches in WW1,as depicted by the many letters the soldiers sent to their families,was really a living Hell,so it was possible to make a fantasy and horror movie from this subject.That's what Abel Gance did with his masterpiece "J'accuse" (1918 and 1938) when he showed the victims rise from the dead.

"The trench" succeeds in recreating a gloomy nightmarish blue-green atmosphere ,but is short on screenplay.The story is never really interesting and there is worse: the director is incapable of creating characters we could care for,which is a shame,when it deals with martyrs of WW1 .

Strangely this film has grown on me and I'm not sure why but still have a hate for it. The acting is fairly sound and it has some good moments but there isn't much feel for realism. For a start the trenches would have been infested with rats and lice and from what I've read about The Somme it seemed a lot more draumatic than what was portrayed in this film. It just looked too clean. The main hardship they had experienced was boredom, not relentless rain and the constant madness of bombardments. Also what was the point of capturing a German and then not interrogate him, but give him a fag and then let him go? Another wrong point is that the battalions would have been from the same region. Yeh, I'm being picky but why the scots were with southerners and northerners I don't know. The end of the film is the worst. Surely if there had been nights of endless shelling you'd expect to see some shell holes when going over the top? Could of had a nice picnic on that land. Shame, if the director had read more relevant books it could have been really good.

I went considerably out of my way to be the only woman in the theater to see "The Trench" from Britain, a conventional continuation of the British obsession with World War I as being the most symbolic war. Not much new here that wasn't in "All Quiet on the Western Front" or "Paths of Glory" or "Gallipoli", but I suppose some lessons need illustrating for new generations.

Taking place claustrophobically in the trenches just prior to the bloody Battle of the Somme with the sounds of war all around--though it could also have been taking place in the canals of Mars against aliens-- the characters are typically class-based Brits (from ineffectual aristocratic officer to working class blokes whose conversations need subtitles for American viewers), but manage to stay above stereotypes through excellent acting (with actors familiar to us from PBS's "Mystery" and "Masterpiece Theater") and personalization.

I'm probably the only one other than Daniel Craig's family (and the webmasters at his fan site) who went to see the movie for him, but his career soldier sergeant in particular is a real human being.

Otherwise, as always with ensemble war movies, I have trouble telling the young guys in uniform apart to keep the characters straight.(originally written 12/2/2000)

Shot 99.9% INSIDE the trench to convey the sense of claustrophobia. It works. You can almost smell the trench. I personally think that the low budget style produced a happy bi-product rather than it being planned. Not a conventional war movie but a VERY British close up at the inter-personal relationships during WW1 before the Battle of The Somme. The youthful Paul Nicholls eminates a young 'duty to your country soldier' and in the alone-ness he fantasises over the memory of a young girl who merely served him with a stamp at his local post office. Loads of blood and guts and a particularly harrowing scene - almost subliminal - which works well as it ensures your brain remembers the real horrors of war at close quarters inside a trench. The usual chain of command reveals why delegation can sometimes disguise cowardice and fear. The film achieves its objective and portrays the awful waste of life.