Lina Inverse and her overly-endowed associate Nagha the Serpent travel to Mipross Island, where they encounter an old sage who enlists them in his battle to defeat the demon Joyrock.Lina Inverse and her overly-endowed associate Nagha the Serpent travel to Mipross Island, where they encounter an old sage who enlists them in his battle to defeat the demon Joyrock.Lina Inverse and her overly-endowed associate Nagha the Serpent travel to Mipross Island, where they encounter an old sage who enlists them in his battle to defeat the demon Joyrock.
- Directors
- Writers
- Stars
Yuri Shiratori
- Meliroon
- (voice)
Brad Atwell
- Additional Voices
- (English version)
- (voice)
David Bell
- Young Rowdy
- (English version)
- (voice)
Bryan Bounds
- Holligan #3
- (English version)
- (voice)
- …
Jessica Calvello
- Meliroon
- (English version)
- (voice)
Meredith J. Dahl
- Rinse
- (English version)
- (voice)
- (as Meredith Dahl)
Randy Fox
- Holligan #2
- (English version)
- (voice)
- …
Keiji Fujiwara
- Thief
- (voice)
Hiroko Fukumori
- Additional Voices
- (English version)
- (voice)
Laura Gadbois
- Additional Voices
- (English version)
- (voice)
Tesshô Genda
- Joyrock
- (voice)
Tiffany Grant
- Loofa
- (English version)
- (voice)
Matt Greenfield
- Holligan #4
- (English version)
- (voice)
- (as Brian Granveldt)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
My son introduced me to anime not that long ago. Like most things, there's a lot of junk, but "Slayers, the Motion Picture" is definitely NOT junk! I was unaware that it was originally a tv series in Japan, but this movie can stand entirely on its own: Heroines, villains, good writing and characterization, great animation, and, finally, an evil foe with great power and no conscience whatsoever. I do have to agree with my son, though, that it's best to watch this movie with subtitles rather than dubbing. Dubbing cannot capture the same character qualities as the original- and often very witty- Japanese dialogue does.
And so we again ask the evergreen question: how might an adaptation of prior material appeal to those who have had no experience with that material? Ideally a film should be accessible for newcomers while perhaps holding more meaning for those who are already fans; by the same token, one wants an adaptation to be suitably representative of a franchise to potentially draw in new fans on its strength alone. For my part I approach 1995's 'Slayers' with the freshest of eyes - and, hey, it's fairly enjoyable. I don't think I'm likely to go out of my way for more, but I wouldn't mind checking it out if I had the chance, with the assumption that other instances would be more polished.
Between the writing and direction this is shaped in such a manner that it can be appreciated by those who have never touched Kanzaka Hajime's work otherwise, for it's a straightforward feature of fantasy, adventure, and comedy. Yet while there are strong ideas in the narrative and scene writing, the execution leaves quite a bit to be desired. It seems evident that we're supposed to already know who Lina and Naga are, and why they're so powerful. Even more to the point, the picture seems rather simplified and unsophisticated, like we're getting only the most basic, unrefined, and unsubtle iteration of every notion herein - there is meaningful plot development, yes, yet beats and ideas are often dispensed with the dull directness of "This happens. Then this happens. Next, this happens. This will follow." It's the sort of presentation for which older children's movies or television is reasonably chastised for seemingly condescending, and assuming that young viewers wouldn't grasp more complete and well-rounded storytelling.
To some lesser degree the same somewhat goes for the animation. Character designs are extra cartoonish, declining the same level of detail and texture that we see in other aspects, and the animation of characters also seems a little rough, lacking especial fluidity. Granted, the backgrounds and environments are gorgeous, and other active elements including creature designs and effects are plainly superb. There's even some nice consideration for lighting and shading. But then there's the regular accentuation of Lina and Naga's exaggerated figures, which is really just tiresome as it is purely juvenile, catering to immature, pubescent boys. Some aspects are notably sharp, and others are less so; overall the animation is quite swell - but I wouldn't say it's the top of the line for what we expect of anime in 1995. Anyway, all this stems from the writing and direction, so just as there are excellent thoughts for this or that in the visual experience, its actual treatment is sometimes another matter.
The issues I have with 'Slayers' come to a head in the last act. The root story is ripe for telling in this medium, with deliciously sinister ideas on hand as Lina and Naga are drawn to a mysterious island where everything is not quite what it seems. The best facets of the animation reflect this, and likewise the rich, flavorful original music of Hattori Takayuki. Yet in how our chief characters are written and animated, and in how the title is written and directed at large, it's frankly incapable of achieving a tone appropriate for the material. And for as brusque and forthright as the sum total is in imparting its tale, the dark grandeur and impact of the saga is all but wholly stripped away, even troubling basic narrative cohesion as a result. 'Slayers' actually is entertaining, but it feels rushed, diminished, and light - by every measure, only a fragment of what it should be. A sizable fragment, maybe, but still a fragment.
Ultimately I do like this flick, and I'm glad I took the time to watch. I think it's worthwhile on its own merits, and I wouldn't mind seeing more of the franchise in the hope that other entries account for the faults I recognize here. Still, those faults limit the lasting value that this release has to offer, as true today as it was thirty years ago; with a tad more mindful care in every regard the feature would have been notably improved. One way or another this hardly demands viewership, yet all told 'Slayers' is a good time if you happen to have the opportunity to watch.
Between the writing and direction this is shaped in such a manner that it can be appreciated by those who have never touched Kanzaka Hajime's work otherwise, for it's a straightforward feature of fantasy, adventure, and comedy. Yet while there are strong ideas in the narrative and scene writing, the execution leaves quite a bit to be desired. It seems evident that we're supposed to already know who Lina and Naga are, and why they're so powerful. Even more to the point, the picture seems rather simplified and unsophisticated, like we're getting only the most basic, unrefined, and unsubtle iteration of every notion herein - there is meaningful plot development, yes, yet beats and ideas are often dispensed with the dull directness of "This happens. Then this happens. Next, this happens. This will follow." It's the sort of presentation for which older children's movies or television is reasonably chastised for seemingly condescending, and assuming that young viewers wouldn't grasp more complete and well-rounded storytelling.
To some lesser degree the same somewhat goes for the animation. Character designs are extra cartoonish, declining the same level of detail and texture that we see in other aspects, and the animation of characters also seems a little rough, lacking especial fluidity. Granted, the backgrounds and environments are gorgeous, and other active elements including creature designs and effects are plainly superb. There's even some nice consideration for lighting and shading. But then there's the regular accentuation of Lina and Naga's exaggerated figures, which is really just tiresome as it is purely juvenile, catering to immature, pubescent boys. Some aspects are notably sharp, and others are less so; overall the animation is quite swell - but I wouldn't say it's the top of the line for what we expect of anime in 1995. Anyway, all this stems from the writing and direction, so just as there are excellent thoughts for this or that in the visual experience, its actual treatment is sometimes another matter.
The issues I have with 'Slayers' come to a head in the last act. The root story is ripe for telling in this medium, with deliciously sinister ideas on hand as Lina and Naga are drawn to a mysterious island where everything is not quite what it seems. The best facets of the animation reflect this, and likewise the rich, flavorful original music of Hattori Takayuki. Yet in how our chief characters are written and animated, and in how the title is written and directed at large, it's frankly incapable of achieving a tone appropriate for the material. And for as brusque and forthright as the sum total is in imparting its tale, the dark grandeur and impact of the saga is all but wholly stripped away, even troubling basic narrative cohesion as a result. 'Slayers' actually is entertaining, but it feels rushed, diminished, and light - by every measure, only a fragment of what it should be. A sizable fragment, maybe, but still a fragment.
Ultimately I do like this flick, and I'm glad I took the time to watch. I think it's worthwhile on its own merits, and I wouldn't mind seeing more of the franchise in the hope that other entries account for the faults I recognize here. Still, those faults limit the lasting value that this release has to offer, as true today as it was thirty years ago; with a tad more mindful care in every regard the feature would have been notably improved. One way or another this hardly demands viewership, yet all told 'Slayers' is a good time if you happen to have the opportunity to watch.
É um filme que não é muito ruim, se não dormir, dá para assistir.
It's a movie that's not too bad, if you don't sleep, you can watch it.
I'm just new to SLAYERS, so I decided that The Motion Picture would be my first animated encounter with Lina and Naga. Boy, did I enjoy it. I got lost on the plot once, but I just ignored it and picked up from there on. Out of the two mages, Lina has to be my favourite. There's something about her... I think it's probably her short temper. My favourite scene is just after when Naga literally bounces onto the screen and admonishes Lina for her diminuative stature. Lina cooly points at Naga and uses a fireball to roast her. I also liked the Midnight Blue song at the end. Oh, Naga! I forgot her. Um, well, just looking at her says it all. The best scene with Naga has to be the jellyfish/sea cucumber battle. That was just an odd spell, as was the one with the dragon made of rock (a massive head and tiny body). One problem, though: I think there wasn't enough of Lina's Dragon Slave.
But on the whole, an excellent piece of viewing for newcomers.
But on the whole, an excellent piece of viewing for newcomers.
Nahga the Serpent is a great addition to Slayers in that she brings another level of comedy with her. But what separates this film from the rest of the movies and the Specials is that Lina's and Nahga's adventure intertwine with the story of a human whos memories and quest are perhaps more important to the audience than that of the two sorceresses. Slayers the Motion Picture had everything I wanted from a Slayers film and more: love, heroism, wit, adventure, and comedy.
Did you know
- Crazy creditsLina is chased by Nagha throughout the credits.
- ConnectionsFollowed by Slayers Return (1996)
- SoundtracksMidnight Blue
Lyrics by Satomi Arimori
Music by Hidetoshi Satô
Arranged by Shô Goshima
Performed by Megumi Hayashibara
Courtesy of Starchild Records
Details
- Release date
- Country of origin
- Language
- Also known as
- Slayers: The Motion Picture
- Production companies
- See more company credits at IMDbPro
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