Radiance

Rachel Perkins took on Radiance with a great deal of care, intelligence and humour. The three main roles of the ensemble cast shine through Rachel's direction which allows the actors to explore their characters through the range of emotions of experience. Deborah Mailman who, nominated for an AFI award for her performance, is outstanding as Nona the young kid both lost and assured of who she is and what she wants. Still both Rachael Mazza (Chressy) and Trisha Morton-Thomas (Mae) are oustanding as well, Nona's humour guarantees her as the audience favourite. What outstounds me about Radiance is that it is an Australian film - one which doesn't go pastiche with quirkiness (say Welcome to Woop Woop) or the propaganda rallying call of Ostrailya. Radiance, like Head On, exists as a film about characters and a story. Three Aboriginal women who react and change in each others presence without delivering any Certified Political Message (TM)... it "informs the characters" Rachel says in JJJ interview. Alcholism isn't an issue it's an experience; the Stolen Generation isn't an epitaph but a reality for the characters. In short I was quite taken by this film because of its intelligence, strength and humour and it most definitely deserves both an Australian and International audience.

I saw this film at the Bermuda Independent Film Festival in 2002. And, I keep waiting for it to come out on video so I can buy it.

This movie starts out a bit slow, but before you know it, you're so captivated by the characters and story. It will make you laugh, it will make you angry and it will make you cry. Once it gets going, mostly it will make you laugh.

Three sisters go home for their mother's funeral. Sounds like a "girl's movie" but it's not. Each one has a strong personality and has her own issues with herself and each of her sisters - not to mention her deceased mother, who has passed away before the movie begins.

I don't want to give too much of the plot away - but this is a movie worth seeing several times, and sharing with friends.

Three sisters are reunited by their mother's death. Having led separate lives, the girls seem to have little in common. The intense Mae stayed with Mum to the end. The brooding Chrissy has pursued a singing career overseas, the vivacious Nona is just becoming a woman. The funeral itself is a very sad affair. It seems reconciliation is still a long way off in this part of Australia. A single woman of dubious morality, and aboriginal at that, did not make for a large congregation of mourners. The girls get on with the grieving process as best they can, but it will come as no surprise that as well as Mum's ashes in the can, there are a few skeletons in this family's closet. A wonderful script gives credibility to this excellent drama with operatic overtones. Beautifully shot among the canefields on the Sunshine Coast of Queensland, this is a story, indeed an epic for any millenium.

I had seen this movie (I also got the DVD) and and I love it I enjoy the simplicity and humanity in the whole making of this film plus the cruel reality of some peoples lives. Is a funny, touchy, sad and realistic film. Is like to see our selves in the mirror without the masks. I congratulate the Director, writer, cast and production team you all did an excellent job. Thanks. 3 women, sisters, confronting reality and love for each other, what else you can expect in a family reunion?, love's always the winner and in this movie you will taste it with a big smile and a few tears. I will give to this film 10 out of 10 for honesty and simplicity and good acting, qualities expected in a good film. I did enjoy this film very much. There's not blood, bombs, electric sounds, just 3 women capturing the audience with each of their dramas and showing us that in real life things can be sour but family and love it's always there. Great film. Ta.

I was enchanted and romanced by three lovable wicked sisters. I love the one liners. I love the crude remarks. I love the clashes and I love the final outcome. You could say I enjoyed this film. The Luis Nowra play transported nicely onto the screen with the help of an observing eye from Rachel. Please throw more money her way, I can see this filmmaker maturing with every work she may create.