IMDb RATING
6.0/10
1.1K
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A lonely plumber poses as a director to meet women, and the writer whose script he's stolen builds on his ruse to get her movie made.A lonely plumber poses as a director to meet women, and the writer whose script he's stolen builds on his ruse to get her movie made.A lonely plumber poses as a director to meet women, and the writer whose script he's stolen builds on his ruse to get her movie made.
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A gentle little parable about what the "perception categories" of regular people as well as those in the movie business that was in the theaters for a short period of time and currently is playing on cable and so forth. Martin Donovan plays a plumber, though more of a quiet and introspective one than many might know, who in upset that people look down on him because of his profession. He seizes on a chance to see what would happen if people so him differently, and maybe get a pretty woman in the process, by pretending to be a director of a new independent film. Things get complicated when the film is actually funded ...
Martin Donovan is a bit too laid back in this film, but it adds to the low key nature of the film that gives it charm. Mary-Louise Parker plays his neighbor, who gets to show another side of herself as well, being the author of the screenplay and the director behind the scenes. She plays her usual strong woman with self esteem problems role (mixed and match in other projects with her woman with mental or physical problems role) well. Parker does much better here, I think than her underwritten "West Wing" role. The supporting characters also are good, while Jill Hennessey (formerly of "Law and Order" and in a few indies herself) has a funny cameo as an actress.
The film starts to drag a bit toward the end, but it is enjoyable overall with a nice understated overall tone throughout.
Martin Donovan is a bit too laid back in this film, but it adds to the low key nature of the film that gives it charm. Mary-Louise Parker plays his neighbor, who gets to show another side of herself as well, being the author of the screenplay and the director behind the scenes. She plays her usual strong woman with self esteem problems role (mixed and match in other projects with her woman with mental or physical problems role) well. Parker does much better here, I think than her underwritten "West Wing" role. The supporting characters also are good, while Jill Hennessey (formerly of "Law and Order" and in a few indies herself) has a funny cameo as an actress.
The film starts to drag a bit toward the end, but it is enjoyable overall with a nice understated overall tone throughout.
This is an extremely charming comedy that delivers on every level: as a witty, touching love story (Martin Donovan and Mary Louise Parker are both fantastic and have terrific chemistry), as a perceptive satire on filmmaking, and as a thoughtful look at the ways we perceive the people with whom we come into contact every day. The film's examination of how we perceive those around us is sharp and complex but never preachy---the movie's message is communicated through thoroughly absorbing drama rather than pontification. The direction is elegant and expressive without being self-conscious---the director doesn't have to force his effects because the characters are strong and the lush cinematography makes us fall in love with each and every one of them. The film goes in unexpected directions without feeling contrived and generates big, smart laughs. "Pipe Dream" is a real winner.
Saw this in preview at the Seattle Film Festival, and was wowed by Parker and Donovan -- also found the script immensely smarter and funnier than most of what passes for romantic comedy these days. This movie deserves a wide audience, I hope it gets a chance to find it.
I saw this film last night at the Seattle International Film Festival, and was absolutely delighted at the wit and wry humour that this film possessed. Each of the characters is endearingly flawed - ("this person could be me") and adds a lovely human factor. I guess this film is only going to be limited in it's release initially, but seriously, if you have a chance to see it - it'll brighten your week. It's very off-the-cuff, not contrived a bit and NOTHING like your usual romantic comedy. . .The characters are actually bright and original. The screenwriter, Cynthia Kaplan, was at the screening that night, and it was very apparent that there will be much more to come from her. She has a book evidently too: "Why I'm like this". Sign me up!
There's a scene towards the very end of the movie, where Mary-Louise Parker .. bit.ly/Suuvwk .. (now the director) and Martin Donovan are talking about the filming setup. It is here that you see just how good an actor she truly is... watching her very subtle and natural facial movements adding depth to her character and the role. All the cast is good and the script is sharp and witty. This is a very good movie, smartly made and very well acted. It's easily four star.. even slightly higher. That same scene at the very end of the film shows a corner street sign.. anyone from the city know what part of town that is? (Good number of family members one time lived right around the corner.)
Did you know
- TriviaMary-Louise Parker and Martin Donovan would later appear together in the Showtime series Weeds (2005) and the movie Saved! (2004) In both projects, they play love interests.
- ConnectionsReferences The Godfather (1972)
- SoundtracksCandy Girl
Written by Bob Parr and Todd Taylor
Performed by Mary Griffin
Published by Curb Songs (ASCAP)/Curucu Music (BMI)
Courtesy of Curb Records, Inc.
- How long is Pipe Dream?Powered by Alexa
Details
Box office
- Gross US & Canada
- $15,430
- Opening weekend US & Canada
- $7,998
- Oct 6, 2002
- Gross worldwide
- $15,430
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