Pipe Dream

It is a breezy comedy about identity crisis - a plumber, a screenwriter, a casting professional. Using the process/journey of making a film as the storyline, tying the various characters and relationship concerns together, "Pipe Dream" is rather amusingly fun. Watching Martin Donovan and Mary Louise Parker interact is a treat. They are both the leads in this film, front and centered. Their enjoyable pairing in supporting roles can be appreciated in w-d Brian Dannelly's "Saved!" 2004. Both appeared in Jane Campion's "Portrait of a Lady" 1996 with Nicole Kidman.

Martin Donovan is a staple collaborator in Hal Hartley's films: "Amateur" 1994, "Simple Men" 1992, "Trust" 1991 (highly recommended. NFE: Not for everyone.) He's also remarkable in director Angela Pope's "Hollow Reed" 1995, about child custody situation, where Martin delivered a firm and sensitive role of a divorced father/doctor who lives with a male partner (heart-rending, excellent child performance from Sam Bould as Oliver, the 9-year old son). Donovan co-wrote (with David Koepp) and directed a film called "Apartment Zero" 1988, with Colin Firth in the lead - another NFE but for dark/psycho ventures/suspense (in Buenos Aires) if you're gamed.

Mary Louise Parker is ever so marvelous and underrated. She's in w-d Jeremy Podeswa's "Five Senses" 1999 (Canadian production), Herbert Ross's "Boys on the Side" 1994 (written by Don Roos) with Whoopi Goldberg and Drew Barrymore, Jon Avnet's "Fried Green Tomatoes" 1991 with a stellar women cast.

For an Asian (Hong Kong) flavor of a movie/comedy drama using process of making a film as storyline, try the forever versatile and talented Leslie Cheung in "Viva Erotica" aka "Se Qing Nan Nu" 1996.

"Pipe Dream", directed by John Walsh with a screen play by Cynthia Kaplan presents us with the amusing premise that anyone can direct a film if one puts one mind's to it, or if the hype behind it makes it a "hot property". The film is a satirical study of the people behind the movie making deals.

We are presented with a plumber, David, whose job is perceived as such an unimportant one in comparison to the glamorous jobs in the movie business, even if it's an Indie that even Robert Redford might be interested in producing himself. David, the plumber, after spending a night with Toni Edelman in her apartment, overhears her giving a review of his performance to a girlfriend. He doesn't like what he hears! After all, he considers himself a good lover. How can he get dates with a lot of young and attractive women?, well, make believe one is a film director in search of stars for his movie.

David takes the matter into his own hands and with the help of his friend, a casting director, he makes up a non existing film based on the script he steals from Toni. Little does Toni knows what's going on behind her back until she finds out. In the meantime, all the hip talent agencies are running amok because suddenly "Pipe Dream", the still 'pipe dream' of a film, is becoming the project that everyone wants to be involved in.

Martin Donovan, as David, and Mary-Louise Parker, as Toni, make a delightful pair at the center of the story. Both performers are good at playing comedy, something that Mr. Donovan doesn't get to do often because we always tend to see him portraying intense characters. On the other hand, Ms. Parker is such an accomplished actress, she can do anything at all. The rest of the cast is excellent.

The film is a lot of fun that could have used a different resolution, but we feel good spending the hour and a half in the company of a lot of talented young actors, most of them based in New York.

A gentle little parable about what the "perception categories" of regular people as well as those in the movie business that was in the theaters for a short period of time and currently is playing on cable and so forth. Martin Donovan plays a plumber, though more of a quiet and introspective one than many might know, who in upset that people look down on him because of his profession. He seizes on a chance to see what would happen if people so him differently, and maybe get a pretty woman in the process, by pretending to be a director of a new independent film. Things get complicated when the film is actually funded ...

Martin Donovan is a bit too laid back in this film, but it adds to the low key nature of the film that gives it charm. Mary-Louise Parker plays his neighbor, who gets to show another side of herself as well, being the author of the screenplay and the director behind the scenes. She plays her usual strong woman with self esteem problems role (mixed and match in other projects with her woman with mental or physical problems role) well. Parker does much better here, I think than her underwritten "West Wing" role. The supporting characters also are good, while Jill Hennessey (formerly of "Law and Order" and in a few indies herself) has a funny cameo as an actress.

The film starts to drag a bit toward the end, but it is enjoyable overall with a nice understated overall tone throughout.

This is an extremely charming comedy that delivers on every level: as a witty, touching love story (Martin Donovan and Mary Louise Parker are both fantastic and have terrific chemistry), as a perceptive satire on filmmaking, and as a thoughtful look at the ways we perceive the people with whom we come into contact every day. The film's examination of how we perceive those around us is sharp and complex but never preachy---the movie's message is communicated through thoroughly absorbing drama rather than pontification. The direction is elegant and expressive without being self-conscious---the director doesn't have to force his effects because the characters are strong and the lush cinematography makes us fall in love with each and every one of them. The film goes in unexpected directions without feeling contrived and generates big, smart laughs. "Pipe Dream" is a real winner.

I saw this film last night at the Seattle International Film Festival, and was absolutely delighted at the wit and wry humour that this film possessed. Each of the characters is endearingly flawed - ("this person could be me") and adds a lovely human factor. I guess this film is only going to be limited in it's release initially, but seriously, if you have a chance to see it - it'll brighten your week. It's very off-the-cuff, not contrived a bit and NOTHING like your usual romantic comedy. . .The characters are actually bright and original. The screenwriter, Cynthia Kaplan, was at the screening that night, and it was very apparent that there will be much more to come from her. She has a book evidently too: "Why I'm like this". Sign me up!