Tomahawk Trail

A cavalry detachment must trek across desert badlands because their arrogantly incompetent lieutenant lets the Apaches get their horses. Led now by their sergeant, they eventually hole up in an abandoned fort, only to face another Apache onslaught.

Bel-Air was a budget movie outfit, while director Selander was a budget director. So why did this little programmer turn out as well as it did. No, the 60-minutes is nothing memorable, but still there's a good script, okay acting, and generally well-staged action. Add location shooting in Utah, without a single studio set, and I credit producer Howard W. Koch for the generally superior result. (Check his list of later credits that includes The Manchurian Candidate {1962}, and Airplane! {1980}, among others.)

Connors is excellent as the stalwart sergeant, commanding but without swagger. Of course, the girls are a slice of eye candy amidst all the men, but are woven pretty well into the plot. And catch those two near-rape scenes, cutting edge for the late 1950's. For a minute, I was afraid the philosophical exchange between the sergeant and Ellen (Cummings) might get heavy-handed. But wisely the scripter raises the pragmatic issue of war-- which is relevant to the cavalry's predicament—without letting it dominate an action movie.

Anyway, the parts are shrewdly assembled, not least of which is the towering Connors only a year away from becoming Lucas Mc Cain with a rifle. And, oh yes, the movie made me realize what a superior weapon the pistol, not the rifle, is for close-in fighting, unusual for the usually rifle-bound cavalry.

This movie captures one's attention from the start with Chuck Connors' opening line of narration: "Lt. Merriman was dead; the brains cooked out of his skull over an Apache torture fire." From this point on the movie proceeds in a taut, terse fashion which is a model of economical story-telling. True, it doesn't add up to much but it knows its limitations and works within them with commendable assurance. "Tomahawk Trail" would be a good movie to study in Film-Making 101.

Its faults are obvious but not fatal. The soldiers' US Cavalry uniforms should be soiled and sweaty and yet, too often, they seem to have just come from the Costume Shop. Also, the two female characters are unconvincing. Susan Cummings has been dropped into the plot simply to give Chuck Connors a pretty girl to kiss at the fade-out, and Lisa Montell makes a very unpersuasive Indian.

Chuck Connors, playing yet another of his "Mc" characters, is in his physical prime here and one regrets he's given no chance to do a "beefcake" scene.

The location work around Kanab, Utah, (using black-and-white photography), adds an air of authenticity. There's not a studio-bound shot in the whole movie.

Assuming your expectations aren't unrealistically high, you may well be pleasantly surprised by "Tomahawk Trail."

A cavalry Sergeant pulls a "Caine Mutiny" and relieves an incompetant officer of command of a patrol in Apache territory. This otherwise routine oater is of interest mainly because it was an early vehicle for Conners. Look for a very young Harry Dean Stanton as the Lieutenant's Orderly.

Led by an incompetent lieutenant, a force of soldiers are on the Tomahawk Trail in Apache Territory. When he lets the Indians steal their horses and is lightly wounded in a skirmish, Sergeant McCoy takes command. McCoy successfully takes them to the fort to find all the soldiers who have been murdered by the Apaches. He prepares the troops for an attack knowing if they want to outlive the lieutenant to bring him to justice.

A nice and brisk western, which has has enough drama, suspense, great scenery and well-staged action to keep you hooked throughout its 62 mins running time. The Apache comes across as human as well as wraith-like, slowly reducing the cavalry numbers, and that due to a moronic knucklehead of a lieutenant, but Chuck Connors, before he became the Rifleman, eventually takes command.

Tomahawk Trail is a movie that is most enjoyed by those either younger than eight years old (where the children can play cowboys and Indians) or those who are 50 and older. I know that Chuck Connors has been in many types of films, yet I remember him mostly in westerns like this movie. The movie moves along at a fairly good clip. The best thing about this movie is that it is only an hour long. The movie can't afford to have any down time. This is a cowboy and Indian movie. Tomahawk Trail is either best enjoyed on as a Saturday afternoon matinée or as a late at night movie. The actors do okay in their roles. However, once the movie has played, it is easily forgotten except for Chuck Connors. Bring your popcorn and your Western boots to this one, Partner.