The Adopted Son

This movie is interesting primarily because it is a Kyrgyzstani film, and as such it offers a few interesting glimpses of Kyrgyz culture and rituals - particularly those around death after the passing of Beshkempir's mother. Aside from that, I didn't find a whole lot to get excited about in this pretty straightforward coming of age story. Beshkempir is the title character - a boy adopted as a baby by a childless couple, but who has never been told he's adopted. He's treated with a strange mix of contempt and acceptance by the other boys of his village (who know the secret) and even by his own father, although by the end of the movie Beshkempir and his father seem to have sorted out their relationship. Eventually, in a competition for the attentions of a local girl, Beshkempir's secret comes out, and the entire village has to come to terms with it. The movie is filmed mostly in black and white with occasional bursts of colour popping in. It didn't really take hold of me. Overall, a disappointment. 3/10

This movie has a great peace. It shows that materialism is something we hang onto too much. The atmosphere of the movie is breathtaking. There's not that much happening in the movie but that doesn't make it less interesting. The black and white and colored sequences are beautifully interacting.

8 out of 10.

Beshkempir is one of the resonable rare films which does not overfill you with a lot of pictures. The story is very simple - the growing up of a young boy in a rural part in Kirgistan - but it contains in a way the whole "meaning of life". The growing up from child to a young adult is shown in a tremendous poetic way

This film is not only well-acted and written, but it also one of the most visually impressive in years. The story is very simplistic in nature, and its detailed scenes of childhood discovery are captivating and enlightening. A great movie for movie goers of all ages and interests.

When I was first watching this movie, I was reminded of Fellini's "Armacord," because it seemed to be more poetic and atmospheric in nature than driven by a narrative structure. I soon realized that it was not so much the collage sort of film that Fellini had made of his reminiscence of his childhood, but that there was a narrative to "Beshkempir." This film is wonderfully acted, filmed, and edited, and it incorporates the sounds of nature to great effect. As other reviewers have written, the film's pace is "slow," but deliberately so. It gives the viewer time to soak in the landscape, feel familiar with the village and its surroundings, and get to "know" the characters as well as the traditions of the village. It is a peak into the world of Kygystan, which was my first ever, and I envied the closeness of the villagers and the rich life they live with only the most essential of material things.

This is a coming of age film, but one done in a way that has made it one of my favorite movies of all time. Not enough people in the world will ever know of it, even though it ranks among the best of works by filmmakers like Truffeat, Bergman, and Rohmer, all favorite directors of mine for years.