Mr. Rice's Secret

But it wasn't. As an ex brit Canadian, I am continually appalled by the standard of Canadian films. There is just something sooo distinctive about them - you can spot them a mile off - haven't quite figured out what it is - certainly the filming and direction is part of it. David Bowie was great in his too limited role - could have done with more of him and less of the kid's parents - as the parent of 2 canadian teenagers myself I could see no resemblance to real teenagers. The language was stilted, the scene was sort of leave it to beaver with attitude - as if the movie was set 20 years ago. Still, it made me cry - which isn't hard to do and I have seen worse, thus a 6 out of 10

What better friend can a dying boy have than a mysterious neighbor who gives him a really cool ring, which he throws away at the first opportunity?

This movie had great potential. David Bowie exists only in flashback as an avuncular sage who spouts chestnuts about living and dying, and for all that I wish that his screen time had been longer. Certainly his is the most interesting character in this collection of cliches, and the casting was well done in his case.

My main problem with this movie is that it could have been a fantastic story, except it pulls out every cheap sentimental stop along the way. The story could have been told in many ways other than this one, with its collection of children that are either dying or obnoxious or both, but I suppose that it's just not as interesting or story-worthy when an adult is terminally ill. Why couldn't any other member of the community that supposedly loved and mourned Mr. Rice have been the recipient of his secret?

The treasure hunt itself is a good device, and one of the best parts of the movie, as are Owen's troubling nightmares and images of death. I would like to have seen more of this. I would like to have learned more about Mr. Rice's life...and death. Instead, we're left with frustrating glimpses of an interesting character, and no real clue why he chose this boy as his best friend. This is a movie that tries too hard to be too many things (in some places too strongly reminiscent of "Stand By Me"), and in the end really leads the viewer nowhere we haven't been before.

This film had potential, but I, and I suspect those involved in making it, really have no idea who it was actually aimed at.

Simplified too much to appeal to more mature kids (of all ages), too much involvement from rather cardboard parents for any escapism, the moralizing getting in the way of the story too much for younger kids and too obvious for older ones, the "puzzles" far too simply solved.

Overall, far too much certainty. For a movie with this kind of story to succeed, I think a lot more ambiguity and uncertainty is required - hints at what's going on, who the characters are, and what's going to happen, rather than great big illuminated signposts. It could probably do with taking itself rather more seriously, too.

I only find myself wondering how they managed to string it out for so long.

Death is not an easy topic to deal with in movies. But Mr Rice's secret manages to pull it off, with no problems. The film is centered around a boy, who while coming to terms with the death of his friend (the 400 year old Mr Rice) is led on a kind of treasure hunt. When he reaches the end he finds a potion of life, and learns an important lesson. The boy (played brilliantly by Billy Switzer) is the star of the film (despite it being pushed as a David Bowie film). The character of his mother (played by Teryl Rothery) could have been explored a little more and been more involved with the plot, but apart from that, it felt well cast and acted. A must see for when you want to ponder things like the meaning of life.

Death is always a difficult subject to cover in the movies. Even more so when dealing with terminally ill children. Mr Rice's Secret succeeds in covering the issues in a sensitive but not mawkish way. Bowie gives a measured performance as the ancient mystic who befriends a young boy with Hodgkin's disease. The real star though is Bill Switzer, who excels as the boy fearing death who must learn to love life.