Sombre

Not for all audiences, this movie would have pleased Pier Paolo Pasolini. It is bleak, disturbing, depressing, nasty, sad, gloomy, and most people won't like this one. Myself had some difficulties watching it entirely. I felt a bit sick, with a twisted taste in the mouth. But Marc Barbé is awesome, he is made for such roles. And in many movies, he is more or less like this one, a movie without many dialogues. And tha's even better, pictures speak for themselves. No useless bla bla bla.... It is rough, sad, I advise you not to show it to your parents in law nor your sweet heart. From time to time French movie industry can provide such features. A good thing for sure.

in the usual sense of the term. This is a show for your senses : view of course, but also hear (the music of Alan Vega), smell or touch. The characters are filmed so close you can actually feel them in their gestures, you feel the love, you smell the fear. The picture is very dark, often fuzzy, never stable. It keeps on jumping from the lights of the car, to children's' screams, to womens' hips and hands on their throats. The film has raised a critical debate, some defining it as immoral and almost pornographic, the others considering it a pure chef-d'oeuvre. To my mind, it is both, and more than that. A real experience of cinema.

"Sombre" tells the story of serial killer Jean(Marc Barbe)who murders unfortunate roadside hookers.After erotic play he strangles them to death.Claire(Elina Lowensohn)is a virginal and introverted young woman.She is taken for a ride with him."Sombre" is a bleak serial killer movie filled with dark and brooding atmosphere.The dialogue is kept to a minimum and the killings are shot in the pitch-blackness.The cinematography is stunningly minimalist and disorienting with jerky camera movements and lots of extreme close-ups.The murder scenes leave a lot to the imagination.But being in the dark is far more terrifying than seeing everything.The characters are paper-thin,but the acting is believable and the score by French band Suicide is effective."Sombre" is a step into the gloom.8 out of 10.If you liked Gerald Kargl's "Angst" you can't miss "Sombre".

I saw this film at the Rotterdam Film Festival. The response to this film was divided. Some people applauded, others left the theater before the movie ended. It definitely was a film that hit me. The roughness of the cuts, sounds and lighting, in combination with very few dialogues and conversations, brings about an eerie atmosphere. This is not exactly the peaceful and jolly French countryside as shown in the average travel magazine one would take a glance at! Grandieux makes it look like a hideous, dark place, which (to my mind) suggest the acts of the main character are in some way influenced by that atmosphere. The strongest point of this movie, is the absence of any moral content. ´Why´ is not a question that Grandieux has tried to bring across to the viewers. It is precisely this lack of moral content that frightens some spectators. I can imagine that. However, they cannot deny that it is a very original film. In spite of the fact that the ´serial murderer theme´ can be found in many movies, the approach to this theme is completely different in this film. This is definitely a film which I will remember! I think people will either love it or hate it -I suppose the majority of people will be ´haters´-, actually I am surprised it made some Dutch cinemas. I recommend this film to anyone who likes original, non conventional movies. Give it a try. If you hate it: a VCR has an eject button.

Far from morality and any kind of convention, Sombre is a film that's all about seeing the world through the eyes of a killer. Sound and image on the hand of Grandrieux are combined into something that can only be described as a simulation of a panic attack.

The film is basically about a travelling puppeteer who kills women just before having sex them. Most of these women are prostitutes or strippers and it's natural that when he meets one whose concern is not to arouse him sexually, he finds himself unable to treat her the same. While that may seem contrived, Grandrieux is more concerned with the idea to travelling or moving than the actual story. The plot is there to follow all the changing locations and scenery and along with that the evolving emotions of the two main characters. It's actually real interesting to see that the film suggests that move is most likely the most natural human act, in the sense that being in motion is a type of struggle (interior or exterior) which is the only road to evolution and completion.