The Sixth Sense

What makes this film so wonderful to watch is not simply the acting, or the terror it instills, or even the plot itself. It is the way in which the writer/director M. Night Shyamalan takes his vision from the page, and carefully crafts a tale that completely absorbs the viewer. As a result, we are treated to a wealth of emotion: fear, sadness, joy, confusion, and humor, each one a compliment to the other.

Haley Joel Osment delivers, plain and simple. By now, so much has been said about the young actor that any more would be repetition. Needless to say, his portrayal of Cole Sear is remarkable. His ability to communicate, through a simple look or gesture, the depths to which his character's soul has been thrust is what truly carries the film. He succeeds at this task beautifully, convincing us while never going over the top; indeed, by the time Cole utters his now-famous line, you not only believe him, you are chilled by the fact that Osment the actor may actually believe it himself.

Bruce Willis turns in a stellar performance, complimenting his young co-star while never overshadowing him. It is a tribute to his respect of the material in so much as he fine tunes his delivery to seem reserved, yet not too toned down.

The Sixth Sense is more than simply a wondrous two hours. It has, in effect, created a new genre of filmmaking... the film is neither drama, nor horror, nor action. Rather, it is a seamless blending of all three, a film that encompasses the best aspects of each genre, without being limited by the worst. Hollywood has taken notice of this, and one can only expect a series of poor imitations to follow. But at least they'll always have The Sixth Sense to guide the way.

This was hyped big-time when it came out and, if memory serves me, was a good conversation piece among those who saw it at the theater.

I didn't see it for a few years afterward, on tape and now on DVD. It was very good but I didn't find it as "the greatest movie ever" as some did. It is an involving story, however, and I've come to appreciate it more with multiple viewings. I've seen it three times, the last one looking for mistakes to disprove the surprise ending....but couldn't find any. The filmmakers covered their tracks. However, a couple of scenes were misleading. Those who have seen this movie know what I'm talking about. For those who haven't, I'm not going to spoil it here.

I enjoyed both Bruce Willis and Haley Joel Osment as the two leads. Willis has had many action-packed, profane macho roles in his career but I like him best when he's low key, as he is in here (and in "Unbreakable," to name another fairly-recent movie) The story is slow-paced but it sure is not boring. In a way, it's nice to see a slower-paced film be a big hit, as this was.

Osment, meanwhile, is a terrific child actor, as he has proved in other films. He's simply one of the best of his young generation. He and Dakota Fanning are the two best child actors I've seen in many years.

This isn't just some supernatural-horror movie. It's a nice human interest story. There is one scene late in the movie in which Osment's mom is having a talk with her young boy in the car. It is an extremely touching scene that brings tears - a great moment in the film.

When I first saw The Sixth Sense, I didn't know what to expect. I guess I was looking forward to a good scary horror flick. I was very surprised. I found that the purpose for this movie was far greater than just trying to scare the audience. I found this movie was showing not only the emotions of fear, but also faith, commitment, sadness of loss, and love. The end was so surprising, I had to see it again. The second time I watched it, I did it from a totally different perspective (this is a very rare quality for any movie), and I enjoyed it just as much, or maybe even more. I also, as many viewers have, tried to detect fallacies in the story. I couldn't find one. In addition, for those that appreciate great soundtracks, the music only helps to heighten the experience of the movie.

I believe that a great movie is one that helps the viewer perceive life and the world differently. The Sixth Sense is one of those extraordinary movies that does that to me. This movie reflects on some difficult subjects that will make the viewer walk away asking eternal questions. Questions about death, about letting go, about eternal love and commitment, about the love between parent and child, and between husband and wife. Maybe I read too much into this very wonderful film, but I believe it will be difficult to find a movie that has touched on these subjects so poignantly and so well for years to come.

The Sixth Sense is one of those films that rarely happens these days. In other words, I knew so little about it before sitting in the cinema that it wasn't ruined before it started.

I don't want to ramble on about it so I'll just say... absolute perfection. An incredible story that had me and my friends gripped from start to finish. The twist in the tale was totally unexpected as well.

After it finished we sat through the whole of the credits and talked about how fabulous it was. If only more films were like this. I can't remember the last time we did that!

Congratulations to all involved in this masterpiece.

Review: The Sixth Sense, Director: M. Night Shyamalam

As a film which has undoubtedly caught the eye of the film going world, it was difficult to avoid the surrounding hype and publicity. Luckily most of the people I had spoken to who had seen the film did not spoil the 'twist' at the end, which, although is rather a laboured point by now in reviews, certainly adds to the "Oh, I see now" factor.

The story revolves around a child psychologist played characteristically by Bruce Willis. I say characteristically, because although his portrayal is quite real, and at times touching, there always seems to be an unnerving 'Die Hard'-ness to his speech, lending the dialogue some comical qualities. Having said that, his overall attempts at revealing the vulnerable and disturbed psyche of his character achieve good results. As the psychologist, he is plagued by a particular event in his professional life which he perceives as his personal failure, and sets out to redeem himself by righting the wrong and wiping his failure from his conscience. This opportunity presents itself to him in the form of Cole Sear, played devastatingly well by Hayley Joel Osment. Cole has a problem, he sees dead people. To the outside world he is seen as a loner, a problem child, and has become increasingly isolated. Hence the need for a child psychologist. Once we have been introduced to these two central players, we are taken on a journey of discovery, as both of these characters in the space of the film will learn a great deal about each other, themselves and human nature.

It is this particular point which the film attempts to address so strongly - human communication. That when this breaks down, an inevitable cycle of interpersonal destruction takes course, sometimes irreversible. This is framed within the context of a superbly told ghost story. The sheer truthfulness and honesty with which the concept of fear is expressed by all the characters, is breathtaking. Cole's' experience of the walking dead, appearing out of nowhere, Malcolm's fear of a deteriorating marriage, and Cole's' mother's fear relating to her own existential angst. All of these are played against the backdrop of the often difficult but finally warm relationship between Cole and Malcolm. Eventually, and against the odds, each character displays courage and bravery as they face up to their existential and supernatural fears.

There are one or two niggling problems plot wise, but in a film where the overall atmosphere created is one which encompasses death, fear, and finally hope, it is impossible not to overlook incongruencies. Superb direction, acting and ambience lead me to think that M. Night Shyamalan has really succeeded in telling a chillingly touching story about the triumph of the human spirit.

February 14, 2000 Harshad C. Keval