The Mrs Bradley Mysteries

If you like your mysteries with style, grace, a touch of humor, and a dash of ragtime, then you're going to like "Mrs. Bradley Mysteries". This superb 1998 BBC production starring Diana Rigg ("The Avengers" & "Game Of Thrones") and Neil Dudgeon ("Midsomer Murders") is based on characters created by Gladys Mitchell and marvelously captures 1920's English society, complete with cigarette holders, flapper skirts, bobbed hair, and those marvelous vintage cars, including Mrs. Bradley's own Rolls Royce. The settings are elegantly English, the crimes are clever, and the suspects decidedly decadent. Particularly playful are Mrs. Bradley's observations on the moralities of the the day which she delivers directly to the audience. My wife and I have watched this series many times, discovering something new and entertaining with each viewing. If you like vintage mysteries, you will thoroughly enjoy "Mrs. Bradley Mysteries".

There are five episodes in this series, but sadly only the first one is available right now at Britbox and Amazon, with a Britbox subscription. (Something about expired rights.) That's too bad, because I'm picky about the British mysteries I watch, and here was one of the few Britbox ones that I actually found highly watchable.

Mrs. Bradley is a divorcee with a loyal chauffeur who helps her solve murders. She is unorthodox to say the least, not the least bit sentimental, and embarrasses her grown son to no end. She threw cigars on his father's coffin at the cemetary. (Her ex-husband loved cigars.)

In this first story, Mrs. Bradley is staying the weekend at the home of family friends who are celebrating the engagement of her goddaughter. Only her fiance drowns in the bathtub, and something very strange is revealed about him after the drowning.

Was it an accident or murder? Of course, we know it was murder and so does Mrs. Bradley. Now she just has to prove it, as well as figure out why other odd things are going on in the home. I figured out who the murderer was before the end, without even trying to do so. I never try to do so, because I just watch mysteries for a hopefully intelligent and enjoyable ride. I like the cozy type and this series fits the bill.

Five glorious murder mysteries, that keep you baffled, and look decadent. The production values are spot on, the sets and costumes are spot on. A word you'd use is lavish, plenty of art deco, lots of that pre war glamour. The music is glorious.

Diana Rigg is sublime in the title role, talk about meant for a part, she has the charisma, the charm, the voice, and dare I say it the grandeur for the role. Dudgeon is great, as are a wealth of brilliant guest stars, Phyllida Law, Lynda Barron and Ronan Vibert, they played a blinder with Peter Davison, he was terrific.

What a shame it only lasted the one series, this deserved to run a lot longer. The finale was my favourite episode. 8/10

Diana Rigg is back in top form as the larger than life (but firmly grounded on human misdemeanours) character of Mrs. Bradley. Neil Dudgeon and Peter Davison provide a solid counterweight to her flights of fancy and intuition, which is a bit ironic for Davison - who made part of his career out of playing Margery Allingham's super-sleuth(and upper class to boot) Campion. I have only had access to three episodes, but they are lengthy enough for characters to develop and for the interplay between them to become a given. I think the acting, art direction, sets and music will take anyone to heaven. This is way above (& beyond) any Agatha Christie screen adaptation - and Diana Rigg *is* Mrs. Bradley, much in the same way that Jeremy Brett *was* Sherlock Holmes. Bravo!

I am puzzled by the negative reviews, not to mention the show producers' decision to pull the plug after airing just a handful of stories. Here we are in 2015, awash in much-acclaimed period costume TV dramas which serve up contrived, soap-ish plots and uneven dialogue - neither particularly at home in the prewar era they pretend to capture. By comparison, Mrs Bradley Mysteries sparkles. The exteriors and interiors alone are hypnotic. The acting is spot on. A great many feminist messages are shared but without rubbing the viewer's nose in it. There is wit and affection and murder mystery on par with Agatha Christie. I enjoyed every minute. Strongly recommended.