Dying of Laughter

I can't believe there are people who like this movie. Of course, their opinion is as valid as mine, but it's hard for me to understand that. What's in this movie? A few pseudo-comic scenes, several references to old spanish TV programs and music hits (if you want to feel nostalgic with all that stuff you can watch a spanish TV documentary instead and that'll be surely better), and a surreal plot only understood by the people who made the film. I must confess I didn't laugh a single time, perhaps I smiled twice or three times during the whole movie. Sorry, Santiago, I don't like it !

My rating is 4 out of 10 (and I'm being generous because I'm spanish).

"Muertos De Risa" had such a lot going for it, it's hard to see exactly how director, cast and crew could make such a stupendously stupid film. Yet somehow, through colossal ignorance of what makes a decent movie, sheer bad luck or a complete lack of talent, Alex De Iglesia's supposed laughfest offers little more than a bewildered titter at the point of the thing.

The thing was, I went in with such high hopes. The poster looks good, I was in the mood for a knockabout screwball comedy, and I had been busy defending this type of movie to my Spanish friends (who clearly aren't too impressed with this genre - see "El Milagro De P.Tinto"), and I was looking forward to a nice seventies kitsch affair. But it just failed to deliver. The comedy was dire (alright, I might have missed a few Spanish language one-liners, but judging by the noises the Spanish audience were making, I doubt it). But really, what's going on? How on earth did this make it past greenlighting? It can't be entertainment, surely.

Nevertheless, before sitting down to write this review, I endeavoured to find some positive aspects of the film. And, to my surprise, there were one or two diamonds in the very, very rough. Firstly: the title sequence - lovely, stylised animation, nice attention to seventies detail. Secondly, the goat gave a sterling performance - I can honestly say I have never seen a goat play dead quite as realistically - fantastic! (In comparison). Finally, the comedy old mother is alright, I suppose. But animation, goats and mothers aside, there isn't a lot to look forward too, I'm afraid.

The thing is - it's all so bloomin' unnecessary. There is no need for all the naked women (no there isn't, to all those lecherous readers out there), there is no need to push the jokes quite as far as they try, because the jokes don't work on their own. There was just no point in making the film: a brief comedy sketch on "Saturday Night Live", fine - but a feature-length movie? Never. "Muertos De Risa" is crass, stupid, unnecessary and irritating (like most of the actors). I don't think I've ever hated a movie quite as much: which is good, I'm glad it's got my passion up. I might try to watch it with subtitles, just to see if I did miss something stupendous - and you will be the first to know if I did. But I really don't hold out much hope.

Alright - this is a personal opinion; you, of course, might love it. But my advice is this: if you're after screwball Spanish comedy, watch "El Milagro De P.Tinto", if you're after soft porn, watch anything by Russ Meyer, and if you're after an example of the best Spanish cinema has to offer, then try "Todo Sobre Mi Madre". If, however, you're after something to irritate the hell out of your friends and family, maybe this is the film for you. It certainly isn't for me.

I enjoyed this film, if not for its comprehension, then at least for its outrageous, odd characters and plot. I love the surreal imagery, and although it has some dirty, disturbing scenes, the point of view is so unaffected and indifferent that its even humorous. This movie is a dark comedy, because it deals with many issues that in reality would be disturbing: death, insanity, loneliness, envy, hatred, etc....And yet the film attempts quite indifferently to use these motifs in its humor.

There are also many subtle details in the movie that catch you by surprise, disgust, or shock. For example in one scene when nino is talking to his manager in prison, in the background you will see a woman with her top open and....well, you get it.

I don't think this movie is perfect, but I appreciate the artistic freedom it took to make it, and the violent, absurd, insane, vile shocks from its twists and turns that leave you strangely and happily confused.

De la Iglesia is back with a tragical comedy about two Spanish comedians of the 70s. Including homages to old shows as "Un, Dos, Tres" and "Directísimo", this is a comical (Or tragical?) approach to the last 25 years of Spanish history. Segura and Wyoming, comical as always, blend into their characters. The movie is a lot of fun, especially for those who know the historical period. Despite some criticism, I think this is, with "El Día de la Bestia", De la Iglesia´s best film.

Not among Spanish cult director Alex de la Iglesia's best movies, this film tells the tale, through almost two decades, of two TV comedians who are a very famous and successful duo (though their act is nothing else than one of the guys slapping the face of the other guy) but who grew to hate (and really hate) each other to death. The duo is played by Santiago Segura and El Gran Wyoming, two famous comedians in Spain. Segura, the fat guy in the duo and the one who gets slapped, is famous there for the Torrente films, in which he plays an hilariously corrupt cop. This movie is only mildly funny, and I'm not sure it would travel well outside Spanish speaking countries.