The Five Senses

without any doubt, this film is a perfect manner to exemplify the human been that we are. In this country at this time, it is difficult to find it in the video store. All this kind of events can occurred and it is probably that in certain moments one pass some experience like some of the characters. Incredible. Perfect. Marvelous. Sensitive

"The Sixth Sense" bedazzled us last year with its supernatural trickery. This year, "The Five Senses" deserves equal success by being merely natural -being able to tell a human story intelligently. The film is a collection of love vignettes with each character cleverly highlighting one of the human senses. Writer and director Jeremy Podeswa has intertwined a human drama of finding a missing little girl with each player contributing an intriguing and equal share of the story, crisscrossing each other's lives in near perfect structure and execution. "The Five Senses" is what "Timecode" wishes it could have become. Mary Louise Parker heads a powerful cast, each member with an absorbing tangent that you merrily want to follow: Robert (Daniel MacIvor) the gay house cleaner who pursues true love by trying to find that distinct scent, Rona (Parker) the hopelessly unlucky lover who only sees what she wants to see in a relationship, Roberto (Mario Leonardi) her amorous counterpart too wrapped up in Italian cuisine to understand American courtship, Richard (Philippe Volter) the French doctor so consumed with his ominous deafness until he is rescued by an unexpected consort, Ruth (Gabrielle Rose) the massage therapist who tries to consummate her love for her deceased husband every time she touches a client, and finally Rachel (Nadia Litz), a composite of all the senses, a young woman blinded by guilt both past and present and yet using her senses to strive for forgiveness. "The Five Senses" is intelligent enough to show us how each individual uses their senses to try to escape their human quandary - some succeed and some don't.

The promise Jeremy Podeswa gave with his first film "Eclipse" is really fulfilled now in his second "Five Senses". Authentic atmosphere and the various aspects of a little bit neurotic life-feeling of metropolitain people is again in his new film. Podeswa has an astonishing hand for showing the daily tragedies with credibility and he really cares about his protagonists. Intelligent dialogues and good actors complete the very good first impression. A director with a great future !

Chosen as the film to start the Perspective Canada series for the 1999 Toronto Film Festival, "The Five Senses" explores numerous lives in turmoil that are also intertwined in many ways.

Shot in Toronto, the story revolves around the disappearance of a little girl and how it affects the lives of those who knew her and those who feel responsible. More predominantly though, I believe it is about the bonds that are forged from one person to another in a variety of relationships and the strains that can test them. From friends old and new, parent to child, employer to employee, client to vendor, lovers past and present. All of these associations undergo a transformation of some kind in this film.

The film is beautifully shot with interesting set-ups but is not edited evenly throughout the feature. Scenes with Molly Parker and Mary Louise Parker are tightly edited and executed nicely, while some other scenes just seem to be drawn out a bit too much, the pace is a slow one, with numerous subplots that attempt to liven the drama.

But for art's sake and support of Canadian filmmaking, I would prefer not to draw negative attention to this film. There are some very moving scenes and excellent performances, but at the same time, I'm not sure I can recommend this one to just anyone.

The five senses is a truly lovely film. It takes a look into the lives of several people, most of whom are somehow the embodiment of a sense. Yet the fact that they are so involved in a particular sense prevents them from experiencing life fully.

Sight is embodied in a young woman who bakes designer cakes. The cakes are visually stunning, but she has very little regard to how they taste. Sight is also the sense of a young man who voyeuristically watches men hook up in a park, but doesn't himself experience physical fulfilment.

Hearing is embodied in the bittersweet story of a doctor who is losing his hearing, and is concerned with hearing this favorite sounds one last time. Smell is personified by a young man who is convinced that love has a smell, and seeks out his former lovers in order to sniff them and see if they still love him. Touch is a massage therapist who seems to use her practice to regain the intimacy she once had with her now deceased husband. And finally, taste is embodied by the Italian lover of the cake baker who is constantly cooking, because it is his only real way of communicating with her.

These people's lives occasionally intersect because they all live work, or otherwise have ties to the same building. Their stories are woven around a larger story of a missing little girl. We get to know these people through short chronological glimpses into their lives that string together into a non-linear narrative. The device is similar to that used by Atom Egoyan, but the element of time is not distorted. In the end, not all of the stories are resolved, which is actually good because it keeps us thinking and allows us to revisit the characters and imagine a number of plausible endings.

The film has a beautifully austere formality about it. It meanders through its stories at a very thoughtful pace, and looks at them from a bit of a distance. We see very profound emotions before us, but experience them intellectually.

I can see that this film is not for everyone, but is great for those interested in a well crafted, thought-provoking experience.