Beyond the Prairie: The True Story of Laura Ingalls Wilder

As an avid Laura Ingalls Wilder fan for many years, I really looked forward to this "true story". Within minutes I was deflated. While some of the performances were good, I could not believe how the writers took license with the real facts; it makes one wonder if they ever read any of Laura's books.

Setting the tone for the distortion was the incident depicting Pa and Laura coming across a house under construction where Laura finds an envelope marked "Almanzo" in the pocket of a man's coat and proceeds to dreamily repeat his name. This incident was not only schmaltzy, but totally fictional. In "The Long Winter," Laura describes her first encounter with Almanzo, but does not mention him by name. She was 14 (he was 10 years her senior) when she and Carrie became lost in the Big Slough and accidentally stumbled into his hayfield. Later in the same book Laura describes the horrid blizzard season and tells of Almanzo's and Cap Garland's brave quest for the wheat; however, the depiction of the exchange of romantic looks between them upon his return is again inaccurate. Almanzo did not seriously show an interest in her for another couple of years, which she describes in "Little Town on the Prairie" and "These Happy Golden Years."

I also had a problem with Laura being presented as a blonde. Throughout her books she mentions her envy of her sister Mary's beautiful golden hair while disparaging her own plain brown locks. Yet the producers chose to make Mary a redhead in addition to changing Laura's hair. While on the subject of hair, I doubt that Laura went around most of the time with her hair hanging loose and unkempt. While she was inwardly in many ways a free spirit, she still adhered to the way young ladies were expected to appear in that era; in fact, she describes in her books the painstaking efforts to use the curling iron and cutting bangs to make her appear more stylish.

It was also disappointing that the makers of this film did not focus on the uniqueness of the relationships among the entire Ingalls family, which again Laura described so lovingly. Instead they chose to depict a sharp altercation between Ma and Pa about moving West again. The writers should have placed more emphasis on the closeness between Laura and Mary, especially after Mary became blind, and also on how well Mary did after attending a college for the blind; she, too, was a special person.

If the producers of this film had enough respect for Laura to want to tell her story, then they should have respected what she wrote. Their choosing not to do so smacks of commercialism. Perhaps they could not believe that such good (though not "goody goodies") people actually existed and that the viewers would not care to watch. Then why bother?

So much more could have been done with this wonderful literary series. Instead, at least four books were hastily sped through, leaving a dizzying series of events, most of which were so condensed and convoluted in this film to be unrecognizable to any reader of the books. The prairie settings were very realistic and true to life, some of the casting was good (particularly Lindsay Crouse and Richard Thomas and Ma and Pa) but I was not impressed by Meridith Monroe's portrayal of Laura. Much attention was given to setting and costuming, but Monroe's flowing 90's hair and boisterous mannerisms left me cold. The movie does improve a bit towards the end, but for the first hour I was wondering where in the world it was going. Perhaps if this were produced instead as a miniseries, it would have had more impact. For those only familiar with the totally fictional "Little House" TV series it will give some insight to her life that was completely passed over; for others who want to know the real story of Laura, her books, and all the wonderful autobiographical material out there, will serve you much better than this.

To say that this is the "True" story of Laura Ingalls Wilder is stretching it a bit. The story is more true to her real life (or at least her version of it) than the TV series ever was, but it doesn't quite get there.

Richard Thomas as Pa however is much better than Michael Landon and more true to the character portrayed in the books. Lindsay Crouse also does a credible job as Ma. The only thing that I would disagree with is the writer's insistance that Charles' wanderlust was a sticking point in their marriage so much so that Caroline couldn't contain her bitterness. While it was an issue in their lives, Ma has never been portrayed as being bitter and she and Pa would have never have been so out of control about it that they would air their grievances in front of the girls.

Oddly enough the girl playing Laura resembles illustrator Garth Williams' depiction of her in the book series. Meredith Monroe is charming, but some times her performance seems a little too quiet.

Unfortunately the modern world begins to intrude here and the innocence of the books seems to have been lost to make the story more interesting. Also there is a great deal that is left out for the simplification of the story. Characters that contribute to forming the Laura that eventually becomes attractive to Almanzo.

In addition, the beautifully innocent courtship that is portrayed in the books seems to be a little muddled here in the movie. While on the one hand, Almanzo has to be asked to kiss Laura after they become engaged on the other he can't wait to get her in bed once they get married.

All in all, to me, it is a more serious endeavor to portray the books. It will be interesting to see what the rumored version for the big screen to be written by Horton Foote will bring

The Little House on the Prairie series is much more entertaining and well-done! Merideth Monroe, who played Laura, was too modern and independent. That guyish hat she wore was annoying! The most obvious and disappointing thing, though, was that the family seemed distant to each other most of the time, more like mismatched cardboard stage props pretending to go together. The actor who played Pa did pretty well in the situation, but he still seemed too gruff, and Ma seemed way too cold! I'd rather see the Little House on the Prairie series any day!

Yes, there was quite a bit of sensational melodrama here that probably wasn't the least bit true-to-life. (I've never actually read the Little House books, though I have read several biographies of Laura, but I don't need their biggest fan to tell me Laura never described her first "experience" with Almanzo probably at all, much less like this.) Merideth Monroe was pretty good as Laura, height and hair color aside, but often shallow, flat and annoyingly modern. But there was more stuff here, and most of it was good. Very nice photography of the Dakota prarie, good performances from Richard Thomas and Lindsay Crouse as Pa and Ma, and a real sense, thanks to the script, visuals and direction, of how hard prarie life was in the 1880s. Both like and unlike the usual Sunday-night TV-movie fare, and not really that bad. But you probably should read a good biography of the real Laura and the books themselves, just in case.