Female police psychologist is targeted by a supernatural devil-worshiping serial killer who wants to prove to her that she's the Antichrist. A tough cop, his inept womanizing comic relief pa... Read allFemale police psychologist is targeted by a supernatural devil-worshiping serial killer who wants to prove to her that she's the Antichrist. A tough cop, his inept womanizing comic relief partner and a reverend try to stop him.Female police psychologist is targeted by a supernatural devil-worshiping serial killer who wants to prove to her that she's the Antichrist. A tough cop, his inept womanizing comic relief partner and a reverend try to stop him.
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For this supernatural serial killer flick, director Lun Ah not only adopts the grainy, rain-soaked style of David Fincher's Se7en (a big box-office hit the previous year), but also applies every clichéd technique available to him in the Hong Kong film-makers' bag of tricks. However, no amount of blue lighting, swirling smoke, slow-motion action, canted framing, and fluttering fabric can disguise the fact that Satan Returns is a cheaply produced, poorly considered piece of garbage that not even the presence of Hong Kong hottie Chingamy 'Naked Killer' Yau and top martial arts actor Donnie Yen can save from failure.
The plot, from the pen of prolific writer/producer Wong Jing, sees a murderer named Judas abducting women born on the 6th June 1969 and removing their hearts to see if they are the daughter of the devil (apparently, having no heart makes little difference to a spawn of Satan). Whilst this silly story does allow for the occasional scene of light gore and unimpressive action, the focus of the film is on dull police procedure infused with lame comedy. Only towards the end of the film, do proceedings get a little livelier with the introduction of a couple of zombie cops and a touch of power tool mayhem, but by then it's definitely a case of 'too little, too late'.
A touch more madness throughout, a couple of decent moments of tension, and a lot more gore certainly would've helped matters immeasurably, but as far as I am concerned, the key to success was under the director's nose all along: if he had made better use of Yau's smouldering sexuality (the only time she gets really horny, it is way too literal!), and hadn't allowed poor choreography and bad editing to prevent Yen from successfully displaying his awesome fighting skills, then Satan Returns would have been a whole lot more entertaining.
The plot, from the pen of prolific writer/producer Wong Jing, sees a murderer named Judas abducting women born on the 6th June 1969 and removing their hearts to see if they are the daughter of the devil (apparently, having no heart makes little difference to a spawn of Satan). Whilst this silly story does allow for the occasional scene of light gore and unimpressive action, the focus of the film is on dull police procedure infused with lame comedy. Only towards the end of the film, do proceedings get a little livelier with the introduction of a couple of zombie cops and a touch of power tool mayhem, but by then it's definitely a case of 'too little, too late'.
A touch more madness throughout, a couple of decent moments of tension, and a lot more gore certainly would've helped matters immeasurably, but as far as I am concerned, the key to success was under the director's nose all along: if he had made better use of Yau's smouldering sexuality (the only time she gets really horny, it is way too literal!), and hadn't allowed poor choreography and bad editing to prevent Yen from successfully displaying his awesome fighting skills, then Satan Returns would have been a whole lot more entertaining.
Hyped as China's "answer" to Fincher's SEVEN; there's a scene where The Law run down a rain-soaked alley, a killer making use of a Biblical Motive and - well, that's about where the "connection" ends. Occult Scholar (??) seeks series of women with 6/6/69 birthdates in order to remove their hearts - any victim who survives the surgery, proves herself to be The Devil's Daughter. Usual HK buffet: martial arts (snore...), slapstick, noxious women, and, when all else fails, throw in some genital humour. It must be said, that zombie cops cut apart via chainsaw & a nailgun crucifixion are a tad more exciting than Paltrow's head in a box. Plus, a bonus "shock" ending. Basically, a feature length indictment of Chinese Law Enforcement. As one subtitled villain quips "Damn It! Go Eat S***!" Translation: rent a Cat III title instead.
This weirdo Hong Kong offering is a strange amalgamation of the traditional kung fu movie, the outrageous Chinese horror yarn and the typical 'edgy' dark thriller, so popular in the '90s in the advent of SE7EN and THE SILENCE OF THE LAMBS. The latter two movies are directly referenced in this mix-up of a movie, which throws in a little bit of all genres to keep things entertaining – the only thing missing is typical Cat III style sex and nudity. Instead, we get a bizarre, barely-makes-sense kind of plot involving an evil cult (or man) named Judas, who's convinced that a female police officer is the daughter of Satan. Lots of chases down rain-washed alleyways and kung-fu action ensue, along with some light gun battles and an over-the-top finale which is worth the wait.
Chingamy Yau is the attractive girl who just might be the daughter of Satan, and tends to get caught up in lots of weird visions and sees herself with horns in the mirror. Stealing his scenes is one Donnie Yen as the ultra-cool bespectacled police officer, an extremely violent man who shows off his martial arts skills in a handful of decent fights. Altogether the pacing of this film is slow and it tends to be a case of style over substance, with not much in the way of drama or action unfolding despite the relative excitement that the plot promises. It actually tends to be a low budget kind of movie, with the only big-style action at the end, complete with chainsaws, crucifixions and explosions. It's worth the wait. Something else worth waiting for are the hilariously incorrect English subtitles, which turn many mundane moments into comedy situations.
Chingamy Yau is the attractive girl who just might be the daughter of Satan, and tends to get caught up in lots of weird visions and sees herself with horns in the mirror. Stealing his scenes is one Donnie Yen as the ultra-cool bespectacled police officer, an extremely violent man who shows off his martial arts skills in a handful of decent fights. Altogether the pacing of this film is slow and it tends to be a case of style over substance, with not much in the way of drama or action unfolding despite the relative excitement that the plot promises. It actually tends to be a low budget kind of movie, with the only big-style action at the end, complete with chainsaws, crucifixions and explosions. It's worth the wait. Something else worth waiting for are the hilariously incorrect English subtitles, which turn many mundane moments into comedy situations.
Ah Lun directed this Wong Jing produced action shocker Devil 666 aka Satan Returns, in 1996. The film stars the incredibly beautiful sweetheart Chingmy Yau, who played the lead part in Clarence Fok's classic erotic action film Naked Killer in 1992. Donnie Yuen plays a tough cop who is with his colleagues (Chingmy included) after a lunatic killer who calls himself Judas and thinks Chingmy is the daughter of the Devil himself. What follows is gun battles, many plot turns, one chainsaw at the end, the usual Hong Kong "humor", gore and different camera styles, but the main interest for the film makers was to make a film which would appeal to the same audience than The Silence of the Lambs (Jonathan Demme, 1990) and Se7en (David Fincher, 1995) did; Satan Returns is occasionally almost too obviously ripping these two Hollywood blockbusters off.
The film has some genuinely creepy scenes and segments, and the camera styles and drives are again very restless and also imaginable, and there's at least one hyper fast drive through an apartment and its stairs, so I can't say the film isn't visually at least LITTLE interesting. The plot is nonsense and the scenes and characters are too close to those of Lambs' and Se7en's and the characters in this Orient production even mention these two films couple of times!
The action is okay, but never "John Woo style" or near that as one writer requested. The gun battles are nothing special here as isn't anything else either. The rainy streets and dark settings could be gorgeous and effective, but since they've been taken straightly from Fincher's film, I cannot appreciate them in this film too much. There's also some bits of gore and fake blood, which looks occasionally very fake. This film is said to be rated CAT 3, but from what I know, that is NOT true and is only some distributor's "clever" effort to get people's attention due to the high rating. The violence isn't too strong, but it is the usual HK standard (i.e. some blood when people are shot and little gore and ripped hearts every now and then..) and what this film lacks unlike the real CAT 3 films, is the nudity and sex, which usually is the reason for high rating so there's no need to be gore and violence for film to get the "third" rating in Hong Kong.
Devil 666 aka Satan Returns gets 4/10 just because of the fact that it is more watchable than some/most of these films, and I'm glad there's not too much of the usual stupid humor, but what's left, should have been left out as well. The visuals are occasionally interesting, but since the film is never original or too personal, the 4 rating seems reasonable, but those who have seen many Hong Kong horror and action films should not keep their expectations too high. Still, it could be MUCH worse!
The film has some genuinely creepy scenes and segments, and the camera styles and drives are again very restless and also imaginable, and there's at least one hyper fast drive through an apartment and its stairs, so I can't say the film isn't visually at least LITTLE interesting. The plot is nonsense and the scenes and characters are too close to those of Lambs' and Se7en's and the characters in this Orient production even mention these two films couple of times!
The action is okay, but never "John Woo style" or near that as one writer requested. The gun battles are nothing special here as isn't anything else either. The rainy streets and dark settings could be gorgeous and effective, but since they've been taken straightly from Fincher's film, I cannot appreciate them in this film too much. There's also some bits of gore and fake blood, which looks occasionally very fake. This film is said to be rated CAT 3, but from what I know, that is NOT true and is only some distributor's "clever" effort to get people's attention due to the high rating. The violence isn't too strong, but it is the usual HK standard (i.e. some blood when people are shot and little gore and ripped hearts every now and then..) and what this film lacks unlike the real CAT 3 films, is the nudity and sex, which usually is the reason for high rating so there's no need to be gore and violence for film to get the "third" rating in Hong Kong.
Devil 666 aka Satan Returns gets 4/10 just because of the fact that it is more watchable than some/most of these films, and I'm glad there's not too much of the usual stupid humor, but what's left, should have been left out as well. The visuals are occasionally interesting, but since the film is never original or too personal, the 4 rating seems reasonable, but those who have seen many Hong Kong horror and action films should not keep their expectations too high. Still, it could be MUCH worse!
This Hong Kong film combines horror and cop genres as a killer, going by the name of Judas, is targeting women born on the 6th of June 1969. He believes that the Devil's daughter was born on that day and the only way to identify which woman born on that day is the Antichrist is to cut out their hearts and see which one still lives. Ching, a beautiful officer in the Royal Hong Kong Police Force, was born on that date and has been having recurring nightmares about the crimes... before the first body is found. Judas starts contacting her, telling her that she is Satan's daughter. Officers Nam and Ka-ming are put in charge of the case and quickly realise that the killer is inspired by the Book of Revelations.
I rather enjoyed this film; I particularly liked how it combined horror and cop genres. It is clearly inspired stylistically by 'Seven'... something acknowledged by a character; it may not be as technically good as that film but it is perhaps more enjoyable. This is because there is a fair amount of humour and quite a bit of action; sometimes at the same time. The story is solid enough for the genre. Actress Chingamy Yau, does a fine job as Ching, Donnie Yen impresses as Nam and Francis Ng is good as bad guy Judas. The action scenes are enjoyable and a bit gory at times but not excessively so. Overall I'd say that this is not a film to be taken seriously but it is fun enough; I'd certainly recommend it to fans of horror movies who also enjoy Hong Kong cinema.
These comments are based on watching the film in Cantonese with (poor) English subtitles... strangely the version I saw also had Chinese subtitles which I couldn't turn off!
I rather enjoyed this film; I particularly liked how it combined horror and cop genres. It is clearly inspired stylistically by 'Seven'... something acknowledged by a character; it may not be as technically good as that film but it is perhaps more enjoyable. This is because there is a fair amount of humour and quite a bit of action; sometimes at the same time. The story is solid enough for the genre. Actress Chingamy Yau, does a fine job as Ching, Donnie Yen impresses as Nam and Francis Ng is good as bad guy Judas. The action scenes are enjoyable and a bit gory at times but not excessively so. Overall I'd say that this is not a film to be taken seriously but it is fun enough; I'd certainly recommend it to fans of horror movies who also enjoy Hong Kong cinema.
These comments are based on watching the film in Cantonese with (poor) English subtitles... strangely the version I saw also had Chinese subtitles which I couldn't turn off!
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- ConnectionsReferences The Silence of the Lambs (1991)
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