Between Your Legs

... the Crying Game, and a few other pieces of current day cinema, he just might come up with such a little gem.

This work manages to lovingly captivate the audience which misses dear old Alfred. From the smartly nuanced opening credits, through the twists and turns of post-reveal story structure, to bringing the whole thing to a close using the ambivalent actions by *both* male leads- not masterful, but deft, and compelling. Nifty stuff.

I can see Hollywood attempting a remake (a la Vanilla Sky) and completely bolloxing it up, too.

Erotic, but not so much as the title and cover art might have you think-the title should actually be translated as "Between the Legs," a sort of comment on what kind of trouble the libido can stir up.

Confusing it wasn't, as a second viewing (well worth it) confirmed. Subtitles are adequate and a capacity for Spanish no necesita.

PS The "distasteful rape scene" mentioned in one comment baffles me and must have been a figment to that reviewer. The character was actually suffering what could be called a post traumatic stress flashback. It rang true to that character, and was necessary as the device to explain what really went on in the previous 01:50 of screen time. Held me right to the end.

If this was intended as a tribute to the great Alfred Hitchcock, this is simply disgusting: in fact, there are many obvious quotations (the opening credits, the first scene with the little girl screaming like in Marnie, the other one who believes to be already dead, remembering us Madeleine in "Vertigo", the music, etc, etc). Nonetheless, where Hitch's films are deep and fascinating, this one is just a sample of the lowest-grade cinema. It is outrageous towards Hitchcock, to say the least, showing that the director of the film either is not capable of understanding anything about the greatness of A. Hitchcock, either is simply a bad director. 0 / 10

The story of this movie, which tries hard to avoid following concepts of other movies related to infidelity in today's modern society, really falls in providing a clear and definitive message to the audience.

The story seems interesting just from the beginning when a group of people -who take assistance in a rehabilitation center for addicted to sex- express their personal feelings about their lives and their situations, just as a psychological and deep profile of every individual. This is interesting since Manuel Pereira (Director) starts to have control of all these situations.

But this is not going so far just when alternative plots "with some psychological twists" began to surface the main story and overcome it. So the story that began from exploring the world of this addicted people turns out to become a confused film with unnecessary plots that makes the movie with no clear interpretations at the end of it.

My advantage, I do not speak very much Spanish, and more than 80% of the dialogue went over my head... The acting of Abril, however, was so intense and comprehensive, the way her lips quivered, the "realness" of her unexpected "jerkiness" from time to time, and the scene in the "club" followed by the double entendre'd pretensiousness with her husband. It kept me interested for almost two hours. I may not have got it right, but there were multiple plot layers that "dovetailed" without the insulting forecasting which is generally evident in American movies. And, like I hinted, maybe my advantage was that I did a kind of "speed listen" instead of listening to every word. And, the male lead did an equally great job.

Loved it tremendously. Hope it never gets English subtitles. I like what my imagination filled in for me!

You never know what you're going to expect when you watch this quirky Spanish flick. There are some obvious moments that are (Pedro) Almodavar and some are (Julio) Medem, which should come as no surprise as the actors in this show have worked with the above directors. Sex, suspense, comedy, drama - it's all here rolled into one. An engaging film that leaves you smiling after you come out of the cinema.