Enlightenment Guaranteed

Loved this movie, can't find a copy of it at this point. Rented it on VHS way back. But I'd love to see it again. A heartfelt movie, a beautiful glimpse of zen life in/ and japan, a movie about brotherhood, a movie about being human. wish i could get my brother to watch it with me! -rm

This movie is really quite a feast. It shows two German brothers on a trip to Japan to visit a Zen monastery. Both brothers face personal questions: one has just been left by his wife, and the other, well, that comes too late in the film for me to discuss here.

Upon arriving in Tokyo, they settle in a comfortable hotel and go out for a night on the town. Problem: where is the hotel? At first this seems comical, but it quickly becomes a serious crisis.

They sleep in cardboard boxes on the street.

The brothers' ability to deal with these problems and their other problems are examined in the light of the daily mundane tasks they take upon themselves when they arrive at the monastery.

The movie handles religion very well. It shows the value of their meditation without getting overly preachy. It shows the brothers, especially Uwe, the one whose wife left him, trying very hard to find a meaning in what they do.

The movie is about people and the deep problems people have. Some viewers might find this boring, but I found it compelling. There is no one thing I can point to, but the whole feel of the movie and the characters seemed right.

"To live is to suffer," says brother Gustav, blissfully. "Buddha's first noble truth."

Enlightenment Guaranteed, a German Zen comedy is an amazing film that succeeds on several levels: as an insight into Buddhist philosophy and practice, as the maturing process of two brothers, and as a look at the hectic world of Tokyo, Japan. I won't guarantee you'll be enlightened but I'm sure you'll be entertained.

Shot with digital video, the film revolves around two brothers, Gustav, (Gustav Peter Wöhler), a single Feng Shui consultant, and Uwe (Uwe Ochsenknecht), a salesman whose wife and children have just left him. After his brother's marital breakup, Gustav reluctantly takes Uwe with him to the Sojiji Soin Father Temple (a Zen monastery) in Monzen, outside of Tokyo.

Their adventures in Tokyo are funny and touching. One time they get lost and cannot find their way back to their hotel. Another time they run out of money and are bilked by a singing ATM machine in a hilarious sequence. Finally, they end up sleeping in cardboard boxes, then in a tent next to a railroad train. The two are thoroughly spent when they finally arrive at Monzen. There is a stunning contrast between the frenetic pace of Tokyo and the serene setting of the monastery.

The brothers have to get used to getting up at 4:30 A.M., taking cold baths, running cleaning rags across the floor and the elaborate unwrapping of eating utensils. Roles are reversed to a certain extent as Gustav buckles under pressure, while the uninitiated Uwe, merely along for the ride, proves surprisingly adaptable to the rigors of monastery life. The two brothers gradually lose "control" of their lives and learn to live in the present. As the Abbot of Monzen explains, enlightenment is not the achievement of something, but the absence of something. In Uwe's case, it might be the absence of attachment to the circumstances of his life.

Enlightenment Guaranteed is a celebration of the act of looking within ourselves to unravel the mysteries of who we really are. The clanging of the various chimes and gongs, the beating of the drums, and the meditation rituals of the Buddhist monks create an atmosphere of calm and spirituality that left me with a feeling of joy.

I adored this movie; it was sweet, funny, honest, beautiful, and poetic; I was smitten. As a friend of mine (a film critic) wrote to me, "I've rarely seen anything that matches form to content in such an easy and really loving way."

"Enlightenment Guaranteed" is a wonderful film. Funny, visually interesting and intelligent. However, education about Buddhism is required, I think, for real appreciation of the film's layers of story telling. The independent film feeling was really charming. Ochsenknecht and Wohler work well as a comic team. The monastery scenes were fascinating and fun. There is a whole self consciousness of the play as a play that I really liked. It seemed more like small, alternative theater than film at times. I don't think this could be a commercial hit, simply because it takes a certain level of education and understanding of philosophy to get many of the jokes. The small audience, with whom I saw the film, were split down the middle. Half of them seemed as delighted as I was. Half seemed bored and restless. The German speakers near me were laughing as often and as loudly as I was. My own education in Buddhist practices was a major source of my appreciation for the film, I think. Well worth seeing, if you can find it.