Enlightenment Guaranteed

Enlightenment Guaranteed may seem funny at first but in fact it's very serious and explicitly Buddhist, since it involves two German brothers and their adventures in getting into and out of Japan's Monzen Buddhist monastery. Unfortunately the only format in which it has been released in North America is German VHS with English Subtitled which is somehow disappointing but the beauty of the movie almost makes you forget this little problem, The more interesting fact is that the actors actually had to live the monastery life during the shooting: for two weeks they and the crew never left the Monzen grounds!

If you want to see a little of the real Japan then watch this movie rather than "Lost in Translation" (which would have been better if it was filmed in New York so the director knew what she was talking about). Yes, it is a bit slow in some parts but anyone who has been on a self-finding journey will relate, and laugh even more at the funny situations they get into. Germans and Japanese have a lot in common so that makes the misunderstandings real rather than the usual "foreigners in Japan trying to make the Japanese seem like savage aliens".

In this time of reality TV and home-movies being used on various TV shows, the hand-held camera shots are very real. Also interesting is that the characters names are the actors real names so it adds to the effect.

Though I haven't seen a lot of John Casavetes' work, apart from

that, this is one of the best modern (read: 1985-present) uses of

8mm film that I've ever seen. This is one of those films you just

have to throw yourself into. I'm not drawing a parallel between the

two--at all!--but people who have seen 'Neon Genesis Evangelion'

will recall how by the end of the first episode you had no idea what

was going on, right alongside the principle character. This movie

has a similar feel--It's unsettling at first, but ultimately presents

itself as a curiously wonderful juxtaposition of warmth and

coldness; interrelation and alienation. Very few films are capable

of doing this well. Oh, and as a side note -- this is NOT one of

those aimlessly meandering art films hell-bent on using 8mm to

generate indie/underground credibility. In sum: a thoughtfully

rewarding film about two very different German brothers lost in

Japan and discovering a fine gray line dividing the point of no

return from the point just before it and overcoming that dualism.

This movie is really quite a feast. It shows two German brothers on a trip to Japan to visit a Zen monastery. Both brothers face personal questions: one has just been left by his wife, and the other, well, that comes too late in the film for me to discuss here.

Upon arriving in Tokyo, they settle in a comfortable hotel and go out for a night on the town. Problem: where is the hotel? At first this seems comical, but it quickly becomes a serious crisis.

They sleep in cardboard boxes on the street.

The brothers' ability to deal with these problems and their other problems are examined in the light of the daily mundane tasks they take upon themselves when they arrive at the monastery.

The movie handles religion very well. It shows the value of their meditation without getting overly preachy. It shows the brothers, especially Uwe, the one whose wife left him, trying very hard to find a meaning in what they do.

The movie is about people and the deep problems people have. Some viewers might find this boring, but I found it compelling. There is no one thing I can point to, but the whole feel of the movie and the characters seemed right.

Shown at the MIFF as 'The Bridge in the Rain' (why? I dunno).

I almost didn't see this film as it sounded as if it could easily have been another of those 'mundane' foreign films but no, it was excellent.

Gustav, who originally intended to go to the Tokyo monastery, is the type who gets lost in supermarkets. The other brother, Uwe, ends up going along after drowning his sorrows when his wife leaves him. Unfortunately, Uwe seems to fit right in with the strict monastery life, much to Gustav's torment! He even copes better than his brother when they get lost and separated in Tokyo. They both have personal torment and sibling rivalry which is equally engaging and funny.

The monastery is in quiet, idyll surroundings out of Tokyo. A memorable line which hits home if you live in a big city comes in the form of a saying about 'hate' and anger - but I won't give it away.

I thought that the story could have gone in any number of possible directions with equally enjoyable results.

I also think that filming this on video and using footage from the video camera in the film enhanced the realism. A very memorable film.