Hercules Against the Mongols

I purchased a dollar DVD, with a double feature purportedly of Hercules and the Princess of Troy and Herculese Prisoner of Evil. The latter turns out not to resemble its description on the box, nor the description under that title in its IMDb listing, but is in fact this movie here, Maciste contro i Mongoli. The title and credit sequence are missing, the movie beginning with a female voice-over and the funeral pyre of Genghis Khan. The references to the WHITE MAN noted by another reviewer were also not apparent. The faded Eastmancolor print lacks all yellow tones, so everything is red or green, making "Hercules" a shiny red fellow. Since it is clearly stated in the first minute to be the thirteenth century, and "Hercules" himself claims to be a Christian, it would make as much sense to call the character Tarzan. There is an inordinate amount of carrying large objects, especially logs and battering rams, with which people are poked or knocked down. The freudian implications of that, along with the bulging bosoms of "Hercules," are disturbing. I was impressed by what elaborate sets, props and costumes, and how many extras, could be summoned for such an otherwise cheesy movie. I am not sure it was worth my fifty cents, but I am glad I didn't pay two bucks to rent it. The DVD claims to be from the Family Value Collection, but is otherwise unlabeled as to its place of origin. It does say it was Digitally Remastered though.

Sandals film with Mark Forest as Maciste

After the death of Genghis Khan (Giuseppe Addobbati), there are fierce battles over the inheritance between his violent sons (strong cast including: Ken Clark, Howard Ross and the Italian male model Nadir Moretti). The Poles attacked by the Mongols in particular had to suffer from this. When the beautiful Bianca (Jose Greci) is kidnapped, the Italian film legend Maciste (the bodybuilder Mark Forest, born in 1933, who later performed very successfully as an opera singer) intervenes. And if the muscleman has to tear up trees to do it!

You can tell that the plot of the film shouldn't be taken too seriously. National hero Maciste was often used by film producers all over the world and in all cultural circles. The main thing was to prevent injustice and save a beautiful girl. So in this film it's the Mongols' turn. The mask doesn't look very convincing, but that's not the point. The action scenes are quite entertaining. It's also interesting to see the soon-to-be James Bond imitator Ken Clark (From the Orient with Fury) in a villainous role. It was directed by Domenico Paolella, who hasn't made a big name for himself in this genre.

Nevertheless: definitely recommended for peplum fans!

Maciste (Mark Forest) comes to the rescue of Princess Bianca who is threatened by the 3 sons of Genghis Khan. Maciste uses the opportunity that the 3 sons are rivals in a fight for leadership and becomes a slave for one of them to fight the others, see Bianca and plan her escape at a tournament. Little does he know that the princess trusts a traitor instead of him...

Maciste's name is changed to 'Hercules' in some countries again, which doesn't make much sense as the legends of Hercules are set approximately 3000 years before Genghis Khan lived. Nevertheless, this is one of the better productions of the series. The idea to have several villains instead of the usual usurper of the throne makes the story slightly less predictable, and the production value with many horses and extras is above average. The typical human touch - Maciste, helper of the poor - is introduced nicely in the first scene when Maciste builds a bridge.

The version of this movie I saw was called "Hercules Against the Mongols"

Hercules, dubbed within an inch of his life and his loins covered within an inch of his modesty, is told he is to fight the Mongols by an oracle.

A female voice then tells us it's 1227. She continues to tell us of the leaders of Mongolian tribes that Hercules will fight. They are the three sons of Ghengis Khan and they lust for conquest. To incite their people to go to war they kill one of their own and blame "THE WHITE MAN!" THE WHITE MAN must be punished!

The Mongols burn houses (in this movie symbolically represented by a miniature hut) and kill many WHITE MEN or take them as slaves. Amid all the confusion you can always tell the Mongols from THE WHITE MAN. The Mongols are hairy, manly and wearing leather. THE WHITE MEN are shaved, feminine and wearing felt.

The Mongols discover that an heir to THE WHITE MAN's throne has escaped. "We must find him!" exclaims one son of Ghengis Khan. "We must kill all the legitimate heirs to the throne!" The boy, Alexander, wanders through the woods and comes across Hercules who is playing pick-up-sticks with tree trunks. "Why are you moving those trees?" asks Alexander, his dubbed voice sounding like he is speaking in a wind tunnel. "What are you doing out here, little boy?" asks the grinning, mostly unclad Hercules in what is the movie's creepiest moment.

It isn't long before Hercules is fighting the Mongols. Hercules picks up a tree trunk and stands there as the Mongols ride their horses into him. Defeated, the Mongols sneer "We will meet again!" and run off.

Beefcake films are more of a curiosity nowadays but I must admit I enjoy watching them. They are, by no means, Great cinema but they are fun to watch: half-clad men fighting, posing, and delivering absurd lines.

The only disappointment was the lack of the midget actor usually found in these films. How can it be an Italian production without a midget?

Afterthought: There is one fight with a lion that is pretty harrowing and could be considered cruelty to animals. If you are squeamish about such things be forewarned: you may want to skip this one.

Loincloth!

As I've said in other reviews, the sword and sandal genre isn't exactly one that I enjoy. But I think even those who do enjoy its offerings will find this particular one tough to sit through. One big reason for that is that the hero (Maciste or Hercules, depending on what version you watch) is particularly weak. Not when it comes to physical strength (though his strength does fluctuate through the movie), but when it comes to his character. We learn nothing about him, like how he got to this part of the world or what he feels or thinks about anything. In fact, he's off screen for big chunks of the running time. This might have been looked over had the movie done well in other areas, but it doesn't. While the awful dubbing does provoke a few chuckles here and there, it doesn't make up for the fact the movie is extremely dull. There's far more talk than action, and when there is action, it's staged and directed in a very feeble fashion. It didn't take long into watching the movie for me to wish that it would end much quicker than it actually did, and I suspect that you'll feel the same way as well.