A Knight's Tale

I'd read that Brian Helgeland had been soured by the movie industry due to his mistreatment on his film, "Payback." I use "his film" in the most liberal sense here, as star Mel Gibson wrestled control of the film from Helgeland and imposed his own view on the final editing process. With this situation in mind, I fully expected "A Knight's Tale" to be a creative response to that negative filmmaking experience, a fun and free film that thumbed its nose at tradition and set style and which allowed the director's true vision to shine through with no outside interference. And my friends, that's exactly what I got when I first sat down to watch in back in 2001. "A Knight's Tale" celebrates the classic and vastly misused/underused genre of medieval movies, while at the same time knocking the genre on its ear by instilling the film with modern themes, attitudes and a classic rock score. Sadly, it was these elements which repelled most viewers and led to "A Knight's Tale's" lackluster performance at the box office. Were these people just a little more open minded, they would have allowed themselves a wonderful movie-going experience that celebrates individuality, love, and above all else, friendship. Though the music is crucial to the uniqueness of this film (and a brilliant addition, I might add), it's the relationships amongst the characters that gives this film its heart. William and Jocelyn are the perfect couple: bickering, floundering, and absolutely in love with one another. Wat, Roland, Kate and Geoff, wonderful characters unwilling to be fopped off as simple comic reliefs, show genuine love and loyalty to William, and do as much to contribute and carry the story along as William and the other two leads accomplish. Count Adamar, the film's villain, is a wonderful foil for William. He is cunning and cruel, and even in his moments of defeat, a character to respect. In many cases, such a villain would be made to seem wimpy or, at his moment of defeat, clumsy. Not so here, as Adamar is, throughout the film, a force to be reckoned with. I suppose part of why I love "A Knight's Tale" is my ability to relate to it so personally. I've certainly had my share of challenges, and aspired to be more than what I currently was. And I've also known friendships so loyal and loving that fiction could never invent. Most significantly, I've lived the pursuit of true love and, like William, have obtained it with no small amount of satisfaction. Everyone to some degree or another has also had these experiences in their lives, and its these experiences that built the foundation of "A Knight's Tale," which is exactly what makes it such a wonderful film, more than worthy of a second chance by those who previously doubted it, and much more than worthy of a spot in any fan's movie collection.

Brian Helgeland's A Knight's Tale is a hugely entertaining medieval romp set to modern rock classics such as Queen's 'We Will Rock You' and Thin Lizzy's 'The Boys are Back in Town'. The movie urges you to join in the fun with recognisable songs that is a jarring juxtaposition to the 14th century goings on at first but you soon get used to the idea.

Heath Ledger is excellent as the peasant who wants to be a knight and, upon meeting a homeless writer, who turns out to be Chaucer, offers to forge papers so that Ledger can bluff his way into the annual jousting competition to prove his worth as a knight and finds romance along the way.

This film has everything - action, adventure, comedy, romance and rock songs. It's feel good entertainment and Helgeland's unique approach still feels fresh, sassy and on point. Ledger is surrounded by a good supporting cast of Paul Bettany, Rufus Sewell, Mark Addy, Shannyn Sossamon and James Purefoy.

It's the perfect mix of a smart witty script, solid acting and an off kilter approach that really works. Baz Luhrmann pulled a similar trick with both Romeo & Juliet (1996) and Moulin Rouge (2001) by mixing up period pieces with modern songs to serve the narrative in an unconventional way.

The first time I saw A Knight's Tale (on cable, missed it in theater), I had the same reaction as many of you - Queen? David Bowie? In a movie set in the middle ages?

But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.

The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).

The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.

Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.

Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.

I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!

But it is mine.

All HUGE heart, loyal friendship and REAL character WITH real characters. And a whole lot of fun and good laughs.

Just, love it for what it is.

A story about jousting but this old knight's tale is anything but old because it mixes in satire of today's modern sports-audience age with some funny bits. Those include the overly dramatic public address announcer (boy, that's even more so since this film came out), rock music blaring out as the contestants do battle, etc.

The main characters are nicely varied with distinct personalities. Shannon Sossamon, however, was not quite up to leading-lady status and hasn't had a choice role like this since, either. I would have rather seen her "assistant" in this film, or the blacksmith woman, be the lead. Anyway, even though it's a bit long at 132 minutes, it's still entertaining most of the way, with some of the funniest bits at the beginning. However, it's just as much a romance (with Heath Ledger as the male lead) than a comedy.

What also is good is the sound and visuals in here: all high-class. The lance hitting an opponent made an interesting sound each time. The surround sound in here was good, too.

It's a film most people would like, and I recommend seeing it.