After his master dies, a peasant squire, fueled by his desire for food and glory, creates a new identity for himself as a knight.After his master dies, a peasant squire, fueled by his desire for food and glory, creates a new identity for himself as a knight.After his master dies, a peasant squire, fueled by his desire for food and glory, creates a new identity for himself as a knight.
- Awards
- 4 wins & 13 nominations total
- Christiana
- (as Berenice Bejo)
- Simon the Summoner
- (as Steve O'Donnell)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film should not be any one's favourite film of ALL TIME...
All HUGE heart, loyal friendship and REAL character WITH real characters. And a whole lot of fun and good laughs.
Just, love it for what it is.
If you want to watch a serious film, don't watch this!
Chronologically, historically and geographically incorrect.
Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?
I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.
I only wish we could all be like them!
I loved it.
This film was weighed measured and not found wanting at all
An impressive ensemble cast including the superior Paul Bettany (Chaucer - you can see he had fun with this rather exposing (!) role), Rufus Sewell, Mark Addy, Christopher Cazenove, James Purefoy and Alan Tudyk provides a film that is nigh-on flawless for cinematography that is exciting and gripping, the screenplay - the script - is amazing, laugh out loud funny all the way through. It's one of those films which require certain intelligence to get all the asides and witticisms, or numerous viewings to pick up on all of them, otherwise its still a funny and enjoyable film. With something for everyone this film is a joy to watch again and again, it's also attractive visually - many points to the costumers who mixed historical fashion with a modern edgy almost punk twist. Ditto the soundtrack - mixing in modern music was a clever touch, similar to Romeo and Juliet (Baz Luhrmann), and also an interesting look at fame and the cult of celebrity.
A great viewing experience which sometimes even brings a tear to my eye. If you don't enjoy this film, there's something wrong with you. Ignore the haters, it's not supposed to be historically accurate or high-brow! Sometimes a feel-good, comfortable, Disney-esque story arc is just what you want.
Jousting With A Modern Take
The main characters are nicely varied with distinct personalities. Shannon Sossamon, however, was not quite up to leading-lady status and hasn't had a choice role like this since, either. I would have rather seen her "assistant" in this film, or the blacksmith woman, be the lead. Anyway, even though it's a bit long at 132 minutes, it's still entertaining most of the way, with some of the funniest bits at the beginning. However, it's just as much a romance (with Heath Ledger as the male lead) than a comedy.
What also is good is the sound and visuals in here: all high-class. The lance hitting an opponent made an interesting sound each time. The surround sound in here was good, too.
It's a film most people would like, and I recommend seeing it.
Hugely entertaining medieval romp set to modern rock classics
Heath Ledger is excellent as the peasant who wants to be a knight and, upon meeting a homeless writer, who turns out to be Chaucer, offers to forge papers so that Ledger can bluff his way into the annual jousting competition to prove his worth as a knight and finds romance along the way.
This film has everything - action, adventure, comedy, romance and rock songs. It's feel good entertainment and Helgeland's unique approach still feels fresh, sassy and on point. Ledger is surrounded by a good supporting cast of Paul Bettany, Rufus Sewell, Mark Addy, Shannyn Sossamon and James Purefoy.
It's the perfect mix of a smart witty script, solid acting and an off kilter approach that really works. Baz Luhrmann pulled a similar trick with both Romeo & Juliet (1996) and Moulin Rouge (2001) by mixing up period pieces with modern songs to serve the narrative in an unconventional way.
Did you know
- GoofsThis is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
- Quotes
Prince Edward: [sighs] What a pair we make, huh? Both trying to hide who we are, both unable to do so. Your men love you. If I knew nothing else about you, that would be enough. But you also tilt when you should withdraw... and that is knightly, too.
Prince Edward: [to guards] Release him.
[Edward turns to crowd]
Prince Edward: He may appear to be of humble origins, but my personal historians have discovered that he is descendent from an ancient royal line.
[crowd murmuring]
Prince Edward: This is my word... and, as such, is beyond contestation.
Prince Edward: [turns to William] Now, if I may repay the kindness you once showed me... take a knee.
[draws his sword]
Prince Edward: By the power vested in me by my father, King Edward, and by all the witnesses here, I dub thee Sir William.
[crowd cheers]
Prince Edward: [silencing crowd] Arise... Sir William. Can you joust?
William: What?
Prince Edward: There's my tournament to finish. Now, are you fit to compete, or shall the forfeit stand?
William: No, I'm fit.
Prince Edward: I shall have your opponent informed of it. You look for his shield in the lists... at once.
William: Thank you, my lord.
- Crazy creditsAfter the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
- Alternate versionsThere is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
- ConnectionsFeatured in HBO First Look: The Making of 'A Knight's Tale' (2001)
Details
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $56,569,702
- Opening weekend US & Canada
- $16,511,391
- May 13, 2001
- Gross worldwide
- $117,487,657
- Runtime
- 2h 12m(132 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1





