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IMDbPro

War Comes to America

  • 1945
  • Not Rated
  • 1h 10m
IMDb RATING
6.8/10
888
YOUR RATING
War Comes to America (1945)
DocumentaryWar

Part VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.Part VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.Part VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.

  • Directors
    • Frank Capra
    • Anatole Litvak
  • Writers
    • Julius J. Epstein
    • Adolf Hitler
    • Emma Lazarus
  • Stars
    • Dean Acheson
    • General Bergeret
    • Adolf A. Berle
  • See production info at IMDbPro
  • IMDb RATING
    6.8/10
    888
    YOUR RATING
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Adolf Hitler
      • Emma Lazarus
    • Stars
      • Dean Acheson
      • General Bergeret
      • Adolf A. Berle
    • 11User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos1

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    Top cast43

    Edit
    Dean Acheson
    Dean Acheson
    • Self
    • (archive footage)
    General Bergeret
    • Self
    • (archive footage)
    Adolf A. Berle
    • Self
    • (archive footage)
    • (as A.A. Berle)
    Arno Breker
    • Self
    • (archive footage)
    Neville Chamberlain
    Neville Chamberlain
    • Self
    • (archive footage)
    Winston Churchill
    Winston Churchill
    • Self
    • (archive footage)
    Galeazzo Ciano
    • Self
    • (archive footage)
    • (as Galleazzo Ciano)
    Édouard Daladier
    Édouard Daladier
    • Self
    • (archive footage)
    Charles Edison
    • Self
    • (archive footage)
    Francisco Franco
    Francisco Franco
    • Self
    • (archive footage)
    Joseph Goebbels
    Joseph Goebbels
    • Self
    • (archive footage)
    • (as Josef Goebbels)
    Hermann Göring
    Hermann Göring
    • Self
    • (archive footage)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (archive footage)
    Heinrich Himmler
    Heinrich Himmler
    • Self
    • (archive footage)
    Hirohito
    Hirohito
    • Self
    • (archive footage)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (archive footage)
    Cordell Hull
    Cordell Hull
    • Self
    • (archive footage)
    Charles Huntziger
    • Self
    • (archive footage)
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Adolf Hitler
      • Emma Lazarus
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    6.8888
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    Featured reviews

    Michael_Elliott

    Why We Fight

    War Comes to America (1945)

    *** (out of 4)

    Seventh and final entry in Capra's "Why We Fight" series centers in on America, their reasons for wanting to stay out of the way and their eventual slide to knowing that the war was the only way out. As usual Capra, or how much he actually had to do with it, fills the screen with all sorts of stock footage of various battles and even more shots of Hitler and his various rants. This time out there's even more polls showing how Americans were viewing the stuff overseas and it's no shock that the majority wanted nothing to do with what was going on in Europe. Looking at the various poll numbers was one of the most fascinating things about this film and especially how the numbers changed over the years. Also worth mentioning are the various turning points that the government finally realized that they were going to have to power up the various military forces here. Again, as with many of the entries in this series, there's a lot of stuff that would probably be called incorrect today but we must remember when this thing was made. One could also roll their eyes when the film talks about freedom of people here yet we know that wasn't really the case in this era. With that said, there's enough here to make it worth watching and the overall feel of patriotism is quite high and works very well. The movie doesn't pull many punches as we get some rather graphic photos of injured children and it certainly hammer home its point of why America should enter the war.
    5planktonrules

    Rather dated and heavy-handed

    This is the final installment of the "Why We Fight" series--a group of seven films made by Frank Capra in order to bolster the war effort. Some of these films have held up well, though I think "War Comes to America" hasn't--and is a weak entry to the series. Most of this is because the narration is very heavy-handed. Subtle, its message isn't and it came out just before the war in the Pacific ended.

    The film begins with a brief history of the United States. Then, what follows is a long litany of reasons the US is the bestest place to live on the planet. While much of this is true, it's message goes on way too long and is like a long and boring civics lesson. Even back in 1945, I am pretty sure a lot of folks in the audience felt similarly. Then, tons of documentary footage follows about the war and our reasons for becoming involved in it.

    The film probably did a lot to help the war effort but, frankly, there are much better documentaries about the same subjects. The film lacks subtlety and comes across like a pep rally as opposed to a documentary. This one just hasn't held up very well.
    10Bunuel1976

    WHY WE FIGHT: WAR COMES TO America (Frank Capra & Anatole Litvak, 1945) ****

    This is the seventh and last entry in the celebrated documentary series WHY WE FIGHT, dealing with the main events of WWII while it was still raging; ironically, it was the only one I had not watched until now since, when the cycle was broadcast on Italian TV (around 23:00) back in the early 1990s, this episode was never proposed! In retrospect, I wonder whether the station thought it was a two-part film and aborted the screening after they failed to track down its alleged continuation – because, as a matter of fact, the copy I now watched myself actually bore the tell-tale "Part One" on the opening title-card and "End Of Part One" on the concluding one!; the thing is that no source that I know of ever mentions a follow-up to it and, indeed, there exist on "You Tube" prints which omit this bit of misinformation entirely!

    Anyway, back then, I recall enjoying this incredibly informative yet highly entertaining franchise and, having caught up with its final segment, I can safely consider this – collectively – as perhaps the greatest documentary ever made. Many efforts of its ilk and era date because they tend to treat the authentic footage with extra reverence and a certain amount of detachment – so that you feel no different than if you had read about it in a history book! Here, however, all the resources of the medium (including animation) are put at the disposal of the film-makers to provide a comprehensive look at the birth of America all the way up to the infamous attack on Pearl Harbor – taking care to explain what it was really up to during its curious period of neutrality – yet one is never bothered by its being a lecture, because the images and the commentary (spoken by Walter Huston and Lloyd Nolan) balance the necessary gravity with an infectious wryness, not to mention an evident passion.

    The latter would seem misplaced, i.e. an attempt to sell the idea of America as the greatest nation on Earth, if it were not acknowledged early on that, after all, the country was basically composed of virtually every ethnic group imaginable! Ultimately, one has to admit that Frank Capra – forever the champion in his films of the little guy facing apparently insurmountable odds – was the ideal director to tackle this documentary series and make an enduring classic of it.
    10Quinoa1984

    like other films in the Why We Fight series, utterly sincere, extremely well-directed

    In this final segment of the Why We Fight documentary series, War Comes to America, director Frank Capra puts the focus on America and how it got into World War II. It's no less well-directed than the various other films, or providing in some choice historical goodies. But what makes it stand-out, surprisingly, is how much historical value it has for today, as a document of its time and for people who may have not paid attention to every second in their school history class. At first the film tells us things that we basically already know, what America's good for, our liberties (you may see a bell from time to time saying this), and there's the token image of children practicing the Pledge of Alegiance (and pre "Under God" inclusion!)

    Then we get the real meat of the run-time of this relatively short documentary, which is about America's reactions in the 1930's and up to 1940 and 1941 all the way until December 7th at Pearl Harbor. This footage is riveting stuff, even if it is meant, at the time (albeit already by 1945 near the end of things) propaganda for the US Army. It becomes a truly interesting capsule as to the statistical information of how Americans felt about getting involved with the affairs of the Europeans, which side to take or how much with the Nazis, and then how much sympathy to have for the Chinese during their assault from Japan. I'm reminded of today in news when getting all of these polls on various topics, and Capra builds up a staggering time-line. For anyone who thought that America only got involved in World War Two simply for Pearl Harbor need to see this movie.

    As usual the footage from various politician speeches, of course FDR, and finally some of the footage of how we got involved in 1941 (even before Pearl Harbor America was preparing their alliance with England and other nations to give them weapons), is excellent and well edited and shot. It's emotional uprising is at just a fine pitch for its time and place, and Capra knows how to get someone, anyone, wanting defeat for the Nazis and Japanese riled up for the just cause. Whether it may leave some things out is arguable, albeit in a 70 minute running time there is only so much they can show. But for what it's worth, it's a superb conclusion to this series, bringing it back around from the Prelude to War segment to remind soldiers (or anyone else watching) Why We Fight.
    RussianPantyHog

    Wonderful

    The "Why We Fight" series is now 60 years old, but documentary film-making still doesn't come any better. I've got all 7 on DVD and although the sound quality is weak on a couple they remain the finest "propaganda" films I've ever seen. Apart from that, since being made they've now assumed another role as 'primary source' history. Wonderful snapshots on a vanished America. President Coolidge once said "The main business of the American people IS business" and i think that's why the series was made. While 'we' in Europe were squabbling and scheming and tearing ourselves apart the American people simply got on with their lives and built up a beautiful country, not to mention an economy that dwarfed the rest of the world. Most Americans had little knowledge of European affairs and we can't blame them for feeling a little p****d that just 20 years after they rescued us from a world war, we went and did it again! Of course, Hitler & the Nazis were very different to the German imperialism of WW1. They wanted the whole world and it WAS in America's interest to stop them. "War Comes To America" paints a portrait of Amrican history right from the beginning and gradually shows how all the achievements and work and struggle of the people have to be honoured by defeating this new and most terrible threat. The narrators (Walter Huston & Lloyd Nolan) both have wonderful voices and always seem to be talking directly to the viewer as an individual. A staggering amount of care went into the editing and selection of film and sound clips and it shows throughout. This is my favourite of the Why We Fight films and although the portrayal of America is sometimes a little "rose-tinted" (the Civil War is COMPLETELY left out) I found myself wishing I could've lived through that time. The comparison between the USA in the 30s and 40s and Britain today is quite striking. There's a tremendous optimism and energy and 'drive' in America that I simply don't see over here, then or now. I'm absolutely certain that if I'd watched this movie as a 19 year old GI back in the 40s I'd have left the cinema feeling 10 feet tall and ready to kick Hitler's ass! It really does show the sense of outrage of a free people attacked by barbarians, and the certainty that good will triumph over evil. In another of the series they show a clip from one of Winston Churchill's speeches that sums up the whole message of Why We Fight. Churchill's mother was American, so it's worth repeating again: "Every trace of Hitler's footsteps, every stain of his infected and corroding fingers, must be sponged and purged and if necessary BLASTED from the surface of the Earth. Lift up your hearts. All will come right." So. "War Comes To America" remains the finest documentary I've ever seen and it's a worthy end to an utterly outstanding series. As no film is 'perfect' I'll give it 9 out of 10 and I'd advise anyone to get hold of the entire series. You won't regret it.

    PS - I recently discovered something that anyone familiar with this film will find quite hilarious. Several clips show Secretary of State Cordell Hull speaking. I now learn that (for whatever reason) Walt Disney based the Donald Duck character on Hull, and boy is it a striking resemblance. Very funny.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In the year 2000, the United States Library of Congress mandated that this film (and the other six documentaries in the 'Why We Fight' series)were "culturally significant" and selected them for preservation in the National Film Registry.
    • Goofs
      Twice there appears an animated clip showing about a dozen fully-equipped US troops in gray silhouette marching briskly left to right over a background graphic; however, a close look shows the "soldiers" actually wearing narrow-brimmed office-worker-style civilian hats rather than army helmets.
    • Quotes

      [the film explains the dire consequences for the United States of an Axis victory in Eurasia]

      Narrator: German conquest of Europe and Africa would bring all their raw materials, plus their entire industrial development, under one control. Of the two billion people in the world, the Nazis would rule roughly one quarter, the 500 million people of Europe and Africa, forced into slavery to labor for Germany. German conquest of Russia would add the vast raw materials and the production facilities of another of the world's industrial areas, and of the world's people, another 200 million would be added to the Nazi labor pile. Japanese conquest of the Orient would pour into their factory the almost unlimited resources of that area, and of the peoples of the earth, a thousand million would come under their rule, slaves for their industrial machine. We in North and South America would be left with the raw materials of three-tenths of the earth's surface, against the Axis with the resources of seven-tenths. We would have one industrial region against their three industrial regions. We would have one-eighth of the world's population against their seven-eighths. If we, together with the other nations of North and South America, could mobilize 30 million fully equipped men, the Axis could mobilize 200 million. Thus, an Axis victory in Europe and Asia would leave us alone and virtually surrounded, facing enemies ten times stronger than ourselves.

    • Connections
      Edited from The Negro Soldier (1944)
    • Soundtracks
      Rhapsody in Blue
      (uncredited)

      Music by George Gershwin

      Played during the Modern America montage

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    Details

    Edit
    • Release date
      • June 14, 1945 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Why We Fight, 7
    • Production company
      • U.S. Army Pictorial Services
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 10m(70 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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