Frequency

An atmospheric phenomenon over New York City allows a firefighter to communicate with his son 30 years in the future via a short-wave radio. Once they establish who they are, they have little time for small talk since lives are about to be altered as they seek to influence the past. Not only that, but a serial killer known for what became known as the Nightingale Murders is now back on the scene. What have they done? What can they do? And more importantly now, who will get hurt? I personally have been delighted to find on line reviewers of this film to have been as pleasantly surprised as I was. Many have focused on the fact that they didn't know what to expect, and thus got rewarded for being in the dark as it were. So with that in mind, I'm not about to start delving into the film too much, because if you are a potential first time viewer then you really are better off going in with no expectation level. What can safely be said is that Frequency achieves a rare feat of successfully blending genres and thematics. Sci-fi, mystery, fantasy, thriller, crime and drama all come into play in unknown director Gregory Hoblit's film. Nicely written by Toby Emmerich, the film also benefits from its fine cast of actors. Leading man is Dennis Quaid, who might just be one of the most safest go to guys in his generation, and support comes from a pre-Jesus James Caviezel, Andre Braugher, Shawn Doyle and Elizabeth Mitchell.

Frequency is heartily recommended to those who don't need head twisting cinema before they can proclaim a film to be worthy of their time. Yes some things of course defy logic here, this is after all a fantasy led film. But with so many interesting themes going on amongst the cross time molded core, Frequency rises above any charge of being merely popcorn fodder. Smart, warm and exciting, see this one if you can. 7.5/10

The idea of this film is pretty original; I don't think I've ever heard of a story so well-thought out about time-travel/alternate time-lines before. The idea is based on the main character being able to communicate with his father, who's been dead for 30 years. His father hears it then, 30 years earlier. They quickly do some things that shouldn't have happened back then, which then changes the future(or present). The movie deals very well with how they change the future back and forth. The plot is very good, the acting is superb and the characters are all believable. The special effects are very good. The very idea behind the film is very good, but the way it develops so much further is amazing. The ending, while it may seem corny too some, and is, by all means, a bit of a typical Hollywood ending(some might even call it a cop-out), but personally I just think it worked better than anything else could have. I'd recommend this to pretty much anyone who can watch a movie where they have to suspend disbelief, but especially anyone into time-travel or alternate time-lines, as this is, in my opinion, one of the best movies made, concerning this subject. 8/10

Changing the past to affect the future may not be a new concept in film, but "Frequency" handles it deftly and with heart. The acting is superb, and as far as I can tell the plot is nearly airtight. It keeps you on your toes as the story twists in what feels like six directions at once and keeps you in emotional sync with the characters. The past/present connections are stirring and intriguing, especially the single-flash cuts at pivotal moments. This is one of the few movies about which I can honestly say, "I laughed, I cried, I was scared stupid." Truly the only good movie so far this year.

This unique and interesting film is actually more of a suspense thriller than a science fiction, although I think fans of both genres will be pleased.

Dennis Quaid plays a heroic firefighter who was killed trying to rescue a runaway from a burning warehouse during the days of the Amazing Mets' World Series victory in October 1969. Jim Caviezel ("The Thin Red Line") plays his son, now a cop, thirty years later. Through some quirk of physics involving abnormal solar activity and the Aurora Borealis, the two make contact with each other across the 30-year span over a ham radio. The son is able to prevent his father's death, but changing the past also turns out to have unexpected consequences with which the two must deal.

The film really works on all levels with good action sequences and suspense, a nice dose of humor and some very touching exchanges between father and son. It explores the "what if" scenario of one's being presented with the opportunity to change an event in the past and the way in which those affected must deal with the consequences in a very intelligent and thought-provoking manner.

The acting is uniformly strong, with Quaid very appealing as the courageous firefighter and loving father who has an almost-childlike love for baseball (he even pulls off a Brooklyn accent nicely!); Caviezel is equally good as the present day version of Quaid's character's son. Caviezel brings a subtle sadness to the character, a quality one might expect from someone whose life hasn't quite worked out quite as well as it might have, possibly due to a void created by the absence of his father. One of the strongest aspects of Caviezel's performance was a subtle shift in personality following the changing of events in the past (a change which left him with memories both of his father's death and of time spent with his father in the intervening years).

I have a good feeling about this film and think it has a chance to be a real surprise hit. It's certainly one of the best films of the year thus far.

The movie opens with the introduction of the Sullivan family. Frank (Dennis Quaid) is a heroic New York firefighter, and escapes a harrowing situation to return home to his wife and his 6-year-old son John. It's an exciting time in New York, as the 'Miracle Mets' have made the World Series. Frank is a ham radio user, and a strange disturbance in the sky (solar flares, I believe. I never took astronomy) in the sky has really increased the range of his radio. "I'm reaching people I've never reached before", he says. Flash forward to 1999, when young John has grown up into a 36-year-old NY homicide detective (James Caviezel) with relational problems (and possibly a drinking problem as well). We learn his father died several years earlier in a warehouse fire, and it's obvious that John has never really gotten over it. He ends up setting up the old ham radio (did I mention that the solar flares are back?), and contacts a fellow New Yorker named Frank. It certainly won't ruin any big surprise when I tell you that it's his father Frank--in 1969. After recovering from his astonishment and convincing his father who he really is (his knowledge of the 1969 World Series proves quite helpful), they begin a series of nightly conversations. Unfortunately, their conversations change the past--and the future--in very dangerous ways. A serial killer who should only have 3 victims suddenly has more, and John must use his knowledge of the crimes (30 years old to him) to guide his dad in a 1969 pursuit of the killer. And the chase is on. Will they stop the killer? Will the solar flares last long enough for them to finish their plan? Will anyone in 1999 or 1969 believe them? That lengthy 'plot summary' really didn't ruin any of the suspense--or come close to explaining the whole story. So, it goes without saying that the story is pretty convoluted and involved. But it's not hard to follow, and the movie grabbed me and kept me interested throughout. Granted, you will need to use a serious amount of 'suspension of disbelief'. If you get hung up on "there's no way they could be talking to each other" or "changes in the past wouldn't immediately appear in the future--they would have already happened and would have been there all along", you'll do 2 things: (1) you'll give yourself a headache, and (2) you'll miss out on a very entertaining film. The reason I gave this more stars than last week's "U-571"? I cared about the characters, and I found "Frequency" much more entertaining. Also, the story was quite original--with great use of the Miracle Mets and the 1969 World Series throughout.