IMDb RATING
8.0/10
3.7K
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The Wizard's magic got out of control because it touched human feelings.The Wizard's magic got out of control because it touched human feelings.The Wizard's magic got out of control because it touched human feelings.
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Everything is right in this classic film. The music is gorgeous, the acting superb and the color photography entrancing. Add to this the direction of the great Mark Zakharov and you can't miss. A magician (Yankovsky) changes a bear into a handsome youth (Abdulov). This spell will be broken ONLY if the young man meets, falls in love with and is kissed by a princess. If that does happen the man will revert back to being a bear FOREVER!!!!! And at the 25 minute mark of a film over two hours long the princess meets the youth.
To me this is the second greatest Russian film and can be viewed again and again. You will love it!
To me this is the second greatest Russian film and can be viewed again and again. You will love it!
The only reason that I'm ranking it 9 instead of 10 is that fact that it's... not actually a movie.
It's based on a theatre play, directed by a theatre director, and it shows in everything: the dialogue, the set, the scenes, the costumes, the actors often talking and looking directly at the audience... However, if you're willing to disregard that little detail and instead watch it as a recorded theatre play, it's an absolutely breathtaking experience.
The movie is based on the play of the same name by Evgenyi Shvartz, one of the most significant Russian The story is painfully simple: two young people fall in love, even though they cannot be together. The literal magic and the magic of being human twist together to make a beautiful plot about love out of this world. People born in the Soviet Union know the iconic songs and quotes from this movie by heart. The cast is stellar, although a few of them are first and foremost theatre actors, which, again, shows.
It's based on a theatre play, directed by a theatre director, and it shows in everything: the dialogue, the set, the scenes, the costumes, the actors often talking and looking directly at the audience... However, if you're willing to disregard that little detail and instead watch it as a recorded theatre play, it's an absolutely breathtaking experience.
The movie is based on the play of the same name by Evgenyi Shvartz, one of the most significant Russian The story is painfully simple: two young people fall in love, even though they cannot be together. The literal magic and the magic of being human twist together to make a beautiful plot about love out of this world. People born in the Soviet Union know the iconic songs and quotes from this movie by heart. The cast is stellar, although a few of them are first and foremost theatre actors, which, again, shows.
10sim-13
A beautiful film with great actors. A magician turns a bear into a young man who must kiss a princess in order to turn back into a bear. Leonov is hilarious as the King.
Mark Zakharov has done a number of interesting, allegoric films ('To Kill a Dragon', for one), often adapting plays of Yevgeni Shvarts. Yet 'An Oridnary Miracle' is much more than just one in a bunch.
What we have here is a tale coming to life, an allegory in its full sense. The plot is centered around the Wizard, played superbly by Oleg Yankovsky, and his wife (another fantastic performance by Irina Kupchenko). The Wizard utters words, and we see them come to life - literally. He is dictating every move of this story, setting the pace and force of action. Creating a solid world by imagination, a world that stumbles upon his tired wife and wouldn't leave until set right.
The center of this imaginary world is a love story, a fairy tale of a bear turned into a man who has to be kissed by a princess to return to his true form. Zakharov handles this in a beautiful way. The love story is very romantic, yet never too sweet, accompanied with superb supporting characters of the King (Yevgeni Leonov) and his Minister Administrator (Andrei Mironov), the very stars of the Soviet Russian cinema.
Everything is very theatrical in this movie. Anotther commenter here mentioned it's due to Zakharov's occupation as a theatre director. Yet it seems there's more to it, since other pictures of his hold less of this stage atmosphere. Having seen this movie numerous times, i like to think this 'theatricity' as, for one, an homage to Shvarts' plays, and also as yet another allegory of life and imagination, when everyone of us can be creators of many things. Creating our own life, which is nothing but an (un)ordinary miracle.
The whole movie, i think, comes to a simple truth, articulated in many masterpieces (it would fit to remember Tarkovsky here): it is difficult to be a creator. This gift comes with its own rules, sometimes far beyond control. Yet by allowing it to come, we can produce small, ordinary miracles. To quote the theme song of the movie, 'awkwardly, funnily, illogically, mindlessly - miraculously'.
What we have here is a tale coming to life, an allegory in its full sense. The plot is centered around the Wizard, played superbly by Oleg Yankovsky, and his wife (another fantastic performance by Irina Kupchenko). The Wizard utters words, and we see them come to life - literally. He is dictating every move of this story, setting the pace and force of action. Creating a solid world by imagination, a world that stumbles upon his tired wife and wouldn't leave until set right.
The center of this imaginary world is a love story, a fairy tale of a bear turned into a man who has to be kissed by a princess to return to his true form. Zakharov handles this in a beautiful way. The love story is very romantic, yet never too sweet, accompanied with superb supporting characters of the King (Yevgeni Leonov) and his Minister Administrator (Andrei Mironov), the very stars of the Soviet Russian cinema.
Everything is very theatrical in this movie. Anotther commenter here mentioned it's due to Zakharov's occupation as a theatre director. Yet it seems there's more to it, since other pictures of his hold less of this stage atmosphere. Having seen this movie numerous times, i like to think this 'theatricity' as, for one, an homage to Shvarts' plays, and also as yet another allegory of life and imagination, when everyone of us can be creators of many things. Creating our own life, which is nothing but an (un)ordinary miracle.
The whole movie, i think, comes to a simple truth, articulated in many masterpieces (it would fit to remember Tarkovsky here): it is difficult to be a creator. This gift comes with its own rules, sometimes far beyond control. Yet by allowing it to come, we can produce small, ordinary miracles. To quote the theme song of the movie, 'awkwardly, funnily, illogically, mindlessly - miraculously'.
An Ordinary Miracle has really stood out among the run of Russian films I've seen, which was at a very high standard. And I mean this in a very good way. An Ordinary Miracle is a beautiful-looking film, the fantasy settings are wondrous and the scenery like some of the other best of Russian films makes me wish I could go to Russia. The photography is of the kind that is simple but also very elegant. The music is orchestrated sensitively and to the extent that you wish you can buy it on CD alone, the songs also stick in your head for days and are just lovely. There is some satire in the dialogue and it's very sharp and hilarious, and there's a lot of thoughtful and touching moments too. The story made me laugh with the satire, cry or feel very touched with the three romances(very romantic and charming) and in awe with the fantasy elements. It is also swiftly told, I was impressed at how much there was, it's a quite long film but never tiresome. The characters are quirky engage hugely, all of them serving a point. The acting is theatrical but still very good, Oleg Yankovsky and Irina Kupchenko are excellent. Overall, beautiful film and a miracle really. 10/10 Bethany Cox
Did you know
- Quotes
Minister Administrator: You are attractive. I am devilishly attractive. Why should we waste our time?
- ConnectionsFeatured in The Other Day 1961-2003: Our Era: Namedni 1979 (1997)
- SoundtracksPesnya Volshebnika
aka "Nelepo, smeshno, bezrassudno, bezumno, volshebno..."
Music by Gennadiy Gladkov
Lyrics by Yuliy Kim
Performed by Leonid Serebrennikov
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- A Commonplace Miracle
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