Playing Mona Lisa

Claire (Witt) is having trouble getting her concert piano career on track thanks to a semi-functional family, romantic woes, and kookie friends. "Playing Mona Lisa" is a formula sitcom quality flick full of cliche characters with just enough of a creative edge to keep me from thumbing the fast-forward button. There's little new here and nothing to get excited about. However, "Playing Mona Lisa" might be worth a look for the couch potato surfing for chick flix. (C)

"Playing Mona Lisa" is about the crucial point in your life when you're not any longer sure which direction you're heading. After graduation from music college, Claire, a gifted pianist, slightly loses it when her long-time boyfriend leaves her, her house is damaged in an earthquake and she has to move in with her slightly neurotic parents.

The movie, while having many refreshingly comic moments, is also quite serious in its theme, and deals remarkably well with Claire's attempts to get a new grip on her life. The plot-line is not too strong and is drifting along rather than developing; I don't see this as a problem, though, as it pretty much reflects both real life and Claire's lost sense of direction. Even in its darker moments, the movie retains an overall optimistic mood and never turns into a heavy problem movie; if you're looking for quick laughs or lots of action, however, this movie is not for you.

Lots of good acting from a great cast of characters. Alicia Witt is thoroughly enjoyable as Claire and guides her character remarkably through good times, bad times and mood swings. Brooke Langton and Johnny Galecki play along nicely as her very likeable friends. Great performances (as usual) from Elliot Gould as Claire's father and Harvey Fierstein as her piano teacher.

An overall quiet, but thoroughly enjoyable film which starts slowly and seriously grows on you after a while. 8/10.

1st watched 4/21/2001 - 7 out of 10(Dir-Matthew Huffman): Well-written and played out girl flick that is very similar to the very popular TV series "Ally McBeal" in it's theme. A young girl trying to find her man is part of the movie, but it's also about her competing piano talent and how she shuffles her romantics wants or needs with her God-given talent. At times the movie seems confused about the direction it's going which is really not a problem because in real life we're never sure what direction everything is taking. A wide mixture of varied talents are involved in this picture from young(Alicia Witt) to old(Elliot Gould - who actually does one of his best jobs in a hard role as the mixed-up father. Funny, touching, and leaving us a good message as well in the end.

I used to run a video store and this movie rarely got rented. It came on cable this afternoon and I didn't have anything else to do. I found the beginning of the film slow and rather predictable, but, as it got further into the story, I actually found myself hanging on the story, curious as to what could POSSIBLY happen next. I now find myself wondering why it never got rented in the store, because this was REALLY a good movie. I keep guessing if it was a romantic movie trying to be funny or a comedy trying to be romantic. The blend of both is what I actually enjoyed most about the film.

I have only seen one other movies with Alicia Witt, but I think I'm going to be looking for more of her. Elliott Gould and Marlo Thomas are a nice blend as her parents, too.

The movie itself is what it is. A tolerable, at times engaging chick-flick with good writing and a good balance of storylines.

As someone who's played piano most of my life, I usually roll my eyes at Hollywood's depiction of performing pianists. Usually, the pianist sways one way when they should sway the other, they gesticulate extravagently for no reason reflected in the music, or they rotate their arms back and forth like they're churning butter when they're supposed to be playing the piano.

Most of Alicia Witt's playing was believable, presumably because she was actually and in fact playing (she was classically trained and is credited as the performer in the film's credits).

The only exception I noticed: the scene where she's playing the Chopin G minor Ballade while talking in a full, articulate voice to her piano instructor (Harvey Fierstein). Not impossible, but not typical either for a pianist to whip through a pretty demanding piece such as that Chopin and carry on a full-throated conversation at the same time. To me it looked like a Victor Borge routine for just a moment.

Other then that, this film gets high marks from me for its believable piano playing. As for the rest, well, let's just say I wouldn't even be commenting on this film were it not for the goofy scene with the G Minor Ballade.