Playing Mona Lisa

I used to run a video store and this movie rarely got rented. It came on cable this afternoon and I didn't have anything else to do. I found the beginning of the film slow and rather predictable, but, as it got further into the story, I actually found myself hanging on the story, curious as to what could POSSIBLY happen next. I now find myself wondering why it never got rented in the store, because this was REALLY a good movie. I keep guessing if it was a romantic movie trying to be funny or a comedy trying to be romantic. The blend of both is what I actually enjoyed most about the film.

I have only seen one other movies with Alicia Witt, but I think I'm going to be looking for more of her. Elliott Gould and Marlo Thomas are a nice blend as her parents, too.

I'm familiar with Marni Freedman's work, and so anticipated "Playing Mona Lisa". The end product does not compare to what Ms. Freedman is capable of, so that is a disappointment. I'm familiar with her writing for both stage and film and she has an uncanny ear for dialogue that is simultaneously funny, real and heart-breaking. Look for her on future projects. She is truly gifted.

Claire (Witt) is having trouble getting her concert piano career on track thanks to a semi-functional family, romantic woes, and kookie friends. "Playing Mona Lisa" is a formula sitcom quality flick full of cliche characters with just enough of a creative edge to keep me from thumbing the fast-forward button. There's little new here and nothing to get excited about. However, "Playing Mona Lisa" might be worth a look for the couch potato surfing for chick flix. (C)

Claire (Alicia Witt) is having one of those months. A skilled pianist, she has failed to gain acceptance into a major piano competition, causing her sorrow. Her teacher and mentor (Harvey Fierstein) is sympathetic. But, then, in short order, her boyfriend dumps her unceremoniously and an earthquake ruins her San Francisco apartment, making it necessary to move back in with the folks. Ah, the family ties that bind and choke! Mother (Marlo Thomas) is trying her hand at cooking and offering unwelcome advice to her stricken daughter. Claire's father (Elliott Gould) is a having a midlife crisis and her overachieving sister is getting set to marry a stiff-shirt dentist, in coral and bisque, no less. As Claire is seeking to pull herself out of the blues, one bright spot emerges. She meets a good-looking fish merchant (Ivan Sergei). Will her life improve? This is one zany film, with a cast of characters and a script as offbeat as they come. Witt is luminous as the gifted pianist who runs into the year from hell. Thomas and Gould are terrific as the crazy parents and the rest of the cast is very nice, especially the gorgeous and charming Sergei. With some nice costumes, scenery, and photography, the film looks good and the San Francisco setting is lovely. Even so, the script is still the big winner here, being imaginative, humorous, and surprising. If you are drawn to romantic comedies with an off-kilter charm or you get tickled watching families much crazier than your own, find this one fast. You will like what you see.

The movie itself is what it is. A tolerable, at times engaging chick-flick with good writing and a good balance of storylines.

As someone who's played piano most of my life, I usually roll my eyes at Hollywood's depiction of performing pianists. Usually, the pianist sways one way when they should sway the other, they gesticulate extravagently for no reason reflected in the music, or they rotate their arms back and forth like they're churning butter when they're supposed to be playing the piano.

Most of Alicia Witt's playing was believable, presumably because she was actually and in fact playing (she was classically trained and is credited as the performer in the film's credits).

The only exception I noticed: the scene where she's playing the Chopin G minor Ballade while talking in a full, articulate voice to her piano instructor (Harvey Fierstein). Not impossible, but not typical either for a pianist to whip through a pretty demanding piece such as that Chopin and carry on a full-throated conversation at the same time. To me it looked like a Victor Borge routine for just a moment.

Other then that, this film gets high marks from me for its believable piano playing. As for the rest, well, let's just say I wouldn't even be commenting on this film were it not for the goofy scene with the G Minor Ballade.