The Quiet Family

Years ago, I saw the Japanese horror-comedy THE HAPPINESS OF THE KATAKURIS at a college screening, so color me shocked to learn all these years later that that movie was a remake of an earlier Korean picture called THE QUIET FAMILY. Compared to the remake, this is a far more sedate movie, though that is not to say it isn't odd. There is a great deal of comedy here, only it's played with a more comparatively deadpan style.

By and large, this movie feels quite episodic. I did think it started floundering a bit pacing-wise at the hour-mark, but never to the point where I was bored. The whole thing was funny and suspenseful, and I would highly recommend it to those who liked the premise of KATAKURIS but found the manic high energy a bit too much to handle.

A genuinely impressive start to director Kim Jee-woon's filmmaking career and featuring both Choi Min-sik & Song Kang-ho before their stardom, The Quiet Family is a morbidly humoured horror comedy that comes jam-packed with plenty of thrills & laughs, and remains one of the funniest films to come out of South Korea.

The storyline: A Korean family bought a lodging hotel for bargain basement prices in a desolated location. Hotel guests were hard to come by but when the first guest finally arrived, he committed suicide. More guests started to show up... but things did not turn out the way they were hoping... A classic case of be careful what you wish for, because it may actually come true in unexpected ways...

Think of this as Korean version of the "Addams Family". This movie is a showcase of dark humor while several parallel subplots are going on. I especially like the acting of the youngest daughter Mi-na, her looks and mannerism epitomize the dark humor of the entire movie.

Not the funniest movie to come out from the Korea movie industry in recent years, but nonetheless quite enjoyable for those who like dark humor movies like Beetlejuice or Addams Family.

I can't account for the lackluster ratings for this on IMDB (though its primary domestic distribution right now is bootleg video, which might account for something.) I saw it at the movies, and it rates as one of the great South Korean black comedies. A bit like Hitchcock, this tells the story of a family that takes over an inn deep, deep in the country - only realizing when they get there it was a big mistake. For one thing, they're miles from any human being. Things take a turn for the macabre when their visitors and guests end up dying under ambiguous circumstances, and the family has to find some way of disposing of the bodies before the cops roll in. Of course, they eventually do come to investigate, making the tale even more twisted than it was before.

Don't let any prejudices against South Korean cinema keep you away; at its best, their film output is second to none, and attracts international favor from film festivals and critics. This film is one of the unequivocal winners.

When a family reluctantly becomes proprietors of an inn deep in the woods, it seems doubtful anyone could find their way there. It doesn't help that the family ends up killing nearly all of their guests -- usually under cover of night (and the blackest possible humor). Imagine Hitchcock's "The Trouble with Harry" steered by a gruesomely dysfunctional family, and you have some idea of what this deadpan South Korean film offers. Still more evidence of that country's continuing film renaissance, and easily up to the standard of the best American films.