Crouching Tiger, Hidden Dragon

As a film student living in Toronto, I look forward to the Toronto International Film Festival every year. Last year, the highlight of the festival for me was American Beauty. This year, it would have to be (so far) Ang Lee's "Crouching Tiger, Hidden Dragon".

Being of Asian descent, I've seen my share of wu xia genre movies to last me a life time. However, most of them are so centred on the fighting, that they forget the rest of the elements that are involed. The movie turns into one long scripted fighting scene with maybe a slight hint of story. Crouching Tiger, on the other hand realizes these issues, and builds these oh-so entertaining action sequences into an epic with typical asian themes such as true love and honour.

Being an epic, one would expect the usual long takes and establishing shots, and boy does it ever look beautiful. Traversing through a myriad of regions spanning the lengh of China (from the deserts to bamboo forests, to mountains high in the clouds), the film soley based on its asthetic properties is nothing short of stunning. The lighting of different landscapes and the exquisitly designed costumes all radiate with stunning colour. And then there's the cinemetography. Wow! The backdrops, establishing shots look absolutely marvelous. If your jaw dropped when you saw Rome and its coliseum in Gladiator, wait until you see ancient Beijing recreated on the screen!

Okay, so it's a good looking movie. What about the story? The complexity of the plot is rather sparse, probably reminiscent of epics such as Braveheart or Gladiator, which is by no means a bad thing. Although both Chow Yun Fat and Michelle Yeo did have major parts, this movie belongs mostly to Zhang Ziyi who IMHO did an amazing job playing a very complex role (one which required her to represent nobily as a princess, naivness, as well as show inner strength). Mainly concentrating on her unwillingness to give in to the ideals of an arranged marriage, the decently written script adds a story of an old warrior trying to retire and a 300+ year old sword.

All in all, this film blends story, well choreographed action, and a stylistic eye to create a mythilogical piece that not only represents the wu xia genre justly by doing it well, but also contributes to raising the quality of filmmaking usually applied in the making of a similar type of film.

I just saw this film today. I was totally captivated... when it was all over, and the credits began to run, it took me a couple of seconds to realize where I was. I didn't want to get out of my seat. And once I got out of the theatre, I couldn't even talk about it for an hour or so. I kept running the details over and over in my head. It's rare that a film has such an impact on me. The cinematography was stunning. The special effects were beautifully done. The characters' moves were effortless. The acting was wonderful. I really think that Michelle Yeoh should have been nominated for an Oscar for Best Actress. I thought that the effects and storyline complimented each other brilliantly. There were so many different layers to the plot. There were many things that couldn't be explained with dialogue that were expressed in the characters' faces. This film had lighthearted moments, heartwrenching moments, romantic interludes, inspirational sentiments, wonderful plot twists, superb acting, beautifully done fight scenes, never before seen special effects...it had it all. Some scenes may have been a little over the top, but it's *fantasy*... and yet, after a few brief moments, it somehow became completely believable. That's how much this film draws you in. This is a one of a kind film; there is just no comparing it to any other. It transports you to another place and time. I highly recommend it.

Less than half an hour into the viewing of this masterpiece I knew this would become one of my favorite films - of all time. Only in my wildest dreams (quite literally, this movie has touched me on a personal level) have I visualized such fantastic and precise choreography, so captivating that to take your eyes away during the intense confrontations is to deny yourself the essence of what makes this film so wonderful.

With an artistic license unprecedented, the action scenes are entirely unbelievable but purely the work of a fabulous imagination. The magical settings and the colorful characters fit well into the plot but you will take away the breath-taking martial arts sequences.

Crouching in the shadows, hiding in the dark, entangled with emotion, an unobtrusive heart, waiting for a moment that may never be revealed, the chance to draw back shades, unlock its passions, remove its seals.

Seamlessly flowing like water over weathered stone, as elegant and enchanting a tale of right verses wrong, good verses bad, learning and forgiving as you'll likely find. The cinematography is sublime, the acting and performances as good as they get, the message as simple as any placed on a screen. Immerse yourself in a truly wonderful piece of cinema that perpetually stands the test of time.

There are two movies in the martial art fiction genre that are competing against each other for my no. 1 wuxia movie: Hero (by Yimou Zhang) and Crouching Tiger, Hidden Dragon. Now, tbh, the score is so tied that I'll choose the first one I saw and therefore had more time to grow inside my heart, namely Hero, BUT... that isn't to say there is one movie better than the other. If I saw this one first, it would have been my favorite.

It's true that Hero succeeds this movie and I'm not sure if Zhang hasn't drawn inspiration from Ang Lee's movie but I think Hero tackles some themes that one rarely sees being explored whereas Crouching Tiger feels a bit more ''western'' in its approach, especially with that mystery subplot. That makes it a bit easier to watch and doesn't require that much patience (though I, as an Eastern European, had a hard time at the beginning distinguishing people, maybe because I'm not yet used to that Manchurian queue hairstyle).

I've found the cinematography exquisite. There was one scene when Jen knelt down in water in the middle of a cave and looked up to the dark sky while the rain was washing her from her previous sins, baptizing her in the name of good. It was just splendid. Another magnificent scene happened in the pine forest but I can't describe in into words, you have to see it with your own eyes.

I've already adored Ziyi Zhang from Memoirs of a Geisha but now I think I'm falling in love with her :)) . Michelle Yeoh was a well-received presence, as always. Her character brought a balance between the more romantic, juvenile world of youth where family and society hinders relationships and the more mature world of adults where you are so often your own hurdle, not allowing yourself to move further and express your true feelings.

A 9,4 out of 10 from me.