While waiting for her husband to recover in a hospital, a mother stays with her estranged daughter, Maria, who fled her parents rural home in Andalusia because she could no longer bear her f... Read allWhile waiting for her husband to recover in a hospital, a mother stays with her estranged daughter, Maria, who fled her parents rural home in Andalusia because she could no longer bear her father's abusiveness and her mother's passivity.While waiting for her husband to recover in a hospital, a mother stays with her estranged daughter, Maria, who fled her parents rural home in Andalusia because she could no longer bear her father's abusiveness and her mother's passivity.
- Awards
- 48 wins & 17 nominations total
Antonio Dechent
- Médico
- (as Antonio Pérez Dechent)
Paco De Osca
- Padre
- (as Paco de Osca)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I was moved by this one, and I'm a rock. Even though I did not like one of the morals of the story - that if you get a child, you can overcome alcoholism and lead a better life. Unfortunately that's a romantic dream challenged by many an alcoholic as an escape route, and I've seen many try and fail with the children caught up in the mess as victims.
But it's beautifully acted. The story is a tragic one, but it's told in a wonderful "laughter-through-tears" way.
Very nice framing too, and silent and emotional shots - not boring at all. Deeply moving. Thanks for this one.
But it's beautifully acted. The story is a tragic one, but it's told in a wonderful "laughter-through-tears" way.
Very nice framing too, and silent and emotional shots - not boring at all. Deeply moving. Thanks for this one.
Solas (1999)
A purely effective entry into the private worlds of several very lonely people in contemporary Spain. Tenderly filmed, acted with understated and honest passion, and written in a way that makes you believe it.
And that's the point. You really care about first the lonely old woman, then increasingly about her troubled daughter, and finally about the old man who is a neighbor living alone. What some people need, other people need to give. But they don't always know it, or if they know it they still resist, trapped by promises made or by convention.
It's an interesting dose of reality that there are a couple of truly bad people here, as well, both men, both abusive in different ways to their woman. One, an older man in the hospital, remains bitter even as his health declines, and he reveals in a key passage that what he cares about is whether he was the kind of man society and tradition had expected him to be. Nothing else. It's sad, but not as tormenting as the younger selfish man who almost glories in his selfishness.
What makes the movie strike deep, though, is how the women put up with this. We aren't sure if it is because they too are caught up in society's traditions, or if they have some emotional need to be abused, however that gets started. But what we are sure of is how familiar this sounds--if not in our own relationships, at least in those around us, somewhere.
As powerful as this movie is, it is never overpowering, and never sentimentally driven (until, alas, the very end, which is a disappointing but understandable wrap up). What works so well is how subtle the emotional highs and lows are. It's all written and directed by people who understand what is going on in life, beyond the deceptions of the silver screen.
A purely effective entry into the private worlds of several very lonely people in contemporary Spain. Tenderly filmed, acted with understated and honest passion, and written in a way that makes you believe it.
And that's the point. You really care about first the lonely old woman, then increasingly about her troubled daughter, and finally about the old man who is a neighbor living alone. What some people need, other people need to give. But they don't always know it, or if they know it they still resist, trapped by promises made or by convention.
It's an interesting dose of reality that there are a couple of truly bad people here, as well, both men, both abusive in different ways to their woman. One, an older man in the hospital, remains bitter even as his health declines, and he reveals in a key passage that what he cares about is whether he was the kind of man society and tradition had expected him to be. Nothing else. It's sad, but not as tormenting as the younger selfish man who almost glories in his selfishness.
What makes the movie strike deep, though, is how the women put up with this. We aren't sure if it is because they too are caught up in society's traditions, or if they have some emotional need to be abused, however that gets started. But what we are sure of is how familiar this sounds--if not in our own relationships, at least in those around us, somewhere.
As powerful as this movie is, it is never overpowering, and never sentimentally driven (until, alas, the very end, which is a disappointing but understandable wrap up). What works so well is how subtle the emotional highs and lows are. It's all written and directed by people who understand what is going on in life, beyond the deceptions of the silver screen.
Nowadays it is not so easy to find a film that hits directly your heart and sentiments. Benito Zambrano gives an opportunity to recover all those sentiments that are well hidden in your subconscious.
Carmona is a small town too close to Seville to have a real identity and is the frame for a difficult and impossible relationship between a daughter, mother and father. Zambrano shows how difficult is to grow up in this outcast and bit farmer town with the leit-motiv of these three characters that join back together due to the father's illness. The father is marked rude and impolite, used to hit the wife or the daughter to show his total dominance and authority. The wife was totally subjected to this situation and the opportunity to find some understanding and heat with their neighbour is accepted with detachment by her. This side relationship with a lonely man brings back love to this sad and destroyed family. The daughter is even worse, alcoholic and in love with a truck driver who does not care of her pregnancy.
The loneliness of the void with a breach of optimism is well expressed in this simple but very effective and straight film.
Rating: 7/10
Carmona is a small town too close to Seville to have a real identity and is the frame for a difficult and impossible relationship between a daughter, mother and father. Zambrano shows how difficult is to grow up in this outcast and bit farmer town with the leit-motiv of these three characters that join back together due to the father's illness. The father is marked rude and impolite, used to hit the wife or the daughter to show his total dominance and authority. The wife was totally subjected to this situation and the opportunity to find some understanding and heat with their neighbour is accepted with detachment by her. This side relationship with a lonely man brings back love to this sad and destroyed family. The daughter is even worse, alcoholic and in love with a truck driver who does not care of her pregnancy.
The loneliness of the void with a breach of optimism is well expressed in this simple but very effective and straight film.
Rating: 7/10
10Peegee-3
Many thanks to Benito Zambrano for this beautiful delineation of human dilemmas humanely faced. Maria Galiana, as an elderly Spanish woman caught in the trap of a very bad marriage, but able to maintain her generosity and ability to love, is superb and inspiring. Her grown daughter, played with passion by Ana Fernandez, is more sophisticated and bitter. She has allowed herself to be used by a man, not unlike her unfeeling father, and her protrayal makes us sympathize with her, particularly when she finds she's pregnant and the man refuses to help her. And then there is the daughter's neighbor, played by Carlos Alvarez-Novia...a lonely old man with only his amazing dog for companionship. How he and the mother establish a tender, but "proper" relationship is a piece of rare and subtle film-making. I see no similarity between Zambrano's movie and the work of Mike Leigh (who apparently inspired him). Real people, yes, but the values demonstrated by Zambrano far surpass, in my estimation, those of Mike Leigh. My highest recommendation to anyone interested in a film that has soul, without sentimentality or grossness.
This is a bold and nice film about a woman on the edge of depression and nervous breakdown and who finally finds a purport in her thunderous life . It deals with a thirty and some year old woman : Ana Fernández who lives in the noisy city by working badly in cleaning jobs . When her mother : Maria Galiana comes to town to care her ill father at hospital , she stays at her home. Both of whom meet a sympathetic elderly neighbour : Carlos Álvarez Novoa who befriend and help them. Things go wrong when Maria is pregnant and her boyfriend wants she aborts.
A thoughtful and sad film about three lost souls attempting to give each other love as well as strength to start over , dealing with poorness , loneliness , abusiveness , desperation and ultimately redemption. It is a pretty good film , though some dowbeat and depressing , however , the final part results to be very sensitive and touching . The cast is frankly excellent , giving terrific interpretations . Ana Fernández is top-notch as the woman who moves to city to find a fateful destination , while Maria Galiana is awesome as the passive and kind mother .Special mention for Carlos Álvarez Novoa as the likeable neighbor who lives as a recluse and whose only company is his dog . They are finely accompanied by a good support cast with brief appearances from Juan Fernández as the egoistic boyfriend , Antonio Dechent as a doctor , Paco Tous , Maria Alfonsa Rosso, Mariana Cordero, Rosario Pardo and Cuca Escribano .
The motion picture was compellingly directed by Benito Zambrano and it won various Spanish Goyas . As it was Goya winner : Best supporting actress Maria Galiana , Best New Acress Ana Fernández, Best original screenplay and Best new director Benito Zambrano , Best original score Antonio Meliveo , Best Production Manager Eugenio Santana , Best Sound and Best Film Antonio P. Pérez , Maestranza Films . And Tokyo International Festival winner Best actor award Carlos Alvarez Novoa , Winner Best actress award Maria Galiana , and Turia Awards 2000 Winner Best Spanish film , Best actress Ana Fernandez . Furthermore , other prizes in multiple Festivals as Angers European First Film Festival , Ariel Awards Mexico , Asecan , Argentinean Film Critics Association Awards , Berlin International Film Festival, Bogotá Film Festival , Brussels International Film Festival, Cartagena , Chicago International Festival, Fotogramas De Plata , Cinema Writers Circle Awards Spain , among others . Andalucía-born Benito Zambrano is a good filmmaker who has made a few but prestigious films such as : Habana Blues , La Voz Dormida , Intemperie and this big hit : Solas. Rating :7/10 . Notable . Better than average. Well worth watching . Essential and indispensable seeing .
A thoughtful and sad film about three lost souls attempting to give each other love as well as strength to start over , dealing with poorness , loneliness , abusiveness , desperation and ultimately redemption. It is a pretty good film , though some dowbeat and depressing , however , the final part results to be very sensitive and touching . The cast is frankly excellent , giving terrific interpretations . Ana Fernández is top-notch as the woman who moves to city to find a fateful destination , while Maria Galiana is awesome as the passive and kind mother .Special mention for Carlos Álvarez Novoa as the likeable neighbor who lives as a recluse and whose only company is his dog . They are finely accompanied by a good support cast with brief appearances from Juan Fernández as the egoistic boyfriend , Antonio Dechent as a doctor , Paco Tous , Maria Alfonsa Rosso, Mariana Cordero, Rosario Pardo and Cuca Escribano .
The motion picture was compellingly directed by Benito Zambrano and it won various Spanish Goyas . As it was Goya winner : Best supporting actress Maria Galiana , Best New Acress Ana Fernández, Best original screenplay and Best new director Benito Zambrano , Best original score Antonio Meliveo , Best Production Manager Eugenio Santana , Best Sound and Best Film Antonio P. Pérez , Maestranza Films . And Tokyo International Festival winner Best actor award Carlos Alvarez Novoa , Winner Best actress award Maria Galiana , and Turia Awards 2000 Winner Best Spanish film , Best actress Ana Fernandez . Furthermore , other prizes in multiple Festivals as Angers European First Film Festival , Ariel Awards Mexico , Asecan , Argentinean Film Critics Association Awards , Berlin International Film Festival, Bogotá Film Festival , Brussels International Film Festival, Cartagena , Chicago International Festival, Fotogramas De Plata , Cinema Writers Circle Awards Spain , among others . Andalucía-born Benito Zambrano is a good filmmaker who has made a few but prestigious films such as : Habana Blues , La Voz Dormida , Intemperie and this big hit : Solas. Rating :7/10 . Notable . Better than average. Well worth watching . Essential and indispensable seeing .
Did you know
- TriviaConcha Galán's debut.
- SoundtracksWoman
Lyrics and music by Neneh Cherry (as Cherry), Jonathan Sharp (as Sharp) and Cameron McVey (as MacVey)
Performed by Neneh Cherry and Tomatito at the guitar
- How long is Solas?Powered by Alexa
Details
Box office
- Budget
- ESP 125,000,000 (estimated)
- Gross US & Canada
- $277,596
- Gross worldwide
- $277,596
- Runtime
- 1h 41m(101 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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