Solas

Unfortunately rather overlooked as this film came out the same year as Almodóvar's 'Todo Sobre mi Madre' which went on to reach fame and glory. However, if you liked Almodóvar's excellent drama you will also like 'Solas'. The two films have certain similarities inasmuch that also in 'Solas' the accent is very much on strong characterisation, profound human feelings, though perhaps a little less intense here than in Almodóvar's film.

Ana Fernández is magnificent, playing just right the rather confused, unlucky thirty-five year old young woman a bit given to alcohol, not overplaying her part; María Galiana as her mother shows even at her age that she has come from good theatre, as no less does Carlos Álvarez-Novoa as the lonely neighbour. Benito Zembrano - as Almodóvar - , not only directs his film but is also responsible for the script, which is truly magnificent, especially taking into account certain Andalucian styles of speech. The Andalucian accent may at times cause a bit of a problem if you know Spanish a fair amount and watch this film without any subtitles. Try it, anyway: it is well worth the effort.

An excellent piece of drama which certainly deserves more recognition than it has got. Curiously both films end with a remarkably similar dedication at the end: 'A mi madre; a todas las madres' - To my mother; To all mothers.

"Solas" is a wonderful movie with a great plot and great actors.Maria Galiana as an old and rural woman that goes to the city to see her daughter and her illness husband made me cry.Is an special movie with a good screenplay.I'm an andalusian boy and movies always has been unfair with Andalusia.In all those movies,andalusian were funny and stereotyped people of the flolcorical Spain.This movie show us how is the life of very rural women in my country.Also,"Solas" is one of the best movies about the relationship between a mother and her daughter that i've ever seen.As loneliness' portrait ,"Solas" os powerful too.Is a movie that insinuate more than what show it,as all good movies.For all those whose dreams are not come true,this movie show us that the loneliness is not the best way to do.

This is a bold and nice film about a woman on the edge of depression and nervous breakdown and who finally finds a purport in her thunderous life . It deals with a thirty and some year old woman : Ana Fernández who lives in the noisy city by working badly in cleaning jobs . When her mother : Maria Galiana comes to town to care her ill father at hospital , she stays at her home. Both of whom meet a sympathetic elderly neighbour : Carlos Álvarez Novoa who befriend and help them. Things go wrong when Maria is pregnant and her boyfriend wants she aborts.

A thoughtful and sad film about three lost souls attempting to give each other love as well as strength to start over , dealing with poorness , loneliness , abusiveness , desperation and ultimately redemption. It is a pretty good film , though some dowbeat and depressing , however , the final part results to be very sensitive and touching . The cast is frankly excellent , giving terrific interpretations . Ana Fernández is top-notch as the woman who moves to city to find a fateful destination , while Maria Galiana is awesome as the passive and kind mother .Special mention for Carlos Álvarez Novoa as the likeable neighbor who lives as a recluse and whose only company is his dog . They are finely accompanied by a good support cast with brief appearances from Juan Fernández as the egoistic boyfriend , Antonio Dechent as a doctor , Paco Tous , Maria Alfonsa Rosso, Mariana Cordero, Rosario Pardo and Cuca Escribano .

The motion picture was compellingly directed by Benito Zambrano and it won various Spanish Goyas . As it was Goya winner : Best supporting actress Maria Galiana , Best New Acress Ana Fernández, Best original screenplay and Best new director Benito Zambrano , Best original score Antonio Meliveo , Best Production Manager Eugenio Santana , Best Sound and Best Film Antonio P. Pérez , Maestranza Films . And Tokyo International Festival winner Best actor award Carlos Alvarez Novoa , Winner Best actress award Maria Galiana , and Turia Awards 2000 Winner Best Spanish film , Best actress Ana Fernandez . Furthermore , other prizes in multiple Festivals as Angers European First Film Festival , Ariel Awards Mexico , Asecan , Argentinean Film Critics Association Awards , Berlin International Film Festival, Bogotá Film Festival , Brussels International Film Festival, Cartagena , Chicago International Festival, Fotogramas De Plata , Cinema Writers Circle Awards Spain , among others . Andalucía-born Benito Zambrano is a good filmmaker who has made a few but prestigious films such as : Habana Blues , La Voz Dormida , Intemperie and this big hit : Solas. Rating :7/10 . Notable . Better than average. Well worth watching . Essential and indispensable seeing .

"Solas" spends its 100 minute run digging deep into the character of Maria (Fernández), an attractive 35 year old brittle pessimist who bears the scars of childhood abuse at the hands of her father, drinks too much, and works as a janitor. A somber, plodding, plaintive character study, "Solas" fleshes out its small ensemble of characters well, illuminating the dark corners of Maria's hopelessness with an unlikely combination of her visiting mother's quiet courage and the friendship of an old man in a neighboring apartment. An award winning film hailed by the critics and an exemplar for American Indie makers, "Solas" will appeal most to more mature audiences into Europix. Those who enjoy this film may want to check out "El Abuelo" (1998). (B)

Solas (1999)

A purely effective entry into the private worlds of several very lonely people in contemporary Spain. Tenderly filmed, acted with understated and honest passion, and written in a way that makes you believe it.

And that's the point. You really care about first the lonely old woman, then increasingly about her troubled daughter, and finally about the old man who is a neighbor living alone. What some people need, other people need to give. But they don't always know it, or if they know it they still resist, trapped by promises made or by convention.

It's an interesting dose of reality that there are a couple of truly bad people here, as well, both men, both abusive in different ways to their woman. One, an older man in the hospital, remains bitter even as his health declines, and he reveals in a key passage that what he cares about is whether he was the kind of man society and tradition had expected him to be. Nothing else. It's sad, but not as tormenting as the younger selfish man who almost glories in his selfishness.

What makes the movie strike deep, though, is how the women put up with this. We aren't sure if it is because they too are caught up in society's traditions, or if they have some emotional need to be abused, however that gets started. But what we are sure of is how familiar this sounds--if not in our own relationships, at least in those around us, somewhere.

As powerful as this movie is, it is never overpowering, and never sentimentally driven (until, alas, the very end, which is a disappointing but understandable wrap up). What works so well is how subtle the emotional highs and lows are. It's all written and directed by people who understand what is going on in life, beyond the deceptions of the silver screen.