Vatel

Vatel was not a bad movie, in fact it was worth viewing. If it were not a true story you could argue it was too calm and had too little excitement for the people who seek diversion entertainment. However, since it is a true story, about a royal cook and what he had to go through just to practice his art it becomes very interesting. Another good theme was the disfunctionality of the royals and how the servants interacted with these powerful people (Vatel tried not to as much as possible). I particularly liked the part where Vatel said "no thank you" so philosophically to a nobleman's perverted request that Vatel won him over as a friend through respect. If you like brinkmanship and maneuvering, this movie has it, be it subtle.

It is deeply frustrating that what could, and should, have been a great period drama, with some fine acting talent, should end up a dull, mediocre piece of cinema. The film lacks structure, has a lacklustre script, whilst the acting performances are generally lame and, in some instances, quite awful. There is some graphic and totally unnecessary violence, and vulgarity is used as a substitute for wit. To garnish this unhappy ensemble, the background music is repetitive and feeble to the point of nausea. I couldn't get out of the cinema fast enough.

First, the acting. Uma Thurman appears to be totally miscast in the role of Vatel's secret admirer, and her performance is dull, emotionless and sometimes irritating. By contrast Gérard Depardieu, a great acting talent, is wasted completely. All he is required to do is walk about the sets barking out orders to his servants and occasionally looking a bit miffed when one of the aristocracy gets his gander up. One suspects that he has already realised that the film is a turkey and so feels no enthusiasm to waste his energies trying to lift the film out of the pit of mediocrity in which it is well and truly lodged. And one can hardly blame him.

The film's only saving grace - indeed the only reason for seeing the film at all - is the magnificent depiction of the royal entertainment designed by Vatel. The scale of the activities is quite breathtaking, brilliantly executed, and offers an interesting insight into the life of the royal court at this time in history. Unfortunately, we are not allowed to enjoy the legendary fireworks scene because a servant is brutally and explicity killed in the process. This is probably the one true great moment in the film, but it seems to get in the way of the one piece of entertainment on offer to us and the tragic impact is lost completely.

On balance, it is the ending that is the greatest disappointment. This should be a deeply moving and tragic finale, but it fails completely to have any effect. The film just loses momentum after the fireworks scene and gradually shrivels up to nothing. It looks as if the entire cast and production team gave up and went home early. The final scenes lack any emotional impact or integrity and overall the film appears shallow and insubstantial.

A totally wasted opportunity.

Aren't movies in the 1600s fun to watch? There are always beautiful costumes and hairstyles to look at, gorgeous architecture and interior design, and peaceful royal gardens. In Vatel, King Louis XIV, Julian Sands, attends a three-day festival hosted by a prince, Julian Glover. Even though that's story enough to keep the movie going, that's not even the main plot. The prince's steward is the lead, and he's tasked with any number of errands and quests to please his boss. Sometimes he's put in charge of really important events, and sometimes his chores are small and demeaning.

Gérard Depardieu plays the humble royal chef, hopelessly in love with Uma Thurman, the king's mistress. She's far friendlier to him than any woman of her station would be, and he eats up the crumbs of affection knowing they're all he'll ever get. It's very sweet, and also rather sad. It's made very clear to the audience that it's an impossible romance, so even though you're watching it and hoping that somehow the class boundaries can be broken down, the movie doesn't make promises it can't keep. For example, the prince wants a particular fowl dish and refuses to compromise, and rather than sacrifice Uma's birds, Gérard has his own sent to the kitchen instead. See what I mean? It's a sweet gesture and very generous, but it inspires more tears than smiles.

This is a movie you probably should check out at least once. I've seen it twice, and it was entertaining both times. It's very aesthetically pleasing, and Gérard gives a wonderful performance, as usual.

Can't wait to show it to all my Friends again and again. You will be impressed by the beauty of the scenes and discover the public show technics used under French King, Louis the 14th. It is amazing to see how much they could do at that time and how they were doing it. Apparently they could also do ice statues as a dinner presentation. Whaow!! what a show!

Roland Joffe's "Vatel" does something few movies can do these days: it takes you to a place you've never been before.

The French made film has Louie XIV visiting a poor province ruled by an improverished prince, who must put on spectacular entertainment fit for the Sun King. There's more than the King's time at stake here, though, for Louie wants the prince to lead his army, should France go to war with Holland, and the Prince desperately needs Louie's financial help, to save his nearly brankrupt province.

Enter the prince's chief steward, Vatel, played by Gerard Depardiue. A combination French chief extraordinaire and showman supreme, he not only serves up unbelieveable meals, but also puts on shows that would out do James Cameron, and does it on a much smaller budget. From pop up lawn decorations to fire works extravaganzas that would shame the Chinese, Vatel displays a genius for spectacle that will literally leave you breathless.

"Vatel" the movie includes lots of court intrigue and some fine acting from those carrying it out. Deparidieu delivers an unexpected performance as Vatel. Rather than the explosive, temperamental French chief, he plays this 17th century showman as a harried administrator who is trying keep a lot of balls in the air at the same time he must navigate the tricky waters of French politics. It's an understated performance in which much of what is going on is behind his eyes (and probably in his stomach ulcers) rather than on the surface.

His protagonists are Julian Sands as the petulant,devious King and Tim Roth as the chief court intriguer, kind of an early version of a political advance man. Uma Thurman is a lady in waiting who has caught all three men's eyes.

All are good, but what sets "Vatel" off is the visuals which give you a look at spectacle the likes of which this writer had never before seen. This film should walk away with all the set design, costume design and effects Oscars hands down. It is one of the most incredible visual experiences in film history. See it in the theaters, though, and not squashed into a TV screen.