Essex Boys

Pretty interesting, not bad. More or less shows the evils of getting too greedy for your own good I guess... Alex Kingston was really good, the guy who played Billy was good too, but Sean Bean was the best. He's a very good actor (and very nice to look at too), he more or less had the whole movie in his hands.

It had a very surprising ending (although I got suspicious and then not-so-suspicious numerous times during the whole movie). The story wasn't bad at all, but watch it for the cast. 6/10.

For those who remember the actual triple murder in Essex which inspired the film, this carries an added edge of realism. The setting - the mock-tudor nouveau riche houses of the gangsters, the Southend seafront, the freezing marshes where Billy runs for his life, are as evocative, as the true-to-life performances of Sean Bean, Alex Kingston and Tom Wilkinson. It is refreshing to see a film which portrays the underworld in all its vindictive pettiness - the little slights which turn into murderous feuds - dozens poisoned by a rogue batch of E, a young girl, dead from an overdose, casually dumped at sea...

The Hollywood view of Gangland England has been too long focused on the East End - Snatch, Long Good Friday, Lock, Stock... when real Londoners know the East End's good for curry houses, and the gangsters headed out to the Home counties years ago.

Interesting to note that several comments in the reviews of this superlative film concerned the unintelligible accents. I should point out that viewers in the UK (and Holland and most Scandinavian countries) regularly enjoy American films without the aid of subtitles, so how come you find it so hard to understand us? :) We didn't complain that the cast of Donnie Brasco or Goodfellas had New York accents, so why complain that the Essex boys have Essex accents?

If you want to "see" what a drug induced blank look really looks like Sean Bean's bedroom scene half way through the movie is a must see. He ain't trying to look good or mean or anything other then just be in the character. And he does that to the exclusion of the rest of the world. He's a git and he will make your skin crawl.

This an an ensemble cast and they fit together wonderfully. The ways they come together and come apart are believable. You may even feel compassion for some of them until you remember what everyone is doing.

At the end of viewing it I thought it was a once through but now a few days later I want to see it again and I am thinking seriously about buying th DVD.

This movie was reviewed as the English version of Goodfellas, and although the plot lines are similar in a way, and the insanity is much the same, it felt much grittier and harder-edged. Maybe it's the way they treat their women or something. Although the camraderie amongst the 'boys' appeared much the same superficially, underneath there was no 'club'. Sean Bean was so realistic as a bad-guy, that he was REALLY scary. Really hope it was great acting and not a window into his soul showing here. I was surprised at the quality of acting shown by Alex Kingston too. The supporting cast was fine, and it was interesting to see Essex for those of us who live on the other side of the pond. My interest was actually captured farther on in the film by the quick-paced events and the twisted plot line. Imaginative and surprising writing, although the dialogue wasnt as good as Goodfellas. Overall, i recommend it, but it was a hard one to watch -

A good film on several levels. The unflattering comparisons that some critics have made between it and The Usual Suspects are completely misguided as directorial intent and effect in the two pictures are dissimilar. Winsor's film, it seems to me, brilliantly evokes both the drabness and cruelty of the criminal mindset. It does this partly through the choice of dull, flat Essex landscapes with their coastal marshes, grey motorway links, flash nouveau riche mansions and the tawdry glamour of seafront locations. The characters are both repellent and yet curiously mesmerising. This is not a film in which it is easy to lose interest. Nobody can do psycho-thug better than Sean Bean, and Charlie Creed-Miles has created a dangerously weak character as Billy, whom it is almost possible to feel sorry for without actually liking. The film is very well lit, though I did find sound levels a little dodgy at times It's a film that, despite critics' comments, is not a million miles from Get Carter in quality.