In a world ruled and populated only by women, a young female scientist creates a male human being, genetically enhanced to refrain from violence.In a world ruled and populated only by women, a young female scientist creates a male human being, genetically enhanced to refrain from violence.In a world ruled and populated only by women, a young female scientist creates a male human being, genetically enhanced to refrain from violence.
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The idea of this film was that WWIII started in Afghanistan and their use of biological weapons forced their enemy allies (US, in particular) to develop a counter-biological weapon which went haywire and wiped out all but a handful of the male species on the planet. Today, in October of 2001, we know this isn't such a far fetched premise for a story line anymore. Sad, isn't it?
The film is interesting to think about because of recent events, but nothing spectacular or special - an average TV movie.
The film is interesting to think about because of recent events, but nothing spectacular or special - an average TV movie.
This made for TV movie takes a large chunk of inspiration from Huxley's Brave New World - natural reproduction is replaced by cloning (and in the case of the dual protagonist, Adam, by "synthesis"). The new society strives to be utopian, but has a grim, dystopian side. The plot is unique, though, in that it deals with dark aspects of militant, lesbian feminism. Camille Paglia would appreciate this story! The most telling line in the film is where Adam says "violence is not genetic" (meaning actually, "not determined by gender"). Another intriguing aspect of the film's social commentary is its take on conspiracy theories and official truth, and how politics is politics no matter who is in charge. From the standpoint of cinematic excellence, this is clearly not Academy Award material. Of course, it was made for TV and presumably didn't have a large budget. I was surprised though, at the depth of ideas and the acting was good. Worth seeing.
Very interesting tale - a la male version of the Handmaid's Tale - it seems that biological warfare has inadvertently wiped out 97% of the world's male population - and the remaining women have decided to enact laws to ban the reproduction of any further men because men are hopelessly violent, and their eradication proves it. The new women-only society has decided that only females are allowed to be born through modern science. Funny and interesting premise - although of course this American movie fails to explain what kinds of similar laws are implemented in the rest of the world. Did Russia also embrace a women-only policy? Iran? We only get the American version. If other countries didn't agree with the American pro-woman policy, than men would quickly repopulate elsewhere and perhaps try to immigrate to the U.S. I guess the U.S. could have a no-male immigration policy to ensure female purity. Putting this major plot flaw aside, this movie was very entertaining. The plot follows a renegade female scientist who genetically creates a male without a predisposition for violence - the assumption that male violence is genetically intrinsic in males is unquestioned. The male creation, named Adam (how Biblical!), is born and grows up rapidly within three weeks until growth is curiously finished around 25 years or so, when the normal rate of aging resumes. Of course, the male creation grows up to be a strappling, muscular hunk played by Paul Francis (conspicuously absent from this website's cast list?). Highly recommended for the interesting premise - some men might find it hard to take - it makes no bones about suggesting that all men are genetically violent, and combined with the sexism against Adam (nudity, temporarily turned into a male prostitute, generally passive and undeveloped character, etc.) might prove a little offensive. Men haters will love it.
Wow, what a stinker.
I was intrigued by the premise, which had an "Outer Limits" ring to it.
It's a shame that the actual movie turned out so laughable. This brings me to my summary, which is how I actually made it through this. Seriously, once I changed my expectation, I had a blast.
If it weren't so preposterous and sophomoric, it might actually have been offensive.
Maybe this would make a good film to review in a film class. There were so many opportunities to turn things around, I think a class of young students could have a field day with this.
I was intrigued by the premise, which had an "Outer Limits" ring to it.
It's a shame that the actual movie turned out so laughable. This brings me to my summary, which is how I actually made it through this. Seriously, once I changed my expectation, I had a blast.
If it weren't so preposterous and sophomoric, it might actually have been offensive.
Maybe this would make a good film to review in a film class. There were so many opportunities to turn things around, I think a class of young students could have a field day with this.
After reading the title of this film, I must admit I didn't expect much to come from it but it was actually quite clever and inventive. The premise about how the world came to be 98% female is very interesting and clever and scary to think that it could actually one day happen. The performance of Julie Bowen is the highlight of this film as are the supporting cast. I have to agree the ending wasn't to my liking but it was still a good surprise of a film and well worth watching!
Did you know
- Quotes
Hope Chayse: You're a good woman.
Agent Kara Hastings: Adam was a good man.
- ConnectionsReferenced in Adjust Your Tracking (2013)
- SoundtracksHope's Rave
Written and performed by Brandon Walker
Courtesy of Bubadoi Music
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- El último hombre del planeta
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- Los Angeles, California, USA(Location)
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