After getting a premonition about a plane crash on his school trip, Alex, a student, saves a few of his classmates. However, their situation gets complicated when death starts chasing them.After getting a premonition about a plane crash on his school trip, Alex, a student, saves a few of his classmates. However, their situation gets complicated when death starts chasing them.After getting a premonition about a plane crash on his school trip, Alex, a student, saves a few of his classmates. However, their situation gets complicated when death starts chasing them.
- Awards
- 3 wins & 5 nominations total
Chad Donella
- Tod Waggner
- (as Chad E. Donella)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Summary
Reviewers say 'Final Destination' is lauded for its inventive premise, creative death scenes, and tense atmosphere, offering a fresh take on horror with Death as the antagonist. However, it faces criticism for underdeveloped characters, uneven acting, and over-reliance on supernatural elements deemed absurd by some. The middle section is often viewed as repetitive, and the exploration of fate and mortality is seen as shallow. Despite these issues, the film's entertainment factor and striking deaths maintain its appeal for many audiences.
Featured reviews
It's still a fun watch after two decades.
Student Alex Browning is set to travel to Paris along with his classmates, before he gets on the plane he has a vivid premonition, and sees the plane destroyed, he and a few others get off the plane, but death has a plan already mapped out.
I've always rated Final Destination as one of my favourite horrors, I think it scores incredibly highly in terms of originality, re-watching it now, I guess I find it a little corny, possibly not as good as I remember, but it still a fun watch.
It holds up pretty well, it's straightforward to follow, unlike some of the movies in the genre today. I think it's worthy of a 7/10, it holds your interest.
The special effects, for 2000 aren't bad at all, I think the plane sequences still look great, some of the accidents are perhaps a little less convincing.
Devon Sawa is fine as Alex, he plays the part well, even if the character is a little irritating at times.
7/10.
I've always rated Final Destination as one of my favourite horrors, I think it scores incredibly highly in terms of originality, re-watching it now, I guess I find it a little corny, possibly not as good as I remember, but it still a fun watch.
It holds up pretty well, it's straightforward to follow, unlike some of the movies in the genre today. I think it's worthy of a 7/10, it holds your interest.
The special effects, for 2000 aren't bad at all, I think the plane sequences still look great, some of the accidents are perhaps a little less convincing.
Devon Sawa is fine as Alex, he plays the part well, even if the character is a little irritating at times.
7/10.
My Daughter Will Not Watch This Before Flying...Lol
Final Destination is an awesome movie full of fun jump scares and humourous 'accidents' which is exactly what you want in this type of movie.
As there are half a dozen of these movies it does become a challenge to separate what deaths happen in each movie as they all blend together somewhat.
Its targeted at a teen audience, in spite of that the film works for all age groups. Check it out :)
As there are half a dozen of these movies it does become a challenge to separate what deaths happen in each movie as they all blend together somewhat.
Its targeted at a teen audience, in spite of that the film works for all age groups. Check it out :)
Still Creepy, Still Silly, Still Effective
Revisiting James Wong's Final Destination after two and a half decades feels like meeting an old friend who's aged better than expected.
The film's central premise... Death hunting down teenagers who escaped their fate... remains genuinely clever, even if the execution occasionally creaks like those ominous household objects.
Devon Sawa delivers a surprisingly committed performance as Alex, the reluctant prophet trying to save his classmates. Ali Larter provides strong support, while the supporting cast falls into typical late-90s teen horror territory -functional but forgettable.
The plane crash premonition sequence still packs a proper punch, creating genuine tension despite knowing what's coming.
What works brilliantly is the film's paranoid atmosphere - every ceiling fan, bathtub, and kitchen appliance becomes a potential murder weapon. Wong builds dread through mundane objects, making everyday life feel genuinely threatening. The creative death sequences, whilst occasionally silly, maintain their dark ingenuity.
However, the dialogue feels painfully dated, and some performances border on wooden. The film would certainly come off cornier than contemporary horror, but there's genuine charm in its earnest approach to such an absurd concept.
Final Destination spawned multiple sequels (and still going...) and established a franchise, proving its premise had serious legs despite obvious limitations.
Rating: 7/10 (A cleverly twisted concept that mostly survives its own dated execution)
The film's central premise... Death hunting down teenagers who escaped their fate... remains genuinely clever, even if the execution occasionally creaks like those ominous household objects.
Devon Sawa delivers a surprisingly committed performance as Alex, the reluctant prophet trying to save his classmates. Ali Larter provides strong support, while the supporting cast falls into typical late-90s teen horror territory -functional but forgettable.
The plane crash premonition sequence still packs a proper punch, creating genuine tension despite knowing what's coming.
What works brilliantly is the film's paranoid atmosphere - every ceiling fan, bathtub, and kitchen appliance becomes a potential murder weapon. Wong builds dread through mundane objects, making everyday life feel genuinely threatening. The creative death sequences, whilst occasionally silly, maintain their dark ingenuity.
However, the dialogue feels painfully dated, and some performances border on wooden. The film would certainly come off cornier than contemporary horror, but there's genuine charm in its earnest approach to such an absurd concept.
Final Destination spawned multiple sequels (and still going...) and established a franchise, proving its premise had serious legs despite obvious limitations.
Rating: 7/10 (A cleverly twisted concept that mostly survives its own dated execution)
Clever, perhaps even ingenious
The first Final Destination is recognized as somewhat of a classic in some circles, but for whatever reason doesn't seem to have been given its proper place in the pantheon. The idea for the story and the way it is executed, pun intended, is really clever, filled with diabolical humor and imagination. It's most ingenious device is making literally the entire world, from the most mundane object to the most innocuous event, into the "monster."
Only "bad" movies dare to be this bold
It's not surprising that critics bashed this movie. In a movie review, most critics primarily value cohesion, refinement, calculated expertise; clearly that is not Final Destination.
Much of the acting feels reminiscent of day-time TV shows. Lots of the dialogue is awkward, and contrived as ways to clarify plot points and move the story forward. The editing often fails to convey the right mood: seemingly dramatic moments coming off as humorous, humorous moments feeling at odds with the rising tension. In short, as with most teen horror flicks, this is not what most would consider a "good" movie.
But something special can happen when a movie stops taking itself too seriously:
Pure inventiveness.
The idea that the "killer" can be the fabric of life itself, instilled in me a type of fear I'd never expected from a horror film. Everyday objects like kitchen appliances and fishing rods are now something to be feared; it leads to a sense that you can't trust any aspect of the seemingly mundane world around you.
And though many of the deaths feel pretty ridiculous (though in incredibly entertaining ways), in a sense, they are also the most realistic deaths a horror movie could show. Freak accidents happen everyday. Most of us don't know how or when we're going to die; the world around you could be out to get you at any time. The fear comes through in the character's distrust in everyday life, and struggle against the inevitable.
From this paranoia comes a fun and compelling story, one with unexpected turns around every corner as the characters fight against this unique existential threat.
What Final Destination lacks in refinement, it makes up for in creativity and pure entertainment.
Much of the acting feels reminiscent of day-time TV shows. Lots of the dialogue is awkward, and contrived as ways to clarify plot points and move the story forward. The editing often fails to convey the right mood: seemingly dramatic moments coming off as humorous, humorous moments feeling at odds with the rising tension. In short, as with most teen horror flicks, this is not what most would consider a "good" movie.
But something special can happen when a movie stops taking itself too seriously:
Pure inventiveness.
The idea that the "killer" can be the fabric of life itself, instilled in me a type of fear I'd never expected from a horror film. Everyday objects like kitchen appliances and fishing rods are now something to be feared; it leads to a sense that you can't trust any aspect of the seemingly mundane world around you.
And though many of the deaths feel pretty ridiculous (though in incredibly entertaining ways), in a sense, they are also the most realistic deaths a horror movie could show. Freak accidents happen everyday. Most of us don't know how or when we're going to die; the world around you could be out to get you at any time. The fear comes through in the character's distrust in everyday life, and struggle against the inevitable.
From this paranoia comes a fun and compelling story, one with unexpected turns around every corner as the characters fight against this unique existential threat.
What Final Destination lacks in refinement, it makes up for in creativity and pure entertainment.
Did you know
- TriviaThe story was originally going to be the concept for an episode of The X-Files (1993), which was inspired by Sole Survivor (1984). In this movie, a woman who was the sole survivor of a plane crash starts to be haunted by dead people that Death uses temporarily as vessels trying to kill her to correct its plan, and killing everyone who suspect it.
- GoofsWhen Alex pushes Tod shortly before boarding the plane, Tod says "Ow that hurt". But when he says "that hurt" his mouth is not moving.
- Crazy creditsThe opening credits are done in a ghosting format.
- Alternate versionsThe version aired on TV, in the U.S., on the Sci-FI channel, silences the profanity and cuts away right before the death sequences.
- ConnectionsFeatured in Siskel & Ebert: Mission to Mars/Ghost Dog/Agnes Browne/Deterrence (2000)
- SoundtracksRocky Mountain High
Written by John Denver and Mike Taylor
Performed by John Denver
By arrangement with The RCA Records Label of BMG Entertainment
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Destino final
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $53,331,147
- Opening weekend US & Canada
- $10,015,822
- Mar 19, 2000
- Gross worldwide
- $112,880,294
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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