Samsara

I was directed to this film after reading a review of "Spring, Summer, Fall, Winter and Spring Again", directed by Ki Duk Kim which is highly recommended as well.

The love scenes in Samsara are gorgeous to behold and the female love/sex interests are very seductive. Monk Tashi is very well portrayed as so human and fallible as he leaves the monastery to pursue sex or worldly life. He was raised in the monastery so as his sexuality awakened he had to find out for himself. He rationalized that even Buddha was married before he was enlightened and so Tashi felt he should be able to know this too before he devoted himself to monkhood. Little does he know what is in store for this desire he has to experience...

The tale is more of the excursion of a Monk and his experience of marriage, sex and emotions that arise than of his enlightenment. He found out what he had to know and paid the price. The film is lush with Tibetan style dress, architecture and landscapes. The love scenes are a treat for the eyes and the lead actors are very convincing yet more subtle than raw.

Check out "Kundun" and "Razor's Edge"(Bill Murray)and "Master of Zen" as well if you are interested in drama as well as spirituality.

Normally I would be with hundreds celebrating the arrival of the new year. Last night I decided to be alone with SAMSARA. When the film ended at 1h40am, I was in year 2006 -transformed. A masterpiece about choices that we all have to make sooner or later. I've spent hours surfing net on SAMSARA, reading reactions of people from Brazil to Bombay to Bucharest to Bangladesh. How wonderful so many people are united by SAMSARA. The film opens up your heart and soul. I am normally too much an intellectual when it comes to liking a film. But this one just took me like a storm -mesmerizing cinematography, soothing sound track (one of the best sound design ever!), soul-stirring landscapes and above all masterly written and directed by Pan Nalin -whoever he maybe. It is one of the most powerful first feature I have ever seen. I now eagerly await Nalin's next feature VALLEY OF FLOWERS. Meanwhile for anyone who has not yet seen this movie I say to them just go for it with open mind, leave your issues behind and just dive into SAMSARA...

A beautiful set, spectacle landscape only revealing a story of a ugly fact. What is the religion really about? When Pema asked Tashi 'see what I have done? Did you do this for me?' and Tashi answered 'I only did it for myself.' It is very true. He is such a selfish man and the other only are his step stone. Pema and the son became a victim. He just want to explore life and Pema helped him to become another level of his next monk life.

Location is always important to such a atmosphere film and this film have utilized it to the most. 6 out of 10 goes to the beautiful piece of land.

My only criticism is the beginning of the film. The bird graphic was a bit too harsh. It looks too fake. The film would have wonderful if we forget this quick done work.

Very rarely one can find such a well balanced movie with a full commitment from the whole staff: Director (Nalin Pan), all the Actors & the total Crew. Shooting a film like this is not an easy task. The beauty of the locations is just breathless (at several thousands miles of altitude!)... And if the hall has a good air conditioning system, for sure you will really feel the freezing winds that blows at the Himalayas by watching this outstanding film. It is not only the performance of the actors (animals included!... a smart dog called Kala -"Time" in Sanskrit- by instance or some impressive eagle!) but the quality of the script. There are some passages of the film that just tastes like a short documentary. And immediately it is softly engaged with the story. No matter how high could be your achievement, if it is not on balance with the Life Flow, you will face the even... unavoidably? Perhaps... Tashi (Shawn Ku)is a consecrated Lama that has been in the yoghi experience of Samadhi Meditation (Fullest Consciousness) during three years, three months, three weeks, three days... A little bit to much for his Master's criteria but the Disciple wanted to test himself till the very limits of his own potential. Recognized as a Khenpo (a title of tibetan scholastic mastery), some further and higher Initiation will be bestowed on him by the Highest Rimpocheh nearby. However, there is some other experience he has never faced till then: the awakening of his own sexuality and the relationship with the key of human gender, the woman! Therefore this new step will be postponed and replaced by his own decision's sake. As a layman, the Lama he used to be is almost gone. As a husband, he shows the main aspect of any other man of his condition. As a father, he forgets to be the one closest to his own child and... once more: he ran away. Finally, Tashi has to face the reality of Maya & Samsara, the value of the Teachings inside the Dharma from his Master and the higher spiritual level of his wife, the beautiful & convincing Pema (Christy Chung). After listening to her, there are very few subsisting doubts concerning the equal rights for both women & men to obtain the Buddhahood. This is the kind of movie one can see and watch time after time, just to check oneself's evolving... And to enjoy a very nice soundtrack with the exotic melodies of the dialogues in Tibetan Languages. Please, don't loose it!!

'Samsara' tells the story of Tashi, a young Tibetan Buddhist monk, who renounces monastic life in favour of a relationship with a beautiful young woman named Pema. Together they have a child and as the story unfolds Tashi's life in the material world becomes increasingly complex and difficult.

The movie successfully captures the difference between the contemplative life of a Buddhist monk, and the worldly life of a husband. This is most clearly shown in the stark contrast between the opening sequence of the movie, where Tashi is in a long meditation retreat, and the sensual sex scenes later on.

The majestic landscapes of Ladakh, one of India's most remote regions, provide a pristine Himalayan backdrop. And the original soundtrack and chanting is haunting at times.

The movie has English sub-titles and moves along quite slowly with limited dialogue and many pregnant pauses. This may be disconcerting for some viewers, but to me this reflective mood seemed appropriate for the subject-matter.

'Samsara' could be said to build on the groundwork provided by popular movies such as 'Seven Years in Tibet' and 'Kundun', to provide a more authentic and detailed portrayal of the vicissitudes of life and culture in central Asia. (If you enjoy 'Samsara' you may also like 'The Cup'.) This award-winning movie can only enhance a growing interest in Tibetan Buddhism in the West.