Olga

This was a film that leaves an audience stunned and silent! The concentration camp element of the film proved harrowing as did the repressive cruelty of the Vargas regime. However the the growing attraction between Prestes and Olga was tenderly portrayed and beautifully acted. Along with fine performances by the principals,came some effective acting in the supporting roles,plus a haunting musical score and impressive filming. Of course there is a political element to the film but primarily it is the fight between good and evil,with the power of love conquering all. The film was unmistakably Brazilian but uniformly good and deserves high praise

One of the most cheesy movies I've ever seen. A fantastic story that was wasted in a completely tacky film, mushy and extremely loaded. I regret that we wasted a chance to do a remarkable film of a moment so important and so unique in the history of our country, involving such amazing characters as were Luis Carlos Prestes and Olga Benário. Unfortunately the choice of director and cast followed the novel patterns are printed it too hard in the film. The use of soundtrack is a separate chapter. It is always over the top, trying to push hard emotion, taking any subtlety that may exist in the interpretations of the cast. This makes it impossible to actually get emotional as before some important dialogue begin the violin is already playing deafeningly. A big waste.

Olga was one of the most anticipated movies in history of Brazilian cinema. The images of the production was showed drop-to-drop, to rise the hype that surrounded this movie. The trailer was fantastic. With a brilliant cinematography and a beauty melancholic soundtrack. But now, when the movie finally arises in theaters... What can i tell you? Well, this movie REALLY couldn't fulfill the expectations that have created.

There are very reasons that makes Olga an ordinary movie. And the mainly is the direction. Jayme Monjardim (a traditional TV director in Brasil) had their debutance in cinema with this work. The problem is that Olga, has sequences and visual very near of the TV works of the director. The movie doesn't have rhythm and feeling of a real movie. It looks like a TV series showed on a great screen. The movie is very boring, the edition is poor and don't give the rhythm that a movie like that needs. The plot is very dramatic but sound like a journal romance. At least the cinematography is great in the most part of the movie and the art-direction makes a great job to create a cold Germany in the very tropical Rio de Janeiro, Brazil.

If you really don't know the Brazilian cinema, this is not a movie that represents the talented Brazilian directors. A movie without rhythm, descent plot and straight direction, but with a great visual. Go see "City of God", "Redentor" and "The man who copied" if want to know why Brazilian cinema is rockin around the world.

6/10

I've waited a lot for this movie and I was not satisfied. Too much money and talk about a movie that were nothing sounds natural or moving at all. The snow/winter scenes were among the worst, because just the artificial snow and clothes do not make a situation looks like it's very cold. Monjardin (the director) is very goo making TV series and soap operas, but he should adapt his talent to tell a story in a movie way. Olga looks like a movie made of cut scenes from a TV series. Caco Ciocler was not convincing as Prestes, he doesn't pass the impression that he would be able to inspire a march of 25 thousands km. Fernanda Montenegro was the best chose, she was wonderful as Leocádia Prestes. Camila Morgado is an excellent actress but the necessity of the creation of a love story and the obsession of showing that love and maternity made Olga a real woman, was a waste of time.

I saw "Olga" at a local Jewish film festival. It is a confusing film containing several mistakes. It was never made clear that Olga was a Munich-born German (Olga Gutmann Benario) whose father was of Jewish decent, but her mother was not. Olga moved from Munich to Berlin in 1925 at age 17. The biggest mistake of the filmmaker was to report that she was killed in Theresienstadt, she died in Bernburg. That the movie is in Portuguese doesn't help either. The story is too long-winded and some scenes are moving too slow. I couldn't get emotionally involved in the story and felt detached from Olga's plight even though the director tried but failed to show her tragic life in a way Spielberg would have done it. I had high expectations when I read about this movie, but was pretty disappointed. At least, the acting was good. It would probably better to read about Olga than to see this movie.