Night of the Living Dead

George A. Romero turns over his classic horror film to be remade, and it's in the hands of Tom Savini (who did brilliant makeup for Dawn of the Dead and Day of the Dead). Now, I do have some mixed feelings about this movie. While in some aspects it's well made (er, for a remake), it can not match the original, if only in tone and style. But it also doesn't match up with the original because until the end, most of the movie is a shot for shot remake. More style is added, to be sure, but Savini and Romero (who scripted this one) could've gone farther.

With that said, Night of the Living Dead (1990) was an enjoyable horror flick experience, one where it's a good time with color and gore and all (plus more full frontal zombie nudity) and as long as you don't think too deeply about what you are watching (and certainly don't try to compare the 1968 and 1990 versions together), you'll have fun. B+

A lot of remakes of classic films rarely live up to their predecessors. The original Night of the Living Dead was a classic horror and this adaption did the original movie justice. There were a few changes but it generally stayed faithful to the original.

Tony Todd as Ben and Patricia Tallman as Barbara do a wonderful job. Ben is the character who is trying to hold everything together in the face of insurmountable odds. Barbara is the female who initially encounters the zombies but soon turns into an ass-kicking heroine. This differs to the original where Barbara was a timid little madam.

The tension builds throughout the film. Perhaps there would have been a bit more tension if it had been filmed in black and white but it was very tense throughout.

The ending is also different as well but good nonetheless.

If you liked the original, then I recommend this version as well.

You can't help but feel a tingle of deja vu while watching the color remake of Night of the Living Dead. It is essential for full enjoyment to have seen the original since the remake takes the same story and twists and tweaks it to bring it into the 90's. People are divided into two camps on this film. They either absolutely hate it or they have been enraptured by the change-up's that it pitches at you. I am of the later camp. At least Barbara (played by the beautiful Patricia Tallman) has enough of her wits about her to point out how irrational everybody else is being instead of being the catatonic victim like the first time around. "They're so slow. We can just walk right by them." She remarks to Ben (Tony Todd) who is adamant about staying in the house. Perhaps this version isn't socially relevant like the first, but it's nice to see that Romero can add a twist ending that can stand on it's own merits, but really is amusing in light of the former movie.

I watched this movie as a kid in the 90's and it was scary. I am 33 now and I still love this movie. It is one of the very best zombie movies.

The locations and actors are the best part. The actors are all memorable. Seeing the zombies shuffling around outside at night is creepy.

The ending was awesome. To me, this movie is better than the original Night of The Living Dead. Everything about this 90's remake is memorable. It also has creepy music.

As far as zombie movies go, this is one of the very best.

"This is pure hell on earth." Actually, what Tony Todd meant to say was "This is one hell of a movie." Tom Savini and George A. Romero have succeeded in recreated a classic (which is quite hard to do). Night of the Living Dead '90 is faithful to the original, but still manages to scare and surprise you by throwing in a few unexpected twists. Director Savini creates a great atmosphere. This is one of my favorite claustrophobic films. It has the feel of an old, secluded farmhouse, and thankfully lacks that Hollywood gloss. The characters feel real as well. The cast is perfect. Tony Todd, William Butler, and Tom Towles are the re-incarnations of the original Ben, Tommy, and Harry Cooper. And longtime Romero collaborator, Patricia Tallman, revamps her character Barbara for the nineties. And you gotta love Bill Moseley ("They're coming to get you Barbara. They're horny Barbara."). All of the classic elements (the feud between Ben and Cooper, the claustrophobia) and a few new ones (a smarter female lead, new ending) make this one unforgettable.