Death in Brunswick

I truly love this flick! It is so terribly funny, I find myself laughing until I cry! Very few movies have this effect on me. It's not a deep, or thought-provoking film, but that's not its purpose, either. I enjoy this movie for its subtle and not-so-subtle humor. The plot is simple, yet feasible and perfect. I really cannot say much, except that it is a fun ride, and worth a look! If you're having a glum day, this is a great "pick-me-up!"

A funny, dark comedy about a life changing episode of a 34 year old single man.

Coming from a posh upbringing but a complete slacker, or so you are lead to believe. The confused man seems to aspire to more and meets a young (19) bar girl at his work where he has just become the struggling head cook.

The clue to the twist is in the title, from being a romantic comedy with lovely little moments that echo your own ways in the early stages of dating. It then spins on it's head as an offbeat thriller, still just as funny though.

The darker side to the film gives it's funniest moments, notably after paralysing his mother, he then controls her wheelchair with a remote control to get about. Also his best friend deserves a mention, great deadpan calmness, especially when burying the body.

Maybe it is a little long for the story at hand but still well worth watching even if romance or thrillers aren't your thing as it has many other layers.

Death in Brunswick is a smashing wee film. It comes from that venerable antipodean tradition of the "cooky" movie - see: almost anything by Baz Luhrmann or films like The Team, Goodbye Pork Pie, Don's Party, Cars that ate Paris etc etc. Off beat doesn't describe this kind of film - so talk about refreshing. Just when you think the narrative is heading along in a "I-sort-of-get-this" direction - some new character or plot device comes up and wryly calls you over and says: nah that would be too boring.

Fear not though this isn't laboured zaniness or posturing surreality - this is clever, clever, clever stuff - character driven, funny as...and basically something to get you thinking. And get this: someone actually sat in a room somewhere and thought: "Right we'll get that handsome Sam Neill guy and make him a play a weedy loser who lives with his mum." ???Only in Oz. No wonder the man himself ranks this gem among his favourite movies.

From the moment the film opens, depicting aluminium cans rolling ceaselessly (and noisily) in the wind, along with the elderly Greek ladies putting this year's Christmas trees into the wrecked Austin 1800 (stuffed next to previous year's Christmas trees), you know that this film is going to be a little different.

Melbourne, one of the most multi-cultural metropolis's in the world (should that be metropoli?) is the setting for this rather dark comedy drama. Carl, an unemployed and very much down on his luck chef, gets a job at a less than reputable nightclub in the Melbourne suburb of Brunswick. He falls in love with one of the Greek barmaids, much to the consternation of the owner of the bar who has been betrothed to the barmaid. Not helping matters much is a Turkish kitchen hand, who appears to want to spend more time trading in stolen goods and drugs than actually working as a kitchen hand.

When matters escalate out of hand, Carl needs the specialist help that only his friend, Dave can provide. If it can be said that a good friend will help you move (house), it's fair to say that only a true friend will help you move - a body, and as a gravedigger at the local cemetery Dave is in the ideal position to help "dispose" of one of Carl's kitchen disasters.

Along the way, Dave is pestered by his Feminist-rights movement wife who spends most of her on-screen time berating Dave for his pathetic life, while Carl spends his time being roughed up by the nightclub bouncer, roughed up by a Turkish crime syndicate, or, more worryingly, being berated and belittled by his mother.

A truly enjoyable Australian film from the early 1990's, though apparently not available in Australia - I had to get my copy from the UK, though fortunately the UK release is region free.

This is a great and inventive comedy. Although it does follow some tried and true paths, most of it is refreshingly new. There are even some great send up scenes of established movie cliches in it, the fight scene in the stairwell is a classic.

It's a very Australian, even a very Melbourne movie. It catches the look and characters of Brunswick rather well. I don't know what director John Ruane did to convince Sam Neill to be a part of this small movie but it was certainly worth it, he fits the character perfectly

Best of all though, this has John Clarke in it. He could read the phone book and it'd great comedy.

John Ruane hasn't really followed up on the promise of this movie yet, although last year's made for TV, "The love of Lionels life" was a step in the right direction.