Ricochet

Nick Styles is a cool cop who whilst on the beat with his partner captures and embarrasses on live TV, ruthless crime maniac Earl Talbott Blake. Styles goes on to achieve fame and lands the job of Assistant District Attorney, whilst Blake is sent to prison from where he plots a mission from hell that will destroy Styles life wholesale.

Whilst not amounting to more than your standard revenge thriller, Ricochet does have grizzly devilment within its plot to make this a recommend for those who enjoy the popcorn thriller. John Lithgow is always great as a loon bad guy, and here he is a cackling grinning maniacal maelstrom of hate, and some of the lines he gets to deliver are icy madness personified. Denzel Washington is routinely good as Styles, handsome and believable as the cop done good who gets his life flipped upside down by the revenge thirsty Blake. The film is tight on action (including a couple of gross scenes for those inclined), no little suspense, and a wonderful homage to White Heat into the bargain.

It's no award winner, it's for those who like to be entertained with a bowl of no brain popcorn on their laps. See this if you enjoyed Lithgow in Cliffhanger, or purely if you like Washington period. 7/10

This is a typical Denzel Washington film: well-acted, rough language, a racial theme and an involved story that holds your interest. A lot of his movies fit those categories.

Washington plays a preacher's kid and its nice to see he has such respect for him.So many times, Hollywood portrays fathers and especially clergymen in a bad light. John Lithgow is the villain and is such a crazy over-the-top loon he's fun to watch. There are no lulls in this story, yet the action scenes weren't overdone.

It gets predictable in the end but I like the analogy in the film to the classic movie, "White Heat."

I was sorry to see a few things: once again, white people are all the bigots; Lindsay Wagner, television's nice lady of the past, now using very profane language here and looking hard.

Overall, this sometimes looks like a "B" action film more than a classy one but it's still an interesting crime film that sports a few different angles. It may not be one of Washington's better-known efforts, \but it is still entertaining.

A strong opening sequence, reminiscent of titles straight from a Hitchcock movie, bodes well and it's Denzel to the max from the opening frames. 'Ricochet' is very much a product of the 80's in its look and sound, and there's a hard edge and some snappy dialog that really pushes the action forward without pulling any of its numerous punches. This is most likely down to the screenplay being penned by Steven de Souza who wrote Die Hard; DH 2; 48 Hours and Another 48 Hours, some of the previous decades' defining films. John Lithgow's performance is suitably deranged, Kevin Pollack provides solid support (nice impression in the early stages). It's a good story, not without a Hitchcockian twist or two, arguably not particularly polished as a final product, but still a barrel load of kitschy '80's fun. Worth a look, especially for Denzel fans.

Early in the movie there was a discourse between Nick Styles (Denzel Washington) and Odessa (Ice-T) that was a prelude to Denzel Washington in his Oscar role in Training Day. Seeing that was very exciting. Now, unfortunately, the rest of the movie wouldn't be on the level of Training Day but it was still good.

Earl Talbot Blake (John Lithgow) was put behind bars in 1984 by Officer Nick Styles. From that day until Blake was able to secure his release in 1991 he'd been planning his revenge. The revenge was well coordinated and pretty much flawless. A little too flawless.

I appreciated Blake's commitment, preparation, and execution. It was a creative plan he authored to not simply kill Styles, but to destroy his life. But the plan was so grandiose and so elaborate that it defied all reason and feasibility. As I've mentioned in other reviews: elaborate plans that rely on so many moving parts and rely upon predicting the precise actions of another human being are just too far-fetched and unrealistic for me to swallow.

Still, even with that aspect and flaw I thought the movie was good. It offered action, a decent plot, and of course good acting from Washington and Lithgow. Washington was the suave, upwardly mobile cop turned DA while Lithgow was the seething psychopathic megalomaniac with a burning desire to destroy his enemy. They were an excellent mesh.

Rookie Cop (Two Time Oscar-Winner:Denzel Washington) has come a long way from the tough streets of L.A., Nick's life changed forever when he becomes a celebrity. When he stopped a ruthless psychotic killer by the name of Blake (John Lithgow). Nick becomes a media sensation, when it was captured on video by a bystander. Nick's career takes off as a lawyer, while the criminal is behind bars. Seven years has passed... Nick never realize that Blake is being planning the perfect plan of intimidation, public humiliation and murder. Nick has no choice to ask for help, when he ask his old friend (Ice T). Which his old friend has become a Street Hustler while dealing drugs and stealing cars at the same time. Together with the help of another friend (Kevin Pollak) to set a trap for Blake.

Directed by Russell Mulcahy (Highlander, Resurrection, The Shadow) made an entertaining, lurid, action/thriller. This film is also campy at times, especially for this interesting premise. Lithgow offers a scene stealing performance as the villain, which he is entertaining. Mulcahy even manages to give a Highlander homage in a scene. Victoria Dollard (T.V.'s Spin City) also co-star in the film as Nick's wife.

DVD has an sharp non-anamorphic Widescreen (2.35:1) transfer and an terrific-Dolby 2.0 Surround Sound. This film has never been a box office hit but it did become a cult hit on video and a television favorite. The film's only flaw is the silly conclusion but Mulcahy keeps things moving in the film. Do not miss this far-fetched but strong Action/Thriller. Screenplay by Steven E. de Souza (Beverly Hills Cop 3, Commando, Street Fighter). From a Story by Fred Dekker (Night of the Creeps) and Menno Meyjes (Max). Panavision. (****/*****).