Christopher Columbus: The Discovery

I read recently "The songs that my mother taugh me" the auto-biography of Marlon Brando. When he remember this movie, he said that he made all that he could for re-write the script, and he tries even when the film was in his final editing, to do a script that told THE TRUE, about Cristopher Columbus, and the "discover" of the new world... The REAL history. He was very disappointed and in fact he predicted that the film at the end, will be shameful. This is what happens when Hollywood hears the producers in love with the money and not to a genius with 35 years of experience.

From the producer of 'Superman: The Movie' and 'Santa Claus: The Movie' comes what may well be the climax of a trilogy: the two-fisted tale of a lusty Genoese navigator who dared to sail the ocean blue to a New World, with a chorus, believe it or not, of Gloria in Excelsis Deo in the background. What more can be said? True guilty pleasures demand a willing suspension of good taste, and this tacky Hollywood whitewash may well stand as a classic of its kind. Screenwriter Mario Puzo tries to include as much history as he can, but the film is strictly a cartoon melodrama, complete with sword fights, romance, some pretty Atlantic Ocean sunsets and, in a casting nightmare unrivaled since Mel Gibson attempted Shakespeare, Tom Selleck and Rachel Ward playing King Ferdinand and Queen Isabella. The film was sponsored by Quinto Centenario Spain, the official Columbus 500th anniversary commemorative society, which helps explain the flattering matinée idol heroism. But, honestly, could anything else have been expected from the director of Iron Eagle II and the previous few James Bond adventures?

Really not much of anything: all the things that could have been interesting to work out (such as the enslavement of the natives) are not pursued, but rather avoided, and the cast isn't great either. Tom Selleck as the King of Spain is an exceptional example of miscasting. There is lack of depth and indeed lack of actual involvement with the subject. Too bad, now the movie is boring and pointless, really. Watch 1492 Conquest of Paradise instead.

After being rejected by the Portuguese for financial help for a voyage across the Atlantic Ocean to the East Indies, "Christopher Columbus" (Georges Corraface) subsequently petitions "King Ferdinand" (Tom Selleck) and "Queen Isabella" (Rachel Ward) of a newly united Spain for the necessary ships and crew. As luck would have it, since the Portuguese had recently discovered a southern route to Asia around Africa, both King Ferdinand and Queen Isabella were finally convinced and provided him the necessary ship and crew to make his voyage. What Columbus doesn't realize, however, is the amount of intrigue he will encounter as well as the danger that awaits him along the way. Now rather than reveal any more I will just say that this was an okay film for the most part which-like many films of a historical nature-embellished certain scenes to appeal to its intended audience. That said, although I would have preferred otherwise, I suppose it goes with the territory. Even more unfortunate, however, was the acting of Marlon Brando (as the influential Dominican advisor "Tomas de Torquemada") and the rather ridiculous costume worn by Tom Selleck. Admittedly, both Rachel Ward and Georges Corraface performed well enough but even so neither of them could elevate this mediocre film to any great degree and I have rated it accordingly. Average.

I do not know everything about the actual story, but I can imagine that it is more compelling than this. When I learned that this was written in part by Mario "The Godfather" Puzo, I got to hope for quality. With that said, I honestly doubt that I would have enjoyed this all that much regardless of how low my expectations were. The plot isn't all that engaging, and the pacing is uneven. This flick is simply put one of the best arguments for why you should not base viewing choices upon the cast alone. There are *amazing* actors in this, and they are utterly wasted. And several performances in this are unforgivably hammy. The special effects are painfully unconvincing. I wish I was kidding when I say that there is amateur theater with less obvious FX. Did I miss something? This was made in 1992! Did they misplace the budget? For that matter, how did the scenery get to look so bad? This is an adventure film, and that, at least in this case, means fight sequences. They're decent, but if you're looking for that, you can find far superior ones easily. There is some female nudity in this, for anyone that attracts or repels. I recommend this solely to history teachers who have a severe grudge against their students. 5/10