Equinox

I almost switched this picture off, because the stylish character of the delivery seemed a bit too pushed, and I did not feel that I was getting any sense that the plot was going anywhere. But stay with it, it turns out to be a satisfying, well-fashioned film. Later on, it seems to roll more comfortably, either because one gets accustomed to the stylish form, or because that aspect of it gets toned down somewhat.

One of Alan Rudolph's finest; this is a deliriously atmospheric tale of separated twins, lost love and searching. It is a heady brew propelled by Rudolph's sensitive direction, great performances from Modine and Flynn-Boyle and wonderful cinematography and score. Leisurely paced and dreamy this is not for all tastes but the Romantic vision and pervasive melancholy make it a rewarding piece of cinema.

An old woman dies and leaves an unopened letter from years in the past. A morgue attendant takes the letter and finds that it contains information about a trust fund involving twins. She hunts down the twins, figuring on sharing the money and writing a tale based on the proceedings. As she is doing this the separate lives of the twins is unfolding in a jumbled montage. This film reminded me of "Pulp Fiction" in the disconnected way in which it was filmed. Oddball picture, but well worth the seeing.

1st watched 9/10/1998 - 5 out of 10(Dir-Alan Rudolph): Strange tale of twin brothers going their separate ways after being adopted. The film leaves too many questions unanswered and finishes so abruptly that it seems to have been cut short in production. A longer and complete story could have been better.

Equinox is a movie that begins with an interesting enough idea, but loses it in the second part of the movie and just becomes a boring drudge. Modine, Marisa Tomei, Kevin O'Connor, M. Emmet Walsh and Fred Ward are all top par actors who are up to the challenge. Lara Flynn Boyle, on the other hand, is seriously underwhelming and gives the movie nothing.

The movie follows twins who don't know of each other's existence. One is good, the other bad. The good twin is much more arrestingly played by Matthew Modine than the bad one; the script also gives the bad one little of interest to do anyway. I couldn't work out what Lara Flynn Boyle was doing in the movie and the character of the writer also eluded me. The movie didn't make me care enough to find out.