A burglar holds a knife to Karen's throat while her husband does nothing. The couple ends up befriending the cop that comes. The friendship ends when the cop beats up the culprit. Karen isn'... Read allA burglar holds a knife to Karen's throat while her husband does nothing. The couple ends up befriending the cop that comes. The friendship ends when the cop beats up the culprit. Karen isn't ready to end it. Things get ugly with the cop.A burglar holds a knife to Karen's throat while her husband does nothing. The couple ends up befriending the cop that comes. The friendship ends when the cop beats up the culprit. Karen isn't ready to end it. Things get ugly with the cop.
- Awards
- 1 nomination total
Featured reviews
Released the same year as spate of 1992 thrillers including Single White Female, Basic Instinct, Traces of Red, Consenting Adults and Final Analysis name a few Unlawful Entry is a tighter than the aforementioned. It's easy to knock a film in retrospect, as it's been done so many times since but at the time while not totally original it encompassed the best of the genre. Jonathan Kaplan delivers a very entertaining obsession flick and while borrowing elements from Pacific Heights (1990),Cape Fear (1991) & (1962) Lewis Colick's screenplay plays out interesting character developments and arcs especially as Kurt Russell's Michael Carr unravels and Ray Liotta's Pete Davis unveils.
Liotta is perfect as Davis an unbalanced police officer and Russell hams it up, debatably a little too much, as the aggravated husband. There's an overlooked supporting cast, including Ken Lerner and Madeleine Stowe in her heyday. James Horner's score is strong and of its time and it all adds up to an engaging thriller that would later be emulated in Lakeview Terrace (2008) and The Fan (1996).
Worth viewing if only for the underrated Liotta in one of his better roles.
Though the movie kept my eyes glued to the screen, I could've done without certain plot conventions towards the end. I don't have to spoil it for you. You've seen thrillers in the past, you know what I'm talking about. And the writer could've trimmed the use of lines like "Get the f**k out of here," "Stay the f**k out of my house" and "Stay the f**k away from my wife" or "If you touch her, I'll kill you." I think those lines have popped up in every movie thriller I've seen. But the best reason to see this movie is Liotta's flawless performance. On those grounds alone, this movie is well worth seeing.
My score: 8 (out of 10)
Did you know
- TriviaKurt Russell and Madeleine Stowe refused to use body doubles for their sex scene.
- GoofsGiven all the noise, screams, alarms, and gunshots, the street should be full of neighbors wondering what was going on, but it's deserted when Karen opens the door and sinks down on the porch, and remains so until the cops get there.
- Quotes
Officer Pete Davis: [after giving the wrong answer to the security company] What's the password, Michael?
Michael Carr: Figure it out yourself, asshole. Seven letters.
[Chuckles]
Michael Carr: Fuck you.
- Alternate versionsThe Indian theatrical version made cuts by the CBFC to remove...
- Reduce by 50% the visuals of love making in car by the police officer and the prostitute especially deleting the visuals of bare breasts and movements (Length Retained: 22.00 ft).
- Reduce by 50% the visuals of love making by couple in the bathroom by deleting the visuals of lifting of gown and putting his head on belly (Length Retained: 18.00 ft.)
- Reduce by 50% the visuals of love making by couples especially deleting the total nudity and copulation (Length Retained: 20.00 ft.) ...for an 'A' (restricted to adults) certificate.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Obsesión fatal
- Filming locations
- 546 Wilcox Avenue, Los Angeles, California, USA(Carr Residence)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $57,138,719
- Opening weekend US & Canada
- $10,067,609
- Jun 28, 1992
- Gross worldwide
- $57,138,719
- Runtime
- 1h 51m(111 min)
- Color
- Aspect ratio
- 1.85 : 1