The Heroic Trio

The Heroic Trio is at its best when it's also at its craziest, with the action sequences delivering some amazing moments of absolute insanity. It all made me wish the action was allowed to go on a bit longer, because while the action is frequent, most of the set pieces themselves are pretty brief. I guess that's part of the movie overall being fast-paced, whipping between three main characters all within a runtime of under 90 minutes, but it's a little sad how quickly some action scenes end. I might've also liked this a little more had it been more comedic outside its action (I wouldn't really call it a comedy, but some might), but that also feels a bit nitpicky. Most of this is a good time, I liked the leads, and it delivers fun action/thrills in a gloriously over-the-top way.

Is this really as bad as Teen Wolf or Highlander 3, as one reviewer here has suggested? No. In fact, if you're attuned to the kind of crazy stuff that was surgin forth from Hong Kong's movie factories in the early 90s, this will already be a key component of your cult viewing repertoire. The three leads are all stunning and elegant adn everything else is secondary. The plot is maudlin and at times really cloyingly sentimental, but this is just HK cinema for you, and it always displays extreme emotions in a deliberately heightened manner. Its ultimately a really enjoyable film, but you have to see it with some kind of cultural/historical context in mind to help you avoid those nagging Teen Wolf comparisons...

"The Heroic Trio" is a ridiculously over-the-top, magnificent living comic book that marks China's biggest foray into the martial arts-superhero genre by giving birth to three originals - super-heroines, who definitely know how to kick a** and seem to be riffs on iconic American super-heroines (the Invisible Woman of the Fantastic Four and DC Comics' Wonder Woman come to mind) - and assembling three top Chinese actresses (Michelle Yeoh, the late Anita Mui, and Maggie Cheung) to play the leads. The director in charge of this flawed, albeit spectacularly entertaining flick is Johnny To. True to most Asian martial arts cinema, To keeps the action fast, furious, and completely unbelievable. For example, in one sequence, are heroes are battling an evil henchman who has taken hostages at a subway station. The train is in for a head-on collision. The henchman, who's packing the dreaded flying guillotine, has already offed several hostages. In crashes our heroines, riding full-throttle on a motorcycle, and they somehow ride up on the wall and jump off - spiraling - toward the henchman. The day you see a flying motorcycle in an American martial arts movie (or any other movie) is the day pigs fly (and CGI can make it happen, unless you stuff a hog in a cannon). But the story of "The Heroic Trio" is that the three rival super-heroines Invisible Woman (Yeoh), Wonder Woman (Mui), and Thief Catcher (Cheung) must band together if they are to find out who is responsible for several baby-nappings in Hong Kong. All possess great powers and abilities, and their mission will take them from the streets and back-alleys of the city to the demonic underworld. The three leads are pretty and tough, and handled themselves accordingly. The shoddy script gets in the way of To's over-direction, and never quite lives up to the potential that I think it was truly capable of. A flawed, though hyper-active and entertaining entry in the Chinese superhero genre.

7/10

A fine action film with three sexy fighter-heroes and a ridiculous super-villain. I love it when the villain appears to be completely invulnerable and is defeated anyways. This arch-villain doesn't even need the usual corporeal organs and exterior skin ! Over-the-top action scenes may be tame by today's standards, but are great fun. I love that scene at the train station !

Maggie Cheung, Michelle Yeoh and Anita Mui, three of the loveliest leading ladies to grace Hong Kong cinema in the 90s, team up for this classic slice of comic-book style fantasy action that compensates for a confusing and cloyingly over-sentimental story by delivering impressive visuals and seriously insane action the likes of which could only come from the Far East.

Directed by Johnny To and featuring stunning choreography by Siu-Tung Ching, the film concentrates on delivering scene after crazy-ass scene of totally insane action, all set against impressive, billowing backdrops created through the use of strong coloured lighting, plenty of smoke, and a wind machine. Among the film's many over-the-top set-pieces: a locomotive crashing into a crowded station; Anita Mui leaping across telephone wires to catch a falling child; two of the movie's heroines spinning wildly through the air on a motorbike; Maggie Cheung blasting herself into battle astride a dynamite powered oil drum; and a Terminator-style finale that sees the bad-guy's charred skeletal remains seizing control of Maggie Cheung's body (and who can really blame him?).

On top of all this inspired lunacy, viewers are also treated to another unforgettable turn from Anthony Wong as crazy killer Kau (who is a dab-hand with the flying guillotine), some surprisingly nasty violence (including a baby dying after falling onto a nail, several decapitations, and flesh-eating children who wee themselves before being blown to smithereens by dynamite), and last, but by no means least, plenty of opportunities to ogle stars Cheung, Yeoh and Mui, who all look scrummy in their super-sexy outfits.