Dangerous Game

Being a HUGE Madonna fan I had to have this film. Dangerous Game is good and bad for many reasons. First.. It's confusing...but mainly because you don't know where the characters who are playing characters start and end. But that also may be what the director intended.

Second.. the editing.. it was rushed or done on equipment that was of little quality. There are times when the dubs are not with the video.. some parts are a mess.. but again.. intended or not?

Thirdly the acting. Keitel is ... well... Keitel... not too much of a stretch.. Keitel, Russo, and Madonna often times seem to improvise... few lines seem scripted.

Sidebar on Madonna and acting...

Madonna usually has a shining moment or two in most of her films, but more often than not Madonna and acting don't mix. I can say that because I am a Madonna fan. Madonna is the "Queen Of Deadpan," she says a line and... NOTHING. She seems to be thinking about her next line while the other person is speaking, which hinders delivery and expression... plus she blinks WAY too much. Those are her biggest acting flaws... DIRECTORS TAKE NOTE... I summed it up... VOILA!

But I digress...

In Dangerous Game, Madonna shows us some of her BEST ACTING TO DATE! There are countless scenes where she is not left to carry the film. She lets her hair down and is actually believable. The scene near the end.. with Keitel actually egging her on to get a REAL reaction. "You think you're so smart"... is BRILLIANT!

Finally... Often times there are scenes where the director seems to use genuine behind-the-scenes footage of Madonna, Keitel and Russo. Sadly the only reason I say this is because Madonna's acting is too good and her performance too genuine. This again confuses the audience. Intended or not?

This film is extremely choppy... very gritty... very dirty... very raw... very sick... very violent..

but very boring in some sections...

I didn't enjoy this film the first time I saw it, and often times I fast forward through scenes when I watch it today. But, the film does have some quality to it that makes you ask... Was that supposed to happen? Is that Madonna or Sarah or what? Did they? Did She? Oh My!

If you like a movie where the ending is not black and white you'll enjoy Dangerous Game.

One of the first movies in a while to really drag me in, possibly thanks to the performances of the leads.

This feels REAL, and it's intense. A movie about the making of a movie where the drama is just as solid and visceral off-screen as it is on, but it's not some reality TV rubbish, it's a deeper reflection on life and relationships. That is, the movie that's depicted as being filmed, and the movie you're watching.. like layers of Inception.

This movie studies what people need to be whole, whether they're intrinsic or extrinsic, whether they need others, need drugs, need alcohol, money, god, or can be whole within themselves. The confusion that lust sows. The conflicts that occur when those needs are at odds between partners. The nature of need. How sometimes when we love someone, they become a part of us, and the separation becomes physical.

Finally a movie that was worth my time.

If you have a dark world view and a great deal of patience,

Dangerous Game might be the flick for you. It made me think

about the individual scenes that make a film, and the performances therein that elicit a particular response in the viewer. The whole movie is difficult to watch-at times I had to look away.

On the surface one might dismiss it as Crackhead Cassavetes.

But Keitel's character Eddie Israel and real-life director Abel

Ferrara's intentions run parallel-both men lead their actors on a

descent into a personalized hell. The script on occasion seems

ponderous and repetitive-at some points it seems as though

director Eddie Israel's film-within-a-film consists of only one

scene. James Russo (always creepy to watch) is a tightly-wound

sickening knot as Burns, and Madonna's portrayal of Sarah as

victim is an equally punishing one, both for the actress and the

viewer. And when Keitel hits you with the signature half-whine,

half-howl we hate to love him for, the fat lady has sung. There isn't

one weak performance in this film, but it's not fun at all. You

wonder why this is called entertainment. It's entertaining in the

same way watching two strangers nearly come to blows is

entertaining-you end up feeling good because it's not happening

to you.

This is a strange and disturbing experimental movie. A rare and great performance by Madonna. She actually can act under the control of the right director. Although, I hear she hated. It seems ironic that she finally makes a good movie and doesn't even realize it. I guess she made some complaints that she thought her character was going to be stronger. (Funny, if she wants to be a Feminist Avenger, or some kind of role model of strength, maybe she shouldn't have made a career out of exploiting herself for fame and the all mighty dollar. Okay, now I'm ranting, but isn't funny how men are especially really down with the NeoFeminist Bull about how it's actually empowering for women to exploit themselves.) Ferrara plays with the autobiographical nature of the subject matter. The plot centers on a film director who compartmentalizes his personal and professional life, until the secrets of his professional life overwhelm him.

Not a particularly entertaining movie this one, but definitely an interesting watch when you take into consideration not only the movie, but the similarities which surrounded its release. And of course Madonna, who (unwittingly?) gives the best performance of her much ridiculed celluloid career.

The film revolves around director Eddie Israel (Keitel) and his supporting cast members in their journey to film the uber-dark relationship drama 'Mother of Mirrors'. Starring alcoholic drug dependent Francis Burns (James Russo) and recent Christian convert Sarah Jennings (Madonna) the film within a film blurs over into real life, leaving the viewer confused about whether the actors are acting their character in 'Mother', their character in 'Dangerous Game' or even their character in real life. The confusion even seems apparent on set, with one directors clapper-board shots with the movies real director A. Ferrara noted on it.

In reality, Ferrara had to resort to accepting finance for the film by Madonna's Maverick Films and thus also accepting its MD as his leading actress. Madonna once said that when she attended the premiere she left the theatre crying as it was in her eyes a completely different movie, and all her best scenes were cut. Dig a little deeper with this one and you might be able to see the underlying story which is far more interesting than what's bubbling on the surface.