Shadowlands

Anthony Hopkins and Debra Winger are perfectly cast in this beautiful film that contains what maybe the best and most haunting scenes in the history of motion pictures.

I didn't realize that there was almost no music until the third time I watched it. Hopkins delivers a career-best performance and Joseph Mazzello (as Winger's son) is terribly underbilled (his performance is superb), and I have no idea why Shadowlands didn't even land a Best Picture Academy Award nomination, it's certainly worth the price of the rental.

+ (GOOD THINGS) 1.) Death scene 2.) Chemistry between Hopkins and Winger 3.) Richard Attenborough's direction 4.) Hopkin's performance 5.) William Nicholson's script 6.) Winger's performance 7.) Joseph Mazzello's performance

• (BAD THINGS) 1.) Winger's accent

Total: 9.5/10

Shadowlands portrays Lewis as a naive old bachelor with little experience of life, sheltered if not positively shallow. But you tell me: when he was 10 his mother died; when he was in his late teens he entered the army, endured trench warfare, and was wounded; he saw his best friend killed in battle; honoring a pledge, he moved in with the friend's mother and sister and supported them for many years; he had a sexual relationship with his friend's mother, and although she was an extremely difficult woman he remained with her until her death; and during all these years his much-beloved brother Warnie was a binge drinker who often ended up face down in the gutter. Does this sound like a sheltered life to you? I can't speak for anyone but myself, but this strikes me as a pretty full life - he'd gone through more by the age of 25 than I have at 45. Lewis loved Joy Davidman, and she brought something important to his life. But to say he needed her to become a Real Human Being is condescension of the worst sort, and this aspect of Shadowlands's script is a kind of slander (perhaps a backhanded slap at Lewis's Christianity, which is "obviously" childish and unrealistic?).

A few years ago, I had the pleasure to correspond with Douglas Gresham. (FYI, Douglas is Joy's son -- thus C.S. Lewis step-son -- played by Joseph Mazzello in this film.) I had recently seen Shadowlands, and so I asked Douglas how "true to life" the picture was. He told me that some details (dates, places) had been changed slightly for obvious dramatic/story-telling reasons, but that the "spirit" and "feeling" of all the emotions portrayed in the movie were perfectly accurate. That's exactly what it all felt like, he said.

I own the movie (and the soundtrack), and have seen it a dozen times... and I still get teary-eyed at the scene where Douglas and Jack cry in each other's arms... this movie rates a perfect 10 from me; I can't find any fault with it at all.

I watched this film as I'm a sucker for weepies. I didn't know that it was about CS Lewis, a little naive, you may say, but I just saw that it had a good rating in the TV guide and so I set the video to record it. I have told my family that I will kill them if they ever record over this film! It is beautiful. No background knowledge of the life of CS Lewis is needed- just sit back and enjoy. Some people may criticise such things as Debra Winger's accent and the fact that Douglas (Joseph Mazzello) should have had a brother in the film, but ignore them and let yourself be submerged in the sheer excellence of the film. The best line, for me, is when Hopkins, as Lewis, is teaching his class and tells them that "The most intense joy lies not in the having, but in the desire. The delight that never fades, the bliss that is eternal, is only yours when what you most desire is just out of reach". It will leave you crying yet contented. Watch this film, but do so with a box of tissues. If you leave the room to get something, you will without fail miss something. Not a moment of this movie must be missed!

I probably watch this film every two years, yet like fine wine, it grows even better after time. This picture is a beautiful, thought provoking, and highly effective meditation on how love, death, god, joy, and pain all coexist in the strange universe that is life. With subject matter as complex as this, the viewer can see where one could easily become lost in C.S. Lewis's story, but "Shadowlands" never falters. The film remains quiet, simple, and highly effective through Attenborough's understated direction, and its cast's uniformly excellent performances.

However, what sits at the very core of "Shadowlands" beauty is its ultimate truth. There are moments in this film so full of genuine, unflynching emotion that its power practically hits the audience member in the gut. Yes, the film's magnificently depicted scenes of death and grieving never fail to jerk tears from my eyes, but Lewis's closing lines regarding the choices he made as a boy and a man make me sob.

"Shadowlands" is undoubtedly representative of filmaking at its very best. I recommend this film without reservation to anyone!