Cabin Boy

No, not in the 'it's so bad it's good' way. I truly think it's one of the funnier comedies of the last 20 years or so. Perhaps a lot of it depends on how you feel about Chris Elliot to begin with. I think he's priceless. Used to love his old show Get A Life and have followed him ever since. The plot of this, kind of a twisted version of Captains Courageous, really doesn't matter. What's fun are the numerous sight gags, Elliot's constant barrage of sarcastic one-liners and the generally anything goes attitude of the whole enterprise. The ship's crew, filled with a number of character actors we're not used to seeing in this kind of thing, are a wonderfully sleazy bunch. David Letterman's hysterically amateurish cameo at the beginning is the stuff of legend. "Wanna buy a monkey?" Ha! OK Citizen Kane it ain't. I own that on DVD btw. Right next to it is Cabin Boy.

A reviewer below compared Chris Elliot to Andy Kaufman, and I don't think he knew how close that analogy really fits. Elliot is like Kaufman in alot of ways. Some people never really understood Kaufman's peculiar brand of performance, and from the looks of the reviews below, there are plenty of people who don't get Elliot. It was not always the *content* of Kaufman's performance that made you laugh, it was the fact that he was doing it in the first place. For those that saw "Man on the Moon", think about the Gatsby reading. It wasn't funny for an audience member at that Kaufman appearance to hear all of Gatsby being read, even LONG after the joke of doing it wore out. But paradoxically, if he hadn't done so it wouldn't have been as funny. What's funny is that he had the gumption to go ahead and finish the entire work, regardless of what the effect on his audience was.

Likewise, not everything that Elliot does is gut-busting hilarious. For those of us who like his work, it's the absurdity of what he did that counts. If you've seen Elliots short-lived TV series "Get a Life", than the perversely surrealistic scenery of "Cabin Boy" makes more sense. It's supposed to make the viewer feel like there is no normalcy to be found. I'm not claiming this was some great artistic acheivement, it's simply a good way to facilitate Elliot's brand of comedy. There was no comfortable, sane baseline in "Get a Life" to which characters could return, not even a basic continuity of plot between episodes (such as what characters are still alive.) Likewise, "Cabin Boy" is simply a string of absurd situations that when taken separately are not really "hilarious" in that sense. But taken as a totality, a fan of Elliot's humor appreciates the quirky nature of the film as a whole.

I say this not to convince those who don't like Elliot, only to justify the opinions of those of us who do in the face of people who simply write this film off as "horrible." In terms of quality, the TV series was Elliot's best work, but this film definitely has some appeal to some people. There really is a "cult" sort of following for this film, becuase some of us are sick of the cookie-cutter comedies that get churned out these days.

When I first saw this, I didn't particularly dislike, let alone vehemently dislike it like so many others did. I thought it was humorous.

I have been thinking about Cabin Boy ( I last saw it some months ago), and in a way, Chris Elliotts brand of humour was ahead of its time. As I write this, I had the idea that this is the exact reason why the Farrelly's cast him in Something About Mary. Look at the humour that has come out the last 10 years. Much of it is about idiots. Idiots doing the stupidest things, saying the stupidest things, and reveling in it. And my generation (bitter end of Gen X, very beginning of Y) grew up being stupid. What I mean is that my friends and I joke around, but by being stupid for our own amusement. We lower ourselves. WHy so many 24+ year olds love Jackass is because so many of us were like that in late 90's early 00's..

And Elliot was one of the first. Handsome Boy modeling school (Get a Life)? Gotta love it. Spewey(also Get a Life)? This isn't high comedy. It is about an un-innocent moron. No one has any love for this guy. He is a loser. How many comedies were before this about unlikable losers? The Jerk was an innocent. Laurel and Hardy, Abbott and Costello? Always innocents.

One of Elliot's problems is that he's a bad actor. But he was onto something. Come one, it not that bad!

Going into this movie, I thought it might get popped out of my VCR after about 15 minutes of viewing. I was not expecting to enjoy this choice my wife had made at the video store.

To my surprise, the movie is pretty funny and some of the ocean going scenes have a strong surrealistic feel to the cinematography that make the movie unique.

Chris Elliot's sun-induced bout of hallucinations alone is worth the price to rent this movie.

While a number of critics have discussed at length "Cabin Boy"'s allusions to earlier sea epics, such as "Mutiny on the Bounty", "Moby Dick" and "Humanoids of the Deep", surprisingly little attention has been devoted to it's social commentary. Although it may, perhaps, be an overstatement to call Chris Elliot's script "revolutionary", its message has a decidedly socialist bent. In fact, I would venture to say that none of Elliot's other work, prior to OR since "Cabin Boy" has had a comparable impact on the way ship captains treat their crew - or for that matter, on the labor movement in general in this country. It's safe to say that the success of "Cabin Boy" is a product not only of Elliot's vision, but also a fortunate case of being "the right film at the right time", so to speak.

Additionally, the cast must be credited. Brian Doyle-Murray, Russ Tamblyn and many others give the performances of their careers. The stand-out, of course, was Ritch Brinkley in a magnificent portrayal of Captain Greybar, captain of "The Filthy Whore." Far from the stereotypical old salt sea captain, Brinkley's Greybar is hard, harsh, irritable and irrascible, and yet even-handed and even sensitive, giving a textured character which is so clearly missing from many other sea films. Particularly touching is the scene when Elliot's character, Nathanial Mayweather, serves "fish-stick kitties" for the crew's lunch. Words cannot describe the emotion that Brinkley's face conveys. It's so touching because it's true!

While "Cabin Boy" has its flaws, I have no doubt that it will be greatly appreciated by landlubbers and sea captains alike, particularly those who, like myself, started their careers as lowly cabin boys.