I Can't Sleep

By using any traffic system, you can go anytime, anywhere, anyway you like. This is called evolution. But in other way, that means you may surrounded by many strangers easily no matter what. No consideration if you like it or not. I call it destruction of human relations.

You can't deny thinking about it seeing this film. Cos it has scenes full of it. Distance between people, emptiness of the civilization.

We have to be separated cos they wanted us that way. So they can easily control. We've been cut out from our own lives and pasted on a huge system just to run it.

Not enough lines, but silence speaks. I like these kind of smart film. Hail Ozu.

This is a very strange film, indeed. In the plot there's something about a Latvian immigrant in Paris, a couple of homosexuals, an old lady's murderer, some African immigrants (I think they're from the Maurice Islands), a woman who is a hotel manager and protects the young Latvian, a transvestite who has his own show on a nightclub, and some other crimes and weird stuff.

But it's not a bad movie after all. Despite the confusing plot, the film has some very nice sequences, some shocking scenes and one of the most beautiful actresses I've ever seen, Ms. Katherina Golubeva, whom I'd never heard about before this film. If you have a lot of time to spend, and you're in the mood for an unusual motion picture with a gorgeous young actress, "J'Ai pas Sommeil" is a good pick.

A movie genre that I've occasionally seen focuses on the gritty underbelly of supposedly idealistic places. Claire Denis's "J'ai pas sommeil" ("I Can't Sleep" in English) is one such movie. The protagonists are a group of in a dismal section of Paris who find each other amid a murder spree. This group includes a man from Martinique (a reminder of France's colonial history) and a woman from Lithuania (one of the many people who saw no prospects in their countries once the Eastern Bloc collapsed).

Quite a different image of France than we're used to, but this group of people still has it better than most people in the global south. The point is that millions if not billions of people worldwide live in these conditions. The people depicted in this movie could just as easily be people from Latin America seeking a better life in the US.

Basically, if you're reading this, then you're one of the privileged few. Definitely check out the movie.

I can sort of see what (co)writer - director Claire Denis was trying to do here: a serial killer "thriller" minus any of the Hollywood flash, cross-pollinated with a "slice-of-Parisian-life" type of film (there is also a bit of "Pulp Fiction" going on, not in the chronology of events which is straightforward but in the way various characters pop in and out of each others' stories; however, because both films came out at the same year (1994), it's hard to say if there was any actual influence). Unfortunately, the result is boring, meandering and interminable. The Lithuanian girl's sections are marginally more interesting than the rest, mostly because Yekaterina Golubeva is stunningly beautiful. Gotta love that totally inaccurate IMDb plot description! * out of 4.

You might have to be a foreigner to understand the plight of not belonging to the main culture of a country. The characters portrayed are deracine from their native countries, attracted by the promised land of capitalism, functioning mainly in the twilight hours of Paris, where they are mainly prey for sexual predators. Exploitation of these immigrants continue as it was in colonial times, except this time is not so overt. The illusion of freedom is thin. The impossibility of communication thick. Interacial affairs doomed, as are their children. Pretty bleak, but portrayed with sensitivity by Denis who shows us the underside and post effects of colonialism in contemporary Paris.